?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. �Copyright2015 Todd Marchand / ConSpiritoMusic.com

This medley brings together four familiar English carols in a cheerful, attractive arrangement: ?Ding, Dong! Merrily on High,? ?God Rest Ye Merry, Gentlemen,? ?Here We Come A-Wassailing,? and ?Good King Wenceslas.? �Copyright2012 Todd Marchand / ConSpiritoMusic.com

"The Truth From Above," aka "[This Is] the Truth Sent From Above," and sometimes known as "The Herefordshire Carol," is an English folk melody that was collected by Ralph Vaughan Williams in 1909, used in his Fantasia on Christmas Carols (1912) and and published in Eight Traditional English Carols (1919).

Its text tells of God's creation of man and woman, their placement in Paradise, their sin and its subsequent consequences for all humanity, the nativity of Christ, His example and teaching, and His promise of salvation for all who believe in Him. Another text, "The Great Forerunner of the Morn," which tells of John the Baptist's preparation for the Christ, is also sung to the tune.

The Dorian-mode melody uses the first through fifth tones, and the seventh tone, of that mode. Although collected by Vaughan Williams just after the turn of the 20th century, its chant-like quality, both melodically and rhythmically, is reminiscent of centuries-old music.

This arrangement features solo tuba on the first presentation of the tune followed by the full ensemble in full harmony, a key change and canonic presentation by horn and trombone, and a return to the original key and concluding statement by full ensemble with harmonic variation.

\\\"Resonet in Laudibus\\\" (\\\"Let the voice of praise resound\\\") is a Medieval carol known in Europe at least since its appearance in the Moosburg Gradual of 1360, and probably much earlier. Today, it is well-known as the tune accompanying the text of the traditional German carol, \\\"Joseph Lieber, Joseph Mein\\\" (\\\"Joseph Dearest, Joseph Mine\\\") and John Mason Neale\\\'s \\\"Christ Was Born on Christmas Day.\\\"

The tune appears in the Medieval songbook, Piae Cantiones (Pious Songs), compiled by the Finnish priest and headmaster Jaakko Suomalainen (aka Jacobus Finno, or \\\"James the Finn\\\") and published in 1582. Ralph Vaughan Williams harmonized the tune and included it in the English Hymnal (1906), of which he was music editor.

This lovely, lilting tune is an ideal vehicle for a sonorous arrangement for brass quintet.

�Copyright 2020 Todd Marchand / www.ConSpiritoMusic.com