It is a single movement piece. It has the classical sonata structure but with some latin salsa rhythms. It is great to be performed in recitals.

Spring has sprung! Few words bring more happiness and optimism. The simple changing of one season to another has inspired some of the most famous classical music of all-time - Antonio Vivaldi?s set of four concertos, The Four Seasons.

iTromboni alumnus, Kenneth Pearce, has masterfully arranged the 1st movement of Spring (La Primavera) for trombone quintet complete with all the sparkle of the original. As each of The Four Seasons concertos originally came with a short sonnet, Ken has included some of these word cues in the score and parts so you too can celebrate while playing along to the bird?s song, the murmuring stream, and the crashing thunderstorm.

This 3 � minute Italian gem is sure to delight listeners and is suitable for advanced performers.

This arrangement of Spring (La Primavera) can be heard below as a sample and in its entirety on iTromboni?s debut album: ?there goes the neighbourhood?.

C. P. E. Bach was an innovator as an early Classical music composer, helping to develop the sonata form that was refined by Haydn, Mozart and Beethoven. Like his father, Carl Phillip Emanuel was prolific and showed signs of true genius.

Symphony No. 1, in three movements (fast-slow-fast) was originally in D and has been transposed down a step to C by the arranger Justin Bland.

This very fine arrangement of the entire work of about 12 minutes in length is appropriate for very advanced performers and could be the cornerstone of a recital program.

American Vignettes was composed during 2011 for the Lyric Brass of Pacific Lutheran University. They were looking for a composition to include on a CD of American music and one that would feature each of the musicians. The first movement, ?Barn Dance?, features the first trumpet and after a syncopated, fanfare-style introduction, the movement uses fragments and elaborations of "Old Chisholm Trail" and "Short?nin Bread". For the second movement, I wanted to write a blues and feature the other trumpet player on Flugelhorn. As I was working on the movement, the blues seem very mysterious and lonely, so I titled the movement 4 A.M. Blues. It reflects someone who can?t sleep and is contemplating the deep mysteries of life and feels very alone in the world. Movement 3 is the tuba feature and is called "Spirituals". I use three different spirituals in this movement, "Nobody Knows the Trouble I?ve Seen". "Cotton Needs Picking" and "Every Time I Feel the Spirit." Movement 4 ?Fiesta? is a trombone feature and represents the Southwest. The Southwestern flavor is accomplished through alternating 6/8 and 3/4 and the bright colors of the muted brass playing staccato eighth note rhythms and "ay" sounding motifs. The Horn is featured in the fifth movement ?From Sea to Shining Sea? that starts with a jazz harmony version of ?America the Beautiful? followed by a jazz waltz built from motifs of the song. The last movement is called ?Harlem Jump? and is an up-tempo jive with Be-bop type solos written for each of the musicians. ?