This polyphonic Arrangement features all parts and even includes a written out chorus, which can be played ad lib or as written. My Funny Valentine became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. One of the greatest songs ever! Instrumentation: Voice (female d1-f2/male: d-f1 , Tpt 1/2 in Bb, Horn in F, Trombone, Tuba, Drums (opt.)

This polyphonic Arrangement features all parts and even includes a written out chorus, which can be played ad lib or as written. My Funny Valentine became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. One of the greatest songs ever! Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Bb, Trombone C/Bb, Tuba/Bass in Bb

?DixielandMedley? for Brass Quintet is a collection of five ?Dixieland-ish? favorites toinclude: ?That?s a Plenty?, ?After You've Gone?, ?Alexander's Ragtime Band?,?Margie? and ?At the Jazz Band Ball?. This is an Advanced Intermediate to Advanced arrangement. Forhundreds of other arrangements by Kenneth Abeling please visit: www.lincolnmusicpublications.com Playing time: 3:15

That most sensual of ballroom dances, the tango, originated during the 1880s along the R�o de la Plata, the confluence of the Uruguay and Paran� rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries.
The tango is closely identified with Argentina, and Argentine musician �.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was ?El Choclo? (in English: ?The Corn Cob?!).
?El Choclo? premiered in Buenos Aires in 1903 and became one of Argentina?s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: ?Kiss of Fire.? A number of singers made recordings of ?Kiss of Fire? that year, the most popular of which was that of Georgia Gibbs; her ?Kiss of Fire? disc reached the top spot on the Billboard chart.
The melody for ?El Choclo? is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.
Completed in 2020, performance time for ?El Choclo? runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.

Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite,consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre. It is arranged here for standard brass quintet. Rather than have the quintet play tutti all the time, (like other arrangements you may find) I have spread the melody around, as well as giving the players somewhere to breath. My arrangements of music by Queen include: Bohemian Rhapsody Don?t stop me now Love of my Life Somebody to Love Under Pressure

Pyotr Ilyich Tchaikovsky's Ballet The Nutcracker debuted in 1892. One of the best-knownscenes from the work is The Dance of Sugar Plum Fairy for its celeste solo. This version forbrass quintet respects the source material but also adds a little extra whimsicalness to thefinal iteration of the tune; at bar 37 the melody is frequently passed from instrument toinstrument and the parts marked with "play out" are bits of the tune. -full duration 2:00

Sweet Georgia Brown, Lyrics by Kenneth Casey and Music by Ben Bernie and Maceo Pinkard arranged for Brass Quintet. This is a more advanced arrangement of the 1925 Jazz standard / Popular tune. The song is perhaps most recognized as the theme song of the basketball comedy team the Harlem Globetrotters. Playing time approximately 3:00. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet.

"King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records.


The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song.

The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song."

"King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.

The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs".

Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.

A send-up version by English entertainer Billy Howard was a British chart hit in 1976.

A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.