40 Beloved Christian Hymns Volume I for Brass Quintet is the first collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection has been completely revised and now includes an optional Organ/Piano/Harpsichord part. The Titles include: A Mighty Fortress is Our God - Abide With Me - All Creatures of Our God and King - All Hail the Power of Jesus' Name! - Amazing Grace - At the Cross Mine Eyes Have seen the Glory (Battle Hymn of the Republic) - Be Thou My Vision Blessed Assurance Breathe on Me, Breath of God - Crown Him With Many Crowns - Eternal Father, Strong to Save - Fairest Lord Jesus - Faith of Our Fathers - For the Beauty of the Earth - God of Our Fathers - Holy, Holy, Holy - I Love to Tell the story - In the Garden - It is Well With My Soul (When Peace Like a River) - Jesus Christ is Risen Today - Jesus Loves Me - Jesus Paid It All - Jesus Shall Reign - Jesus, Lover of My Soul - Joyful, Joyful, We Adore Thee - Just a Closer Walk With Thee - Nearer My God to Thee - Onward Christian Soldiers - Praise the Lord! - O Heavens, Adore Him - Rock of Ages - Shall We Gather at the River - Take My Life and Let it Be - The Lords is My Shepard, I'll Not Want - The Old Rugged Cross - To God be the Glory - We Gather Together - Were You There - What a Friend We Have in Jesus - Wonderful Words of Life. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Total Playing Time approximately 54:00 with repeats. Preview this score on YouTube: https://www.youtube.com/watch?v=d0liLdFbnHY

?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. �Copyright2015 Todd Marchand / ConSpiritoMusic.com

One of the best-loved gospel songs worldwide, ?How Great Thou Art? began as a nine-stanza hymn of praise, ?O Store Gud? (?O Great God?), written in 1885 by Swedish poet and lay minister Carl Gustav Boberg (1859?1940). In 1891 Boberg published the poem, accompanied by a Swedish folk melody, in Sanningsvittnet (Witness for the Truth), a weekly Christian journal of which he was editor. Today, the tune is commonly named ?Sanningsvittnet? in hymnals. From its Swedish origins, the text was translated to German in 1907, then to Russian in 1912. The Russian text became the basis for a translation to English by Stuart W. K. Hine (1899?1989), a British Methodist missionary who discovered it in 1931 while on mission in the Ukraine. Hine's work commonly contains four verses: the first two being a relatively close translation of stanzas by Boberg, and the latter two being original verses by Hine. Published in 1949, ?How Great Thou Art? gained great popularity in North America after George Beverly Shea began singing it in the Billy Graham evangelistic crusades in 1955. It has been named the #1 favorite hymn by respondents to various polls in both the United States and United Kingdom. �Copyright 2013 Todd Marchand / ConSpiritoMusic.com

?An American Folk Hymn Medley? brings together three 19th-century shape-note tunes in a contemporary setting for brass quintet. HOLY MANNA is popularly known as ?Brethren We Have Met to Worship? from its association with a text by Methodist clergyman George Atkins (1793-1827). It was first published in Columbian Harmony, a shape-note tune book, in 1829, and is attributed to William Moore, the publisher. RESTORATION, first published in William Walker?s 1835 shape-note hymnal, Southern Harmony, was later renamed ARISE from its association with a text by Joseph Hart (1712-1768) in which the chorus begins ?I will arise and go to Jesus?.? PLEADING SAVIOR, published in Joshua Leavitt?s 1830 compilation The Christian Lyre, is today best-known in many churches as the accompaniment to the text ?Sing of Mary, Pure and Lowly.? In this arrangement, the similar tunes HOLY MANNA and PLEADING SAVIOR, both in major tonality and 8.7.8.7 poetic meter, frame the contrasting minor tonality tune, RESTORATION. Contrasting instrument textures, keys, and tempi, and a mix of both traditional and contemporary harmonies breathe a fresh spirit into these venerable tunes.

?The Holly and the Ivy? is an English traditional Christmas carol whose text features imagery from both pagan and Christian beliefs. By ancient tradition, holly was considered a masculine symbol while ivy was feminine; and in the lyrics of the carol each characteristic of the holly is symbolic of Jesus. The holly?s lily-white flower = Jesus? purity; its red berry = Jesus? blood or humanity; its prickle = Jesus? crown of thorns or suffering; its bitter bark = the bitter drink Jesus was offered on the cross, or the bitter cup he drank in taking upon himself the sins of the world. The tune on which this arrangement is based was collected and published by the English musicologist Cecil J. Sharp in English Folk-Carols (1911). �Copyright2013 Todd Marchand / ConSpiritoMusic.com

"Christmas Day" by Gustav Holst. Originally written for SATB choir and orchestra, I have arranged it for symphonic brass quintet of 2 trumpets, horn, trombone and tuba. (If your trombonist can play euphonium, I think it would sound better!) It contains snippets of many Christmas Carols, cleverly interwoven together. It suits the brass quintet. (Also available for brass band (treble clef) quintet. Contains the following carols: Good Christian Men Rejoice God Rest You Merry Gentlemen Come Ye Lofty, Come Ye Lowly The First Nowell Plenty of fun for each player.

A lively 6/8 march style arrangement of a traditional Christmas carol, this arrangement features alternate brass quintet instrumentation, including parts for E-flat Cornet/Trumpet, B-flat Cornet/Trumpet, F Horn (with alternate E-Flat Horn part), Trombone/Euphonium and Tuba. (includes score)

Scored fortwo Trumpets in Bb, Horn in F, Trombone, Tuba, and Optional Organ. Christmas, Performance 2 minutes.

Christmas Carols for Brass Quintet Vol.3

5 Christmas carols with beautiful arrangement

1. Silent Night
2. Joy to the World, the Lord is Come
3. Away in a Manger (James R. Murray)
4. O Christmas Tree
5. Christians Awake! Salute the Happy Morn

Total duration: 12 minutes

47 pages (score and parts)

Level: medium

by Arkstar BrassMusic

A mash up in a rondo form of some of the best Christmas songs ever: We wish you a merry Christmas - Ding dong merrily on high - Oh come all ye faithful - Jingle bells. Including a bass solo on Jingle Bells? verse, some polka and swing elements and a "Grand Finale" in maestoso ? This is the perfect arrangement for your upcoming concerts in the holiday season. Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb/Bb, Trombone C/Bb, Tuba/Bass in Bb