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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
At Last: Tuba
Non classifié
81
Piano & claviers
Piano, Voix
2
Piano seul
1
Guitares
Voix
Chorale SATB
2
Vents
Flûte, Hautbois, Clarinette, Basson
13
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2
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Tuba et Piano
13
Tuba
6
Quatuor de Cuivres
6
2 Euphoniums et 2 Tubas
3
3 Tubas (trio)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Piano
1
3 Euphoniums
1
Quatuor de cuivres: 4 trombones
1
2 Trombones (duo)
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
Trombone et Piano
1
Cor et Piano
1
4 Tubas
1
Trombone basse
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Vous avez sélectionné:
At Last: Tuba
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
54 partitions trouvées
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At Last
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Etta James
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Arr
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At Last
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Zack Smith
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SheetMusicPlus
Brass Quintet - Level 5 - SKU: A0.1234094 By Etta James. By Harry Warren and Mack Gordon. Arranged by Arr. Zack Smith. 20th Century,Blues,Jazz,Wedding. ...
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Brass Quintet - Level 5 - SKU: A0.1234094 By Etta James. By Harry Warren and Mack Gordon. Arranged by Arr. Zack Smith. 20th Century,Blues,Jazz,Wedding. 12 pages. Zack Smith #829629. Published by Zack Smith (A0.1234094). This is a faithful adaptation of the Etta James version of At Last for brass quintet. Â Trombone has melody for most of arrangment while french horn has lots of juicy juicy background lines. Â Advanced difficulty due to trombone range and a couple high notes in the first trumpet part. Â Perfect for all those wedding gigs!
$14.99
Home At Last
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Steely Dan
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James Linn
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Home At Last
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James Linn
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1512073 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by James ...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1512073 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by James Linn. 20th Century,Jazz,Pop,Rock. 22 pages. James Linn #1087114. Published by James Linn (A0.1512073). This is a brass quintet arrangement with drum set part (optional).
$17.99
At Last
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Celine Dion
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Roger Wallace
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At Last
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Roger Wallace
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1287801 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wall...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1287801 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wallace. Blues,Film/TV,Jazz,Pop,Wedding. 50 pages. Roger Wallace #878843. Published by Roger Wallace (A0.1287801). Baritone Voice or Instrumental Solo in G with Quartet/Trio Accompaniment. The 1941 classic written by Mack Gordon and Harry Warren is performed in a 12/8 Blues style. Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care.See cover sheet on arrangement for instrumentation.* Omit Part 2 for Trio Accompaniment to Solo.The Audio Sample features a Brass Quintet including Trombone Solo.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$12.99
Last Full Measure, Op. 143 (Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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release date 22 Mar 2024.
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Last Full Measure, Op. 143
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489496 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gilded...
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Brass Quintet - Level 4 - SKU: A0.1489496 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #1066360. Published by https://gildedmusicpress.com/ (A0.1489496). On 29 November 2023, a tragic accident occurred of the shores of an island in Japan. A CV-22 Osprey aircraft from Yokota Air Base in Tokyo crashed, killing all eight crew members. Being stationed at Yokota as an Air Force Bandsman during that trying time, my emotions turned to music as a gift of solidarity from the PACAF Band to the grieving family members. The completed music was delivered to my Commander a week after the shocking event.On 15 February 2024, the Base conducted a somber memorial service for the eight heroes who gave their last full measure of devotion in the line of duty. This piece was performed in lieu of “Taps” toward the end of the ceremony, as “Taps” was to be sounded at the Base Retreat Ceremony later that day. The gift of music was profound. Tears from the family members seated in the front rows flowed freely at the end of the performance, punctuated by increased sobs. High-quality professional prints of the score and parts were paid for by the United States Air Force and gifted to families of the deceased and distinguished visitors at the memorial service.One poignant detail was that at the performance during the memorial service, the brass quintet was augmented by a Japanese trumpet player from the nearby Japan Ground Self-Defense Force Band. This symbolic gesture of solidarity greatly impacted the profundity of the event.Last Full Measure, Op. 143, for brass quintet was completed 6 Dec 2023. This composition is not to be confused with Op. 33: Last Full Measure of Devotion, for 24 trumpets. However, in an allusion to that monumental early work, this present brass quintet’s “last measures” echo the final strain of “Taps” in memory of the eight crew members who perished. Duration: 3:00. Published (assigned ISMN) 7 Dec 2023 through Gilded Music Press, catalogue number GMP 3060; release date 22 Mar 2024.
