Yes, this piece is really called Brain Enema. It's loud, aggressive, and even a little bit ugly at times. When your audience sees the title on your recital program, they'll expect a little discomfort, so be sure to give them an all-out assault on their senses.

This chorale prelude is in three sections. The first part uses motives from the hymn interspersed with a triplet figure. The second section is more subdued and the harmony more contemporary. Motives from the hymn are present,but secondary. The final section uses the hymn as a cantus firmus while motives and triplets occur above it. It brings the prelude to a rousing conclusion.?

World War I Medley for Brass Quintet A medley of ?It?s A Long, Long Way to Tipperary? by Jack Judge and Harry Williams and ?Pack Up Your Troubles in Your Old Kit Bag? by George Asaf and Felix Powell. Also includes the British Bugle Call ?Fall In? Arranged by Jari Villanueva Score 2 Trumpets in Bb Horn in F Trombone Tuba Drums (optional) Optional sub parts for Eb Horn and TC Trombone provided ?It?sA Long, Long Way to Tipperary? is one of the most remembered tunes from thisera. It was composed in 1914 and recorded by the well-known tenor JohnMcCormack, which helped its worldwide popularity. ?Pack Up Your Troubles inYour Old Kit Bag? was composed in 1915 and used during the war to boost moraleand to assist in the recruitment of troops. Both tunes are presented in thismedley to commemorate the 100th anniversary of World War One. A student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. Many of his arrangements can be found on Sheet Music Plus.

Edward Elgar wrote his Variations on an Original Theme in 1899; each variation was meant toportray one of Elgar's close friends. The ninth movement, ?Nimrod? is about and conversation thatthe composer had with music editor, Augustus J. Jaeger. They discussed the beauty of Beethoven?sslow movements and this can be heard in ?Nimrod.? This brass quintet arrangement recreates thisBeethovenian beauty with warm voicing. It is important for players to listen to one or severalrecordings of this movement in order to get a feel for the style and changes in tempo. The printedtempi are approximate and may be deviated from. Duration?3:30

A Civil War Journey for Brass Quintet arranged by Jari Villanueva A medley of "Battle Cry of Freedom" (George Frederick Root), "Dixie" (Daniel Emmett), "Weeping Sad and Lonely" (Henry Tucker) and "When Johnny Comes Marching Home" (Patrick Gilmore). Great for patriotic concerts or a great closer on a concert. This skillful arrangement by Jari Villanueva captures the flavor of the original tunes and would be a great selection for a concert or as a special presentation around national holidays. Included is a Full Score, 2 Trumpets in Bb, Horn in F, Trombone and Tuba. Also included are substitute parts for Eb Horn and TC Trombone. Cover pages are also included to facilitate page turns. A retired member of the United States Air Force Band, where he served on the Music Production staff (as well as a trumpeter and bugler), and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC. www.jvmusic.net

The Jazz Age was a period in the 1920s, ending with the Great Depression, in which jazz music and dance styles became popular, mainly in the United States, but also in Britain, France and elsewhere. Jazz originated in New Orleans as a fusion of African and European music and played a significant part in wider cultural changes in this period, and its influence on pop culture continued long afterwards. The Jazz Age is often referred to in conjunction with the Roaring Twenties. This medley, scored for brass quintet, includes: The Entertainer, Fascinating Rhythm, After You?re Gone, It Don?t mean a Thing, You Made Me Love You, St. Louis Blues and The Charleston Duration 5:35.?

The third and most famous movement ofDebussy's Suite Bergamasque, "Clair de Lune" was writtenin about 1890, originally under the title "Promenade sentimentale".However, it went under a number of revisions prior to its publication in 1905,including changing its name to the French for moonlight. The name comes from apoem by Paul Verlaine of the same name; in fact it is the first stanza of thispoem that give the suite of pieces its name. This arrangement includes alternative parts for tenor horn, treble-clefeuphonium and tuba.

Harmonization of the chorale melody was originally done as an undergraduate arranging assignment in 1968. The original idea was to start with a single point of sound and expand to five voices though suspensions and resolutions. The variations came about in 2016 as a composition competition entry at the "Sons of Sibelius" web site for a new brass composition. The work tied for second place. .

This regal sounding fanfare piece serves to provide an exciting contemporary work for brass quintet. The royal themes and motifs in this work should be performed in a stately manner and not rushed. The work consists of two main fanfare motifs with several development sections interspersed throughout the piece. Throughout, attacks should be precise and clean. This work is a solid choice for a bright interesting fanfare piece that has been well accepted by audiences at church services and concerts where it has been performed.