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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Another Star
Non classifié
80
Piano & claviers
Piano seul
74
Piano, Voix et Guitare
37
Piano, Voix
30
Piano Facile
20
Instruments en Do
18
Orgue
6
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano (partie séparée)
1
2 Pianos, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
8
Guitare notes et tablatures
4
Basse electrique
2
Guitare (partie séparée)
2
Guitare
2
2 Guitares (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
26
Chorale 3 parties
13
Voix Alto, Piano
9
Pack Instrumental pour Chorale
9
Chorale TTBB
7
Chorale SSAA
2
Chorale 2 parties
2
Voix duo, Piano
2
+ 3 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
8
Hautbois (partie séparée)
7
Flûte traversière et Piano
6
Ensemble de saxophones
6
Saxophone Alto
5
Saxophone Alto et Piano
5
Saxophone Tenor et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Saxophone (partie séparée)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
2 Saxophones (duo)
4
Hautbois, Piano (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Tenor
3
Clarinette et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
2 Flûtes traversières (duo)
3
Saxophone Soprano et Piano
2
2 Clarinettes (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Quintette de Saxophone: 5 saxophones
2
2 Flûte à bec (duo)
1
2 Hautbois (duo)
1
Ensemble de Clarinettes
1
Flute (partie séparée)
1
Ensemble de Flûtes
1
+ 21 instrumentations
Retracter
Cuivres
Trompette
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trombone (partie séparée)
5
Trombone et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba
4
Cor
3
Trompette (partie séparée)
3
Cor et Piano
3
Bass Clef Instruments
2
Trombone
2
2 Trompettes (duo)
2
Quatuor de Cuivres
2
Tuba (partie séparée)
1
Ensemble de Trompettes
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
Cor (partie séparée)
1
2 Cors (duo)
1
2 Trombones (duo)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
6
Violon
6
Violoncelle
5
Alto seul
4
Alto, Piano
3
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle, Piano
3
Contre Basse
3
2 Violons (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon (partie séparée)
2
Contrebasse (partie séparée)
2
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
2 Altos (duo)
1
Harpe, Violon (duo)
1
Harpe
1
Violoncelle (partie séparée)
1
2 Violoncelles (duo)
1
Alto (partie séparée)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
29
Ensemble Jazz
20
Ensemble de cuivres
16
Orchestre
12
Orchestre à Cordes
9
Orchestre de chambre
7
Cloches
5
Batterie (partie séparée)
1
Ensemble de Percussions
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Another Star
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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Hallelujah! We Shall Rise
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Folklorique/Traditionel
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J
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Dana F
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Hallelujah! We Shall Rise
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quintet - Grade 3 - SKU: DX.145523 Composed by J. E. Thomas. Arranged by Dana F. Everson. Traditional. Key of Ab, Bb, Eb. Sacred Instrumental Musi...
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Brass Quintet - Grade 3 - SKU: DX.145523 Composed by J. E. Thomas. Arranged by Dana F. Everson. Traditional. Key of Ab, Bb, Eb. Sacred Instrumental Music. Score and Parts. 14 pages. David E. Smith - Digital Sheet Music #145523. Published by David E. Smith - Digital Sheet Music (DX.145523). A standard brass quintet with optional baritone for a sextet. The introduction starts in the tuba and then adds more voices as you would expect- rising! The tune is now bantered about between the upper voices and then lower ones. Modulation! And the Q&A game continues. Another modulation and the tempo suddenly changes to a slower, expressive one with the French horn featured. As before the Q&A continues. Another modulation and an “a tempo where the piece now in full ensemble starts lower and softer and continually adds activity and pitch raising until a vigorous conclusion.
$12.00
Dimension Traveler, Op. 150
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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A to B is parallel to J-K
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Dimension Traveler, Op. 150
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress....
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Brass Quintet - Level 4 - SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024. When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.” Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed. With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77. The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G. Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F. Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142. Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée. There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions. Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism. Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre. Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba. Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets. However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.
$24.95
Ultimate Sacrifice, Op. 152
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Ultimate Sacrifice, Op. 152
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489525 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Religious. 17 pages. Https://gilded...