$19.95
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacr...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacred. 10 pages. RayThompsonMusic #714140. Published by RayThompsonMusic (A0.1111962). Arranged standard brass quintet Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the horn, and the vocal entries are given to the trombone, horn and two trumpets. . Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
Last Train Home
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Pat Metheny
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Will Corbin
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Last Train Home
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1461378 By Pat Metheny. By Pat Metheny. Arranged by Will Corbin. Contemporary,Pop. 25 pages...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1461378 By Pat Metheny. By Pat Metheny. Arranged by Will Corbin. Contemporary,Pop. 25 pages. Will Corbin #1040135. Published by Will Corbin (A0.1461378). My dad heard this song playing as background music for some TV show. He suggested it as a quintet piece (he liked us mostly because we played some of his favorite Dixieland tunes). The result is, well, at least a little bit weird. The original haunting Pat Metheny recording was played on electric sitar, with a high-speed snare drum providing train effect. I wanted to achieve the same thing, so the horns take care of it throughout the piece (with tuba providing it from start to finish). And the song needed a train horn for effect. I wanted to know what chord a train whistle blew, and the Internet told me it was a ninth chord. That's what those weird interruptions are all about.If you need other instrumentation, I'm happy to provide. Contact me at wilcor@aol.com.
$15.00
At Last for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Etta James
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Andrea Bonaldo
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At Last for Brass Quintet
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Andrea Bonaldo
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SheetMusicPlus
By Etta James. Arranged by Andrea Bonaldo. Score, Set of Parts. 12 pages. Published by Andrea Bonaldo...
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By Etta James. Arranged by Andrea Bonaldo. Score, Set of Parts. 12 pages. Published by Andrea Bonaldo
$15.00
Road Trip (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Road Trip
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158418 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 31 pages. H...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158418 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 31 pages. Https://gildedmusicpress.com/ #758704. Published by https://gildedmusicpress.com/ (A0.1158418). Some of my fondest memories as a child were made during long, uncomfortable road trips. As a father, similar memories with my children are among my warmest. This three-and-a-half-minute piece of music aptly tells the title’s story. The excitement leading up to the anticipated day of departure is electric! The opening fanfare-ish intro reflects this buzz well. It is followed by a quirky rhythmic section as “helpful†kids load their poorly packed bags full of unnecessary items awkwardly into the vehicle. The fanfare returns as the family hits the road at last. As the rest of the music unfolds, imagine the alphabet game, off-key songs sung at the top of everyone’s lungs, rest stops (emergency or otherwise), spilled food, car problems, drowsiness, souvenirs, car sickness, and of course ultimate arrival at planned destinations. This soundtrack to a fun part of life can be anyone’s road trip! Work on this composition began on September 19, 2021 as a thoroughly sketched out fanfare in my manuscript notebook during a church youth activity in a park. It remained in that state until I contracted Covid-19 in July 2022 and was confined to a hotel room for a week. There, I entered this sketch into the computer, along with a dozen others. Throughout the summer, all of these works received some attention, but this one more than the rest. Much of the final work on “Road Trip†took place during a trip to Philadelphia.
$24.95
Pictures at an Exhibition (Last two movements - Hut on fowls legs and Great gate of Kief) - Brass qu
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Modest Petrovich Mussorgsky
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Alexander S Cottrell
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Pictures at an Exhibition
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Mr Alexander S Cottrell
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.994825 Composed by Modest Petrovich Mussorgsky. Arranged by Alexander S Cottrell. Romantic Period. Score and parts. 4...
