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--INSTRUMENTS--
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Adagio Op. 1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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ORGUE
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Crtitères actifs :
Adagio Op. 1
avancé
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Adagio from Concerto in d for Oboe - A Marcello transcr. JS Bach (Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Allesandro Marcello
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Peet du Toit
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Adagio from Concerto in d for
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Tuba - Level 4 - SKU: A0.802677 Composed by Allesandro Marcello. Arranged by Peet du Toit. Baroque. Score and parts. 11 pa...
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Brass Ensemble Euphonium,Horn,Tuba - Level 4 - SKU: A0.802677 Composed by Allesandro Marcello. Arranged by Peet du Toit. Baroque. Score and parts. 11 pages. Peet du Toit #6361995. Published by Peet du Toit (A0.802677). Born in Venice, Marcello was the son of a senator. As such, he enjoyed a comfortable life that gave him the scope to pursue his interest in music. He was a contemporary of Tomaso Albinoni. He held concerts in his hometown and also composed and published several sets of concertos, including six concertos under the title of La Cetra (The Lyre), as well as cantatas, arias, canzonets, and violin sonatas. Marcello, being a slightly older contemporary of Antonio Vivaldi, often composed under the pseudonym Eterio Stinfalico, his name as a member of the celebrated Arcadian Academy (Pontificia Accademia degli Arcadi). He died in Padua in 1747.Alessandro's brother was the more well-known Benedetto Marcello, also a composer.Although most of his works are infrequently performed today, Marcello is regarded as a very competent composer. His La Cetra concertos are unusual for their wind solo parts, concision and use of counterpoint within a broadly Vivaldian style, according to Grove, placing them as a last outpost of the classic Venetian Baroque concerto.[citation needed]The Concerto for Oboe and Strings in D minor op. 1, S D935, is an early 18th-century concerto for oboe, strings and continuo. Perhaps his best-known work. Its worth was affirmed by Johann Sebastian Bach who transcribed it for harpsichord (BWV 974). A number of editions have been published, including an edition in C minor because the baroque oboe played a whole tone lower than the modern oboe.Here is a take on brass instruments, with a basic or an advanced version for the euphonium soloist. Enjoy!
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