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Brass Quintet - Level 4 - SKU: A0.1489525 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Religious. 17 pages. Https://gildedmusicpress.com/ #1066388. Published by https://gildedmusicpress.com/ (A0.1489525). Ultimate Sacrifice, Op. 152, for brass quintet was started 15 Oct 2023 during the compositional process of “America’s 250th” and was completed 4 Apr 2024 with a title that has reference to both Jesus Christ and military personnel who perished in the line of duty. The scriptural reference used in the subtitle, John 15:13, though obviously referring directly to the Savior, has also been used to parallel anyone who has sacrificed their life for the good of another: “Greater love hath no man than this, that a man lay down his life for his friends.” Atypical of my compositions, this does not end in the key in which it began. The depth of sacrifice herein extolled yields an unalterable loss. Duration: 4:00.Although this work had been prepared for publication, it was not released for months, which is not common for my works. On July 13, 2024, an attempt was made to assassinate the former president during a Trump rally in Pennsylvania. The touching news of a hero who instinctively shielded his wife and daughter reached my ears, and I decided to fittingly dedicate this composition, “Ultimate Sacrifice” to my new hero, Corey Comperatore. May his selfless courage inspire this struggling world.
$24.95
Sakura: Japanese Cherry Blossoms, Op. 154
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Sakura: Japanese Cherry Blosso
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489526 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Holiday,Multicultural,World. 19 pages. Https...
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Brass Quintet - Level 4 - SKU: A0.1489526 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Holiday,Multicultural,World. 19 pages. Https://gildedmusicpress.com/ #1066389. Published by https://gildedmusicpress.com/ (A0.1489526). Sakura: Japanese Cherry Blossoms, Op. 154, for brass quintet was started on 10 Apr 2024 and completed on 30 Apr 2024. Having heard of the exquisitely celebrated short-lived season of the Japanese cherry blossoms, I longed to experience it for myself. In my first springtime in Japan, I was on a musical tour when the Sakura near my home station of Yokota Air Base in Tokyo were peaking. How fortunate I was to return just in time to enjoy the breathtaking spectacle and to capture some gorgeous footage and photos of the lovely Sakura! The resultant musical journal entry was posted on YouTube to underscore the images rather than another video of sheet music. Duration: 4:00.
$24.95
Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Contemporain
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Josef Weinberger
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arr
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later additions included
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Hermine - Josef Weinberger arr
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contempo...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contemporary. Score and parts. 13 pages. Peet du Toit #6859613. Published by Peet du Toit (A0.802701). Josef Weinberger has been synonymous with popular musical theater for over 125 years. Weinberger was born the son of a goldsmith in Lipto St. Miklo in Hungary but his family moved to Vienna in 1865. In 1885 Josef Weinberger and Carl Hofbauer started an art and music store in Vienna, but the partnership ended when both partners set up on their own, Weinberger in 1890 and Hofbauer in 1892. Weinberger saw the potential, in publishing and licensing, of the craze for operetta, and made a connection with Johann Strauss II. Within a few years all the great operetta composers were his clients: Strauss, Millöcker, Zeller, Kálmán, Oscar Straus, Stolz, and Fall. He even provided licensing services for the last great Viennese operetta composer, Franz Lehár, who from the 1920s published through his own company, Glocken-Verlag.The firm expanded quickly, opening branches in Paris (1885) and Leipzig (1889) where they worked with Friedrich Hofmeister. One of the most remarkable aspects of the developing Weinberger catalogue was the commitment to Czech music, and from April 1893 to August 1894 the Hofmeister entries were almost all by Smetana (various publications of Dalibor and HubiÄka as well as overtures) and Vilém Blodek (V studni); later additions included Tajemstvi (1895) and LibuÅ¡e (1897). Otherwise most of the repertoire was of popular music for various combinations, not least military bands, with von Suppé figuring prominently from 1895 onwards.The mid 1890s also saw significant enlargements of the Weinberger catalogue through the acquisition of other publisher's lists: in 1894 the ancient firm of Artaria, then in 1895 items from the Kratochwill catalogue and over 1,500 works from the Kratz catalogue of theatrical works. This latter acquisition included a number of works with international performing rights, which encouraged Weinberger to open a Parisian branch in 1896, but it also reflected a shift in Weinberger's publishing interests towards theatrical music generally. Another