It is a single movement piece. It has the classical sonata structure but with some latin salsa rhythms. It is great to be performed in recitals.

Tea for Two, music by Vincent Youmans with lyrics by Irving Caesar arranged for Brass Quintet. This cute little number was first featured in the Broadway Musical ?No, No, Nanette? and is a show tune standard. This is an advanced intermediate to earlier advanced ?Cha Cha-ish? arrangement and is suitable for a variety of audiences. Playing time 3:10. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

Bernard Scherr has arranged six lovely Portuguese Folksongs for Brass Quintet entitled:

1. Mourisca do Santo João de Braga (Moorish architechture of Saint John of Braga) as a march

2. A Pastorinha (The Shepherdess) - a lovely andantino

3. O Xi-Xi (Wee-wee) - a silly song

4. O ai, o linda! (Oh, the beauty!) - a lyrical romance

5. Coradinha (The blushing one) - a dance-like jaunt

6. Carro amaricano (American Car) - driving around in the auto

These movements are of contrasting styles and will make a lovely addition to your program.

Instrumentation is for 2 Trumpets in B-flat, Horn, Trombone & Tuba.

For advanced performers.

American Vignettes was composed during 2011 for the Lyric Brass of Pacific Lutheran University. They were looking for a composition to include on a CD of American music and one that would feature each of the musicians. The first movement, ?Barn Dance?, features the first trumpet and after a syncopated, fanfare-style introduction, the movement uses fragments and elaborations of "Old Chisholm Trail" and "Short?nin Bread". For the second movement, I wanted to write a blues and feature the other trumpet player on Flugelhorn. As I was working on the movement, the blues seem very mysterious and lonely, so I titled the movement 4 A.M. Blues. It reflects someone who can?t sleep and is contemplating the deep mysteries of life and feels very alone in the world. Movement 3 is the tuba feature and is called "Spirituals". I use three different spirituals in this movement, "Nobody Knows the Trouble I?ve Seen". "Cotton Needs Picking" and "Every Time I Feel the Spirit." Movement 4 ?Fiesta? is a trombone feature and represents the Southwest. The Southwestern flavor is accomplished through alternating 6/8 and 3/4 and the bright colors of the muted brass playing staccato eighth note rhythms and "ay" sounding motifs. The Horn is featured in the fifth movement ?From Sea to Shining Sea? that starts with a jazz harmony version of ?America the Beautiful? followed by a jazz waltz built from motifs of the song. The last movement is called ?Harlem Jump? and is an up-tempo jive with Be-bop type solos written for each of the musicians. ?