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--INSTRUMENTS--
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1 Cor, 2 alti
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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Vous avez sélectionné:
1 Cor, 2 alti
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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5 partitions trouvées
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Baltimore Buzz
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Jazz
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Noble Sissle, Eubie Blake
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Bill Wilson
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Baltimore Buzz
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775074 Composed by Noble Sissle, Eubie Blake. Arranged by Bill Wilson. Jazz. 11 pages. Alexander Wilson #3380043. Publ...
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Brass Quintet - Level 2 - SKU: A0.775074 Composed by Noble Sissle, Eubie Blake. Arranged by Bill Wilson. Jazz. 11 pages. Alexander Wilson #3380043. Published by Alexander Wilson (A0.775074). Tin Pan Alley master songwriting duo Noble Sissle and Eubie Blake teamed up to write the novel dance tune Baltimore Buzz. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:35. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Experiment #1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Steve Dekker
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Steve Dekker
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Experiment #1
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Steve Dekker
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1447510 By Steve Dekker. By Steve Dekker. Arranged by Steve Dekker. 21st Century,Chamber,Cl...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1447510 By Steve Dekker. By Steve Dekker. Arranged by Steve Dekker. 21st Century,Chamber,Classical,Contemporary,Jazz. 24 pages. Steve Dekker #1027289. Published by Steve Dekker (A0.1447510). Experiment #1 is an original composition written for brass quintet. Experiment #1 was inspired by a curiosity to explore the different sounds available in music notation software. As a result, this piece was originally written for synths, keyboards, bass and drums. After completing the piece, I found the sounds and instrumentation lacked warmth and character. Ultimately, I decided the experiment would be to score it for brass quintet and see what happens.There are three basic themes or sections utilized in Experiment #1. The themes move from heroic to contemporary and culminate in a recapitualtion of the hero theme. An eighth-note ostinato statement serves as a recurring motif connecting each section. The various themes are spread across the quintet with a variety of textures and contrapuntal devices serving to further elevate the composition.Experiment #1 is accessible to high school, college and service band level groups. This piece showcases mulitiple stylistic concepts from Classical music, modern Jazz and contemporary music. It is an excellent teaching piece and would be a solid and innovative choice for concert or competition. Run time is 4:48.
$40.00
The Star Spangled Banner - Brass Quinet - Intermediate Level
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Traditional
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Dennis Ruello
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The Star Spangled Banner - Bra
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Chicory Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1495653 By Traditional. By Francis Scott Key. Arranged by Dennis Ruello. 19t...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1495653 By Traditional. By Francis Scott Key. Arranged by Dennis Ruello. 19th Century,Patriotic,Traditional. 11 pages. Chicory Music #1072174. Published by Chicory Music (A0.1495653). “The Star-Spangled Banner” is the national anthem of the United States. By the time the song officially became the country’s anthem in 1931, it had been one of America’s most popular patriotic tunes for more than a century. The anthem’s history began the morning of September 14, 1814, when an attorney and amateur poet named Francis Scott Key watched U.S. soldiers—who were under bombardment from British naval forces during the War of 1812—raise a large American flag over Fort McHenry in Baltimore, Maryland. This traditional treatment of the anthem may be useful for public performances, school performances, graduation, or patriotic programs. Parts included are: Full Score, 1st and 2nd Trumpet, Horn in F, Trombone, Tuba plus optional parts for Piano, Acoustic Bass and Drum Set.Performance time is approx. 1:30 minutes.
$11.99
Chattanooga Choo Choo
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Jazz
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Floyd Cramer
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Peet du Toit
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Chattanooga Choo Choo
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 1...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 18 pages. Peet du Toit #961811. Published by Peet du Toit (A0.1377195). Chattanooga Choo Choo is a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun Valley Serenade. It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.The song opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. This is followed by the vocal introduction of four lines before the main part of the song is heard.The main song opens with a dialog between a passenger and a shoeshine boy:Pardon me, boy, is that the Chattanooga Choo Choo?Yes, yes, Track 29!Boy, you can give me a shine.Can you afford to board the Chattanooga Choo Choo?I've got my fare, and just a trifle to spare.The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.Here's my representation thereof with Sam Harrill's nifty percussion score supporting it.
$17.00
El Condor Pasa (If I Could)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Daniel Alomia Robles, Jorge Mi
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
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