major step in that direction was taken in 1897, when the entire theatrical catalogue of Gustav Lewy – which included the stage works of Johann Strauss the younger and Millöcker – were taken over (with the Strauss performing rights following in 1899).Weinberger was active in three other fields apart from popular music. Firstly, he was Gustav Mahler's third publisher, issuing the Lieder eines fahrenden Gesellen in 1897, and distributing Symphonies nos 1-3, Das klagende Lied and Lieder aus des Knaben Wunderhorn (1900) on behalf of the owner of the publishing rights, the Erste Wiener Zeitungsgesellschaft. Secondly, he took an active part in setting up a trade association, AKM (Gesellschaft der Autoren, Komponisten und Musikverleger or society of authors, composers and publishers) to collect the performance fees due for non-theatrical musical works, in 1897. Finally, Weinberger was the driving force behind the founding of Universal Edition in Vienna in 1901, and not only served as its managing director until 1906 (when he was replaced by Arthur Fadüm), but also provided the new company with space in his own firm's premises until 1908.This orchestration is for a brass quintet. The French Horn acts as a substitute or support for Trumpet 2.
$14.00
De facto Anthems of the Confederate States of America
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Charles W
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Keith Terrett
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De facto Anthems of the Confed
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emm...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1'' - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De Cœniél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$19.99
I Sit Here on the Barren Hill
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
Cinnamon Rolls (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gilde...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95
When My Marie Sings the Chilly Billy Bee
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Lewis F
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Bill Wilson
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When My Marie Sings the Chilly
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble,Brass Quintet - Level 3 - SKU: A0.774851 Composed by Lewis F. Muir. Arranged by Bill Wilson. 20th Century. Score and parts. 17 pages. Ale...
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Brass Ensemble,Brass Quintet - Level 3 - SKU: A0.774851 Composed by Lewis F. Muir. Arranged by Bill Wilson. 20th Century. Score and parts. 17 pages. Alexander Wilson #46309. Published by Alexander Wilson (A0.774851). Another composition of Lewis F. Muir, When My Marie Sings the Chilly Billy Bee combines Muir's talents with those of lyricist Ed Moran. Unlike many of the Tin Pan Alley songs, When My Marie... starts in a waltz feel and switches back and forth between the waltz and a ragtime feel several times during the piece. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:45. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
THEME, FUGUETTE, and VARIATIONS on "Lightly Row" for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Albert E
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Kent S
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THEME, FUGUETTE, and VARIATION
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WINDCREST
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.945050 Composed by Albert E. Weir. Arranged by Kent S. Burchill. Contemporary,Folk,Standards. Score and parts. 20 pag...
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Brass Ensemble - Level 4 - SKU: A0.945050 Composed by Albert E. Weir. Arranged by Kent S. Burchill. Contemporary,Folk,Standards. Score and parts. 20 pages. WINDCREST #5356017. Published by WINDCREST (A0.945050). THEME, FUGUETTE and VARIATIONS on Lightly Row. Rarely has a song for children been so widely utilized and for such a long period of time. Written in the early 20th century, its wide-spread and successful use as a song for children can possibly be attributed to the construction of the melody itself. The melody starts with two descending intervals, each a minor third. These same qualities also made Lightly Row an excellent choice as a song for use with beginning instrumentalists. One might find it difficult NOT to find this song included in most published beginning-level instrument method books since the mid-20th century. This arrangement for brass quintet permits the performers to greatly expand upon the intervals and scale passage of the original song while exploring one of the more common composition forms, theme and variation with an excursion to a shortened version of another musical form, the fugue. An attempt has been made to provide interesting and challenging material for all members of the quintet. This selection could be performed at any point in a recital. It could be one of several featured selections performed in a concert with a programmatic theme of early 20th Century folk songs; or a portion of a concert where a theme and variation selection is desired. It might also serve as an encore to any recital or concert!
$15.00
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