Jurassic Park III: Original Motion Picture Soundtrack is a score of the film of the same name. Composed by Don Davis and performed by the Hollywood Studio Orchestra, this fast-paced, action score was composed late in the film's post-production. Some of John Williams' themes from the previous films are also featured.

This arrangement for brass quintet (Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba) is suitable for classroom, repertoire and recital.

?The King of Love My Shepherd Is? is a metrical paraphrase of Psalm 23, written by the Anglican cleric and hymn-writer Sir Henry Williams Baker (1821-1877) for the second edition of Hymns Ancient and Modern (1868), of which he was editor as well as contributor. Baker's hymn has been described as perhaps the most beautiful of the many versions of the beloved psalm, and it has been said that the author's own last words before dying were the third stanza:

Perverse and foolish oft I strayed,
But yet in love He sought me,
And on His shoulder gently laid,
And home, rejoicing, brought me.

Originally, the hymn was paired with the tune DOMINUS REGIT ME, written by Baker's friend John Bacchus Dykes (1823-1876) specifically for Baker's text. Later, Ralph Vaughan Williams (1872-1958) sought to republish the hymn in The English Hymnal (1906), of which he was editor, and was denied the right to use Dykes's tune. He then paired Baker?s text with his own arrangement of an Irish traditional air, ST. COLUMBA.

It is on ST. COLUMBA that this arrangement for brass quintet is based. Following a short introduction, the tune is presented three times: first, by trumpets in a modal melodic/harmonic fashion; next, by low brass trio evoking Vaughan Williams' familiar harmonization; and finally, in a broad, full presentation by the entire ensemble, followed by a quiet, peaceful ending.

�2019 Todd Marchand / ConSpiritoMusic.com

?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. �Copyright2015 Todd Marchand / ConSpiritoMusic.com

"The Truth From Above," aka "[This Is] the Truth Sent From Above," and sometimes known as "The Herefordshire Carol," is an English folk melody that was collected by Ralph Vaughan Williams in 1909, used in his Fantasia on Christmas Carols (1912) and and published in Eight Traditional English Carols (1919).

Its text tells of God's creation of man and woman, their placement in Paradise, their sin and its subsequent consequences for all humanity, the nativity of Christ, His example and teaching, and His promise of salvation for all who believe in Him. Another text, "The Great Forerunner of the Morn," which tells of John the Baptist's preparation for the Christ, is also sung to the tune.

The Dorian-mode melody uses the first through fifth tones, and the seventh tone, of that mode. Although collected by Vaughan Williams just after the turn of the 20th century, its chant-like quality, both melodically and rhythmically, is reminiscent of centuries-old music.

This arrangement features solo tuba on the first presentation of the tune followed by the full ensemble in full harmony, a key change and canonic presentation by horn and trombone, and a return to the original key and concluding statement by full ensemble with harmonic variation.

"The Shadow of Your Smile", also known as "Love Theme from The Sandpiper", is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. In 2004 the song finished at #77 in AFI's 100 Years...100 Songs poll of the top tunes in American cinema. Well-known versions of the song were recorded by Barbra Streisand (on her 1965 album My Name Is Barbra, Two...), singer Shirley Bassey (on her 1966 album I've Got a Song for You), Andy Williams, Chris Montez, Percy Faith, Rita Reys, Al Martino, Perry Como, Nancy Sinatra, Astrud Gilberto, Peggy Lee, Sammy Davis, Jr., Sarah Vaughan and Frank Sinatra. This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba. It is suitable for repertoire, classroom and recital.

\\\"Resonet in Laudibus\\\" (\\\"Let the voice of praise resound\\\") is a Medieval carol known in Europe at least since its appearance in the Moosburg Gradual of 1360, and probably much earlier. Today, it is well-known as the tune accompanying the text of the traditional German carol, \\\"Joseph Lieber, Joseph Mein\\\" (\\\"Joseph Dearest, Joseph Mine\\\") and John Mason Neale\\\'s \\\"Christ Was Born on Christmas Day.\\\"

The tune appears in the Medieval songbook, Piae Cantiones (Pious Songs), compiled by the Finnish priest and headmaster Jaakko Suomalainen (aka Jacobus Finno, or \\\"James the Finn\\\") and published in 1582. Ralph Vaughan Williams harmonized the tune and included it in the English Hymnal (1906), of which he was music editor.

This lovely, lilting tune is an ideal vehicle for a sonorous arrangement for brass quintet.

�Copyright 2020 Todd Marchand / www.ConSpiritoMusic.com