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Brass Ensemble - Level 5 - SKU: A0.994825 Composed by Modest Petrovich Mussorgsky. Arranged by Alexander S Cottrell. Romantic Period. Score and parts. 42 pages. Mr Alexander S Cottrell #4362915. Published by Mr Alexander S Cottrell (A0.994825). A powerful and dramatic piece of music arranged for brass quintet. Part 3 is written for both Tenor Horn and French horn.
$6.99
Rising Sun, Op. 132
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Rising Sun, Op. 132
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489491 Composed by Dr. Daniel N. Thrower. 21st Century,Barbershop,Chamber,Classical,Multicultural,World. 20 pages. Ht...
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Brass Quintet - Level 4 - SKU: A0.1489491 Composed by Dr. Daniel N. Thrower. 21st Century,Barbershop,Chamber,Classical,Multicultural,World. 20 pages. Https://gildedmusicpress.com/ #1066355. Published by https://gildedmusicpress.com/ (A0.1489491). “Rising Sun” was composed as a gesture of friendship between the two great nations of Japan and the United States of America. As a uniformed member of the Armed Forces, mine is a unique position of being able to share such a meaningful gift in an official capacity that bears great depth and meaning far beyond similar civilian cultural exchanges.Before being assigned to Yokota Air Base in Japan, I was stationed at Offutt Air Force Base in Nebraska. Part of my duties as a trumpeter in the military is to sound “Taps” as part of the full complement of a fallen hero’s military honors. Among the most somber occasions of fulfilling that special privilege was on behalf of a WWII Seaman, Wesley Brown. In 2021, his remains were identified and shipped home to America’s heartland after 80 years of Japan’s attack on Pearl Harbor in 1941.Fast forward to August 6 and 9, 2023, shortly after I arrived at my new duty station in Japan. On those dates in 1946, nuclear bombs were dropped on Hiroshima and Nagasaki. I recorded in my journal on the 9th that my walk to work was quite sobering as I realized that my presence there was a direct result of that complicated global conflict. With significant symbolism, Pacific Brass read “Rising Sun” for the first time that day.After nearly 80 years, the post-war occupation has evolved to a thriving partnership most worthy of celebration. This composition “Rising Sun” potently delivers a personalized celebratory gesture from an American Airman to all those communities we serve throughout the glorious “land of the rising sun.”In the music itself, one can picture a dim early dawn with the serene opening of the low brass trio. The musical content is repeated more loudly, with brilliant trumpet interjections as the sun crests over the early horizon. The music morphs and grows; varies and repeats, as it is intended to depict the subtly but rapidly changing beauties of an orange-filled sunrise. At last, the colors fade and the new day has begun, with a full brightness of hope.
$24.95
Revolution: The Birth of America, Op. 161
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Revolution: The Birth of Ameri
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489531 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Holiday,Patriotic. 26 pages. Https://gildedmu...
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Brass Quintet - Level 4 - SKU: A0.1489531 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Holiday,Patriotic. 26 pages. Https://gildedmusicpress.com/ #1066395. Published by https://gildedmusicpress.com/ (A0.1489531). Revolution: The Birth of America, Op. 161, for brass quintet was completed after nearly three years of off-and-on work. This patriotic masterpiece was at last finished on 3 Jul 2024, just in time to post on YouTube on America’s Independence Day, 4 Jul 2024. The video features images of the American Revolution, including important founding figures, climaxing with inspiring pictures of modern fireworks celebrations. In two sections within the composition, the mood of the work shifts to a reverent feel when pictures of the founding fathers and mothers are displayed. This work is worthy of any brass quintet concert in any America-loving setting. Duration: 4:05.
$24.95
Peter Gink
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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George L
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Bill Wilson
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Peter Gink
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble,Brass Quintet - Level 3 - SKU: A0.774891 Composed by George L. Cobb. Arranged by Bill Wilson. 20th Century. Score and parts. 21 pages. Al...
