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Vous avez sélectionné:
Balakirev
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ewald: Quintet No. 4 for Brass instruments
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.768520 Co…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.768520 Composed by Victor Ewald. Arranged by Roar Kvam. 20th Century. 204 pages. KVAMusic Edition #6424311. Published by KVAMusic Edition (A0.768520). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition. As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields.Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba). Roar Kvam, Fossbrekka, April 14, 2020
$40.00
36.81 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Victor Ewald
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Roar Kvam
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Ewald: Quintet No. 4 for Brass instruments
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KVAMusic Edition
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SheetMusicPlus
The Song of the Volga Boatmen for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.782284 Compose…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.782284 Composed by Traditional. Arranged by James Haynor. Folk,World. Score and parts. 13 pages. James Haynor #4571443. Published by James Haynor (A0.782284). The Song of the Volga Boatmen (known in Russian as Ðй, ухнем![Ey, ukhnem!, yo, heave-ho!], after the refrain) is a well-known traditional Russian song collected by Mily Balakirev, and published in his book of folk songs in 1866. This particular arrangement was first done for four part men’s chorus. Scored here for brass quartet. Duration: 4:36
$10.00
9.2 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional
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James Haynor
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The Song of the Volga Boatmen for Brass Quintet
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James Haynor
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SheetMusicPlus
Ewald: Quintet No. 1 for Brass Instruments
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Advanced Intermediate - Digital Download Composed by Victor Ewald (1860…
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Brass Quintet - Advanced Intermediate - Digital Download Composed by Victor Ewald (1860-1935). Arranged by Edited by Roar Kvam. Romantic Period. Score, Set of Parts. 102 pages. Published by KVAMusic Edition
27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments.He was born in Saint Petersburg and died in Leningrad. He also collected andpublished Russian folk songs. Ewald?s professional life, like that of many of his musicalcontemporaries, was in an entirely different field; that of a civil engineer, in which heexcelled, being appointed in 1900 as professor and manager of the Faculty ofConstruction Materials at the Institute of Civil Engineers. Brass players however areindebted to him for something very different ? a series of quintets which have becomea staple of the repertoire and which represent almost the only, and certainly the mostextended examples of original literature in the Romantic style. Ewald?s formal musicaltraining began in 1872 when he enrolled at the St Petersburg Conservatory at the ageof twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of itskind in Russia and it was here that Ewald received lessons in cornet, piano, horn,cello, harmony and composition.As an adult he worked alongside fellow musicalnationalists known collectively as the Mighty Handful?Borodin, Mily Balakirev, César Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had ?day jobs? in non-musical fