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ALTO
AUTOHARPE
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A Broken Song
Sheetmusicplus
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110
Piano & claviers
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283
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55
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43
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38
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17
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9
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3
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2
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2
2 Pianos, 4 mains
1
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1
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1
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Guitare
10
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6
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6
Dulcimer
2
Mandoline
1
Ukulele
1
Ukulele Baryton
1
Basse electrique
1
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Chorale SATB
33
Chorale 3 parties
13
Chorale TTBB
10
Chorale 2 parties
6
Chorale SSAA
4
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3
Voix duo
2
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2
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1
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1
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1
Voix seule
1
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10
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9
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7
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7
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7
Clarinette et Piano
6
2 Flûtes traversières (duo)
3
Saxophone Soprano et Piano
3
Saxophone Alto
3
Saxophone Tenor
3
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3
Flûte à bec Soprano
3
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3
3 Clarinettes (trio)
3
2 Clarinettes (duo)
3
Flûte traversière
3
Trio de Flûtes: 3 flûtes
2
Hautbois, Basson (duo)
2
2 Saxophones (duo)
2
Clarinette
2
Clarinette, Basson (duo)
2
Saxophone (partie séparée)
2
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1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Soprano
1
Cor anglais, Piano
1
Flûte, Trompette (duo)
1
Flûte à bec Alto
1
Ocarina
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Harmonica
1
Flûte, Hautbois, Violon
1
Clarinette, Violon (duo)
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Harpe
1
3 Saxophones (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
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Cuivres
Trombone et Piano
7
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6
Trompette
5
Trompette, Piano
4
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3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone
3
2 Cors (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba et Piano
2
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
Cor anglais, Piano
1
3 Trombones (trio)
1
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Violon et Piano
19
Violoncelle, Piano
9
Harpe
8
Quatuor à cordes: 2 violons, alto, violoncelle
7
Alto, Piano
5
Violon
5
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Voix
3
Violoncelle
3
Trio à Cordes: violon, alto, violoncelle
2
Violon, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
Alto, Violoncelle (duo)
2
2 Violons (duo)
1
2 Violons, Piano
1
Violon (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Violon, Guitare (duo)
1
Violon, Alto (duo)
1
Contrebasse (partie séparée)
1
Alto seul
1
Piano Trio: Violon, Alto, Piano
1
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Orchestre d'harmonie
33
Orchestre à Cordes
6
Cloches
4
Orchestre
2
Batterie
2
Ensemble Jazz
1
Ensemble de Percussions
1
Xylophone, Piano
1
Fanfare
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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Vous avez sélectionné:
A Broken Song
SheetMusicPlus
Partitions à imprimer
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Lorena: A Brass Quintet Setting
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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F
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Lorena: A Brass Quintet Settin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
The Huron Carol — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Traditional French Melody
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Todd Marchand
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The Huron Carol — brass
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1147711 Composed by Traditional French Melody. Arranged by Todd Marchand. Ch...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1147711 Composed by Traditional French Melody. Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 16 pages. Con Spirito Music #747929. Published by Con Spirito Music (A0.1147711). “The Huron Carol†is the popular name for a Christmas song written in the language of the Wendat, an indigenous people of Canada — their name meaning “people of the island†or “dwellers on a peninsula†— nicknamed “Huron†(“boar's headâ€) by French explorers and traders due to the bristly hairstyle of Wendat men.The song began as a tool for teaching and converting the Wendat to Christianity, and it was likely written in the early 1640s by the French Jesuit missionary, Jean de Brébeuf. In Wendat, the song is titled “Jesous Ahatonnia,†which means “Jesus is Born.†The song's melody is based on a traditional French folk song, “Une Jeune Pucelle†(“A Young Maidâ€). Jean de Brébeuf’s lyrics present the Nativity story using images and ideas that would have been familiar to the Wendat. Angels are “spirits†and “sky peopleâ€; the Magi (wise men) are “elders,†and as an act of reverence they oil Jesus’ scalp, a practice Wendat people would have recognized. Today, “The Huron Carol's†most well-known lyrics, beginning “'Twas in the moon of winter-time,†were written by Canadian poet Jesse Middleton and published in 1927 in a small illustrated book titled “The First Canadian Christmas Carol.â€Middleton’s text is not a translation, but a complete rewriting of “Jesous Ahatonnia†for English speakers, and bears almost no relation to the original Wendat text. Middleton relied on stereotypes, critics say, painting a picture of an indigenous Nativity in a “lodge of broken bark,†with “hunter braves†replacing shepherds, and “gifts of fur and beaver pelt†delivered by “chiefs from far.†Still, the carol has long been popular, perhaps in part due to its refrain, “Jesus your King is born, Jesus is born. In excelsis gloria!†and its pairing with the easily singable “Une Jeune Pucelle†tune.This arrangement for brass quintet takes a contemplative, lyrical approach, featuring rich harmonies to the chant-like tune and contrasts in dynamics and tempo that evoke both the quiet peace and solemnity accompanying the birth of Christ.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
Higher Ground ("I'm pressing on the upward way") — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Charles H
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Todd Marchand
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Higher Ground
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,S...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
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A Broken Song