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Brass Ensemble,Brass Quintet - Level 3 - SKU: A0.774891 Composed by George L. Cobb. Arranged by Bill Wilson. 20th Century. Score and parts. 21 pages. Alexander Wilson #1791849. Published by Alexander Wilson (A0.774891). At last, a brass quintet arrangement of George L. Cobb's Peter Gink, an irreverent spoof of Edvard Greig's Peer Gynt Suite No. 1. Audience members with a smattering of classical music knowledge will recognize themes from Morning Mood, Anitra's Dance, and the Hall of the Mountain King. Audience members without any classical music knowledge will enjoy it purely for its melodies and Cobb's aggressively Tin Pan Alley presentation. Performance time is approximately 2:50. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Lorena: A Brass Quintet Setting
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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F
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Lorena: A Brass Quintet Settin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Americana Fanfares, Vol. 2, Op. 137
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Americana Fanfares, Vol. 2, Op
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.co...
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Brass Quintet - Level 4 - SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital. Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting. The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022. Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert. Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor. In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed. If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music. It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones. His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led. The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony. Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023. Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent. It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska. Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used. However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication. It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later. It is functional music, akin to a fight song, and can be easily marched to. Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music. The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half.
$24.95
Mozart: Requiem in D minor K626 III.Sequenz No.1 Dies irae - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1109240 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 10 pag...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1109240 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 10 pages. RayThompsonMusic #711789. Published by RayThompsonMusic (A0.1109240). Arranged standard brass quintet. The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is no 1 of the Sequenz Dies irae The Dies irae (Day of Wrath) opens with a show of orchestral and choral might A rising chromatic scurry of sixteenth-notes leads into a chromatically rising harmonic progression with the chorus singing Quantus tremor est futurus (what trembling there will be in reference to the Last Judgment). This material is repeated with harmonic development before the texture suddenly drops to a trembling unison figure evocatively painting the Quantus tremor text. It suits the brass quintet. Interesting parts for every player. . Mozart Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
Final Fugue #12 from Fantasia Contrappuntistica for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Ferruccio Busoni
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Charles Decker
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Final Fugue #12 from Fantasia
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817110 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Bar...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817110 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Baroque,Chamber,Multicultural,World. 20 pages. Charles Decker Music Press #3540945. Published by Charles Decker Music Press (A0.817110). For ambitious brass quintets seeking innovative programming here is the final fugue from Italian composer and pianist Ferrucio Busoni's 1912 magnum opus treatise Fantasia Contrappuntistica that pays homage to J.S. Bach's Art of the Fugue with inventive counterpoint and harmonic transformations. Busoni’s ingenious Final Fugue #12 presents Bach’s uncompleted last fugue in an entirely new light. The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.    For more of Charles Decker quintet editions use these links to  Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.95
''Risen from Ruins'' - "Auferstanden aus Ruinen"
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Haans Eisler
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Keith Terrett
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''Risen from Ruins'' - "A
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Keith Terrett
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Traditional,World. 10...
