\\\"Resonet in Laudibus\\\" (\\\"Let the voice of praise resound\\\") is a Medieval carol known in Europe at least since its appearance in the Moosburg Gradual of 1360, and probably much earlier. Today, it is well-known as the tune accompanying the text of the traditional German carol, \\\"Joseph Lieber, Joseph Mein\\\" (\\\"Joseph Dearest, Joseph Mine\\\") and John Mason Neale\\\'s \\\"Christ Was Born on Christmas Day.\\\"

The tune appears in the Medieval songbook, Piae Cantiones (Pious Songs), compiled by the Finnish priest and headmaster Jaakko Suomalainen (aka Jacobus Finno, or \\\"James the Finn\\\") and published in 1582. Ralph Vaughan Williams harmonized the tune and included it in the English Hymnal (1906), of which he was music editor.

This lovely, lilting tune is an ideal vehicle for a sonorous arrangement for brass quintet.

�Copyright 2020 Todd Marchand / www.ConSpiritoMusic.com

?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. �Copyright2015 Todd Marchand / ConSpiritoMusic.com

In 1880, Edvard Grieg composed twelve songs based on the poetry of A.O. Vinje. Two of those he arranged for string orchestra as Two Elegiac Melodies. Four years later Grieg composed a five-piece suite to celebrate the 200th anniversary of the birth of Ludvig Holberg, the Norwegian-born writer who played a major role in the founding of Danish literature. Originally written for piano, Grieg soon arranged From Holberg?s Time for string orchestra. Nearly one hundred years later, Kathryn Forbes? novel, Mama?s Bank Account, was published, recounting the tale of a Norwegian family living in San Francisco in the early Twentieth Century. Forbes? book inspired a number of dramatic presentations, Broadway and Hollywood productions. Most relevant to ?Two By Grieg,? however, was Mama, a TV series CBS launched in 1949 that ran for eight years. This weekly half-hour program used two Grieg compositions as themes: ?Sarabande? from Holberg Suite and ?The Last Spring? from Two Elegiac Melodies. For many viewers, this was the first time they had ever heard these beautiful songs, and the two melodies have been forever linked thereafter. ?Sarabande? and ?The Last Spring? are the compositions that comprise ?Two By Grieg.? This arrangement is based on Grieg?s string orchestration and stays as close as possible to the original. Completed in 2016, this arrangement runs about 7 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.