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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Trumpet Shall Sound from "The Messiah" for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.810934
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.810934 Composed by Handel, G. F. Arranged by Cherry, Gordon. Baroque,Christmas,Easter,Sacred. 29 pages. Gordon Cherry #3916889. Published by Gordon Cherry (A0.810934). One of the most famous movements from The Messiah, features the Bb Trumpet and Tuba, Trombone or Euphonium on the solo parts. The bass part goes up to a high C above the staff several times, so the tuba must have a good high register. The trombone and tuba solo parts can be switched and the trombonist from the quintet can play the solo bass part on tenor trombone, bass trombone or Euphoniums. The tuba can then move to the trombone part, which is a low part anyway. This work is in the key of Bb, down a 3rd from the original and very playable. This transcription comes in two keys; the original in D (high) or in Bb (lower). In the lower key it can be played on Bb trumpet and is much easier on the solo bass part if played by the tubist. If played in the original key, an optional organ part can be added to the quintet for a very symphonic effect. This work is a must on a Brass Quintet Christmas or Easter Concert.
$22.50
20.78 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Handel, G
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Cherry, Gordon
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Trumpet Shall Sound from "The Messiah" for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.46 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
Two Left Feet (Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.903574 Composed by M. Stallwood…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.903574 Composed by M. Stallwood. Concert,Contemporary,Film/TV,Standards. Score and parts. 17 pages. Mel Stallwood #32949. Published by Mel Stallwood (A0.903574). I have no idea how (or why) I wrote this piece. It happened quite quickly and flowed from my fingers more than my head (or heart). I had an image of a man from Barcelona marching hysterically on a parade ground (1st section) and then the piece morphed into another man having an equally hilarious dance lesson on Strictly Come Dancing (2nd section) (John Seargent?) The main problem I have is packaging this number - is it a March?, Is it a Waltz?, Is it Novelty Piano? Is it Classical? It even has some Ragtime suggestions. This could be my publishers nightmare... I know? It's Super-marltz Anyway The thing is now born and off it went. (deliberate mixing of tenses).
$8.00
7.39 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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M
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Two Left Feet
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Mel Stallwood
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SheetMusicPlus
Toot, Toot, Tootsie!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.46 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gus Kahn, Ernie Erdman and Dan Russo
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Chinese Dance (Nutcracker Suite): Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Digital Download SKU: A0.852745 Composed by P.I. Tchaikosvky. Arra…
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Brass Ensemble - Digital Download SKU: A0.852745 Composed by P.I. Tchaikosvky. Arranged by Keith Gemmell. Classical,Romantic Period,Standards. Score and parts. 16 pages. Keith Gemmell #29501. Published by Keith Gemmell (A0.852745). Almost twice the length of the original orchestral version, which is very short anyway, this arrangement captures its very essence: unforgettable melody and bouncy, infectious rhythm - Tchaikovsky at his most joyful. Down from Bb major to G major for the sake of the trumpets, (the orchestral version features high flutes) the sound is full, bright and full of bounce - great fun to play as an encore.
$19.95
18.42 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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P
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Keith Gemmell
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Chinese Dance
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Keith Gemmell
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SheetMusicPlus
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