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Horn,Trombone,Trumpet,Tuba - SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #758783. Published by Keith Terrett (A0.1158495). The former East German National Anthem arranged for Brass Quintet. In 1949, the Soviet occupation zone of Allied-occupied Germany became a socialist state under the name of the German Democratic Republic (GDR). For the nascent state's national anthem, the poet Johannes Becher, who later became the East German Minister of Culture, wrote the lyrics. Two musicians, Ottmar Gerster and Hanns Eisler, proposed music to Becher's lyrics, and Eisler's version was selected. History Written in 1949, the East German national anthem reflects the early stages of German separation, in which continuing progress towards reunification of the occupation zones was seen by most Germans as appropriate and natural. Consequently, Becher's lyrics develop several connotations of unity and combine them with fatherland (einig Vaterland), meaning Germany as a whole. However, this concept soon would not conform to an increasingly icy Cold War context, especially after the Berlin Wall had been erected in 1961 by the East German government.[1] In September 1973, East and West Germany were admitted to the United Nations simultaneously, following talks between the two governments that conferred a degree of mutual recognition. The term Germany was later removed from the East German constitution, and only the national anthem's tune was played on official occasions. No new lyrics were ever written to replace Becher's, which continued to be used unofficially, especially after die Wende in late 1989: once it became clear that the countries were actually moving towards reunification, East German television Deutscher Fernsehfunk reinstated the work and signed off every night with a joyous symphonic rendition of the vocal arrangement, with accompanying picturesque footage of East Germany's main tourist attractions. Auferstanden aus Ruinen ceased to be a national anthem when the German Democratic Republic dissolved and its states joined the Federal Republic of Germany as a result of German reunification in 1990. Deutschlandlied, composed in 1841, became the national anthem of a united Germany again. East German Premier Lothar de Maizière had proposed that Becher's lyrics be added to the united German national anthem, but this was rejected by his West German counterpart, chancellor Helmut Kohl. At the end of its last broadcast on 2 October 1990, the East German international radio broadcaster Radio Berlin International signed off with a vocal version of the East German national anthem. In November 1995, Auferstanden aus Ruinen was played again when German President Roman Herzog visited Brazil. This was the first event at which the anthem had been played since the German reunification.
$7.99
FINALE from MAHLER's 2nd SYMPHONY (Resurrection Symphony)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gustav Mahler
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Mark F
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FINALE from MAHLER's 2nd SYMPH
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Mark Adler Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1215722 Composed by Gustav Mahler. Arranged by Mark F. Adler. Chamber,Classical,Easter. 30 ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1215722 Composed by Gustav Mahler. Arranged by Mark F. Adler. Chamber,Classical,Easter. 30 pages. Mark Adler Music #812449. Published by Mark Adler Music (A0.1215722). Starting with the brass choral from the last movement of Mahler's 2nd Symphony, this arrangement builds to Mahler's magnificent conclusion. Timed at about 4:30, this arrangement is ideal for a Sunday morning prelude....especially at Easter! This arrangement is scored for brass quintet, organ and timpani.
$25.00
Allegro - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Solo Trumpet Player
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ed
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Allegro - Score Only
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical...
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Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical. 4 pages. Peet du Toit #956746. Published by Peet du Toit (A0.1372446). Franz Peter Schubert (German: [fÊants ˈpeËtÉ ËˆÊƒuËbÉt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs Erlkönig, Gretchen am Spinnrade, Ave Maria; the Trout Quintet, the unfinished Symphony No. 8 in B minor, the Great Symphony No. 9 in C major, the String Quartet No. 14 Death and the Maiden, a String Quintet, the two sets of Impromptus for solo piano, the three last piano sonatas, the Fantasia in F minor for piano four hands, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin, Winterreise and Schwanengesang.Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis.Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers in the history of Western classical music and his work continues to be admired and widely performed.
$17.00
Bridges, Op. 136 (for Brass Quintet and Chimes)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Bridges, Op. 136
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Http...
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Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95
Ode to Joy by Beethoven for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Br
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.1252412 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,March,Opera,Romantic Period. 14 pa...
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Brass Quintet - Level 2 - SKU: A0.1252412 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,March,Opera,Romantic Period. 14 pages. Woods Only, Arrangements #846382. Published by Woods Only, Arrangements (A0.1252412). This arrangement adapted for brass quintet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$9.99
Inspire Infinite Potential ( Brass Quintet )
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Stanley P
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Inspire Infinite Potential
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Stanley P. Hung
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1024842 Composed by Stanley P. Hung. Contemporary,Holiday. Score and parts. 18 pages. Stanley P. Hung #6497765. Publi...
