Partitions Numériques de Key of G pour Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Key of G

National Anthem of Ukraine - Brass Quintet - Intermediate Level
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1184424 Composed by…(+)

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1184424 Composed by Lyrics by Pavlo Chubynsky, Music by Mykhailo Verbtsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. 9 pages. Chicory Music #784152. Published by Chicory Music (A0.1184424). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamationThis arrangement for Brass Quintet, in the brass friendly key of g minor, is easily accessible to those students who playÂ at the Intermediate Level.Â Performance Time: 1 minute 35 seconds
$9.99 9 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #Lyrics by Pavlo Chubynsky, Music by Mykhailo Verbtsky #Dennis Ruello #National Anthem of Ukraine - Brass Quintet - Intermediate Level #Chicory Music #SheetMusicPlus

It Had to Be You
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy.Â By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s.Â But he also found time to write melodies for a whole raft of popular songs.Â Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot.Â One was It Had to Be You, with words by Gus Kahn.Â Â Â Â Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary.Â It remains popular and has evolved into a jazz standard.Â Â Â Â This brass quintet version retains the original key of G Major.Â It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus.Â At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F.Â Trumpet 2 quickly joins and the melody changes to an upper brass trio.Â The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F.Â The section winds upÂ with the original Trumpet-Horn-Tuba combination.Â Â Â Â The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass.Â As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.Â Â Â Â Rehearsal letter D marks the beginning of the chorusâ€™ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion.Â The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end.Â (Although, a good time is had by all!)Â Â Â Â Performance time is about three minutes, fifty seconds.Â All notes are within the normal playing range of each instrument with the following exceptions:Â (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.Â Â Â Â The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.Â He would like to receive your suggestions, comments, corrections and criticisms.Â Contact him at lessmith61@bellsouth.net.Â For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 11.7 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s #Isham Jones #F #It Had to Be You #Sweetwater Brass Press #SheetMusicPlus

Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethovenâ€™s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. www.jamesguthrie.com.