The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions.
This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns.
Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.

The MP3 clip here, limited to 30 seconds, happens late in the arrangement, which is 3 minutes and 15 seconds long. You'll hear the characteristic Stevie Wonder modulation up a half step. I brought the whole song down a half step from the original key of B (yikes!) to Bb. After the modulation players will be challenged briefly by the key of Cb. I urge you to purchase this arrangement, as I'm confident you'll find that I've captured the essential elements, as well as the excitement, of Stevie's great song, and allowed the brass quintet to sound at its best. Professional quintets can really enjoy this arrangement, but it is also playable by good student quintets.

This inspirational hit by Josh Groban makes a stirring selection for a program, and its unmistakable melody is easily recognized by audiences. Written for brass quintet, it features the trombone as a solo instrument. Add a player on the optional drum set part to maximize the breathless effect of the climax of this emotional ballad! If you don't have a french horn, substitute parts are included for baritone t.c. and euphonium. The song comes in at around 4:28 in length. In keeping with the stage setting of the original song's video, the cover art was shot from the stage of Whitley Auditorium at Elon University. You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkedIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!