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Brass Ensemble - Level 3 - SKU: A0.1024842 Composed by Stanley P. Hung. Contemporary,Holiday. Score and parts. 18 pages. Stanley P. Hung #6497765. Published by Stanley P. Hung (A0.1024842). Inspire Infinite Potential is the first original composition of Stanley P. Hung. It was composed for the Massachusetts Institute of Technology Concert Band 70th Anniversary in 2019. MIT Concert Band was founded by students in fall of 1948 and directed for 51 years by conductor John D. Corley. He directed the band from its inception in 1948 until his retirement last spring in 1999. Dr. Thomas E. Reynolds continued the job of music education at MITCB up to now about 20 years. He is the current music director and conducting the band together with co-conductor Collin Myers. (Reference: band.mit.edu)Â Â Mr. Hung had participated in a few public performances of MIT Concert Band and played trombone. His footprints not only appeared at MIT in Cambridge, but also in New York (2013), Maine (2014), and Philadelphia (2019) during spring tours. To come up with an idea by our originality then take it into practice was the spirit inspired by such ingenuity group. Therefore, Stanley tried to add this spirit into the music work Inspire Infinite Potential at creation stage. Its U.S. premiere was conducted by Dr. Reynolds and performed by the MIT Concert Band in campus (2019.12.10). The second edition is mostly based on the previous version. Some of notes, chords, articulations, and rhythms have been updated.
$9.99
Hark! the Herald Angels Sing, (descant verse with brass quintet & organ)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Nigel Williams
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Nigel Williams
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organ).
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Hark! the Herald Angels Sing,
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Nigel Williams
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1477258 By Nigel Williams. By Felix Bartholdy Mendelssohn. Arranged by Nigel Williams. Chri...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1477258 By Nigel Williams. By Felix Bartholdy Mendelssohn. Arranged by Nigel Williams. Christmas,Traditional. 15 pages. Nigel Williams #1054681. Published by Nigel Williams (A0.1477258). A hymn concertato arrangement of the last verse of this popular Christmas hymn, for descant sopranos, brass quintet and organ. There is an optional two bar link before the verse begins at bar 3. The fifteen page download includes a one page soprano descant score, five individual brass parts and a two page organ score. The brass quintet parts are more advanced in difficulty level, the soprano descant and organ parts are intermediate in difficulty level. The descant is new and fresh, and the harmonies used to support it are closely related to the familiar harmonization by Mendelssohn. The trumpet parts in particular are fanfare-like while the lower three instruments support the hymn tune and harmony. (See also my arrangement of this hymn verse for soprano descant, trumpet & organ).
$12.99
Organ Grinders Swing
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Jazz
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Irving Mills, Mitchell Parish,
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Peet du Toit
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Organ Grinders Swing
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1405391 Composed by Irving Mills, Mitchell Parish, and Will Hudson. Arranged by Peet du Toi...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1405391 Composed by Irving Mills, Mitchell Parish, and Will Hudson. Arranged by Peet du Toit. Jazz. 21 pages. Peet du Toit #988444. Published by Peet du Toit (A0.1405391). Organ Grinder's Swing is a song composed by Will Hudson, with lyrics credited to Mitchell Parish and Irving Mills (Mills was the publisher), published in 1936. It became associated with the Jimmie Lunceford orchestra. Hudson based the Organ Grinder's Swing on the nursery rhyme I Love Coffee, I Love Tea.Ella Fitzgerald recorded the song in November 1936 with her Savoy Eight, and recorded it for a second time with the Count Basie Orchestra for her last album with Basie, 1979's A Classy Pair. Other contemporary versions were recorded by Benny Goodman, Django Reinhardt and the Mills Brothers. It was also featured in a 1937 Popeye short Organ Grinder's Swing.Organist Jimmy Smith recorded Organ Grinder's Swing on his 1965 album Organ Grinder Swing. Vibraphonist Milt Jackson recorded it again in 1976 live at the Kosei Nenkin, Tokyo, with Teddy Edwards, Cedar Walton, Ray Brown and Billy Higgins.I have adapted this song for an organ, brass and percussion concert to something light and jazzy and requested my partner in crime, Sam Harrill, to add the percussion part. May you enjoy it with us!
$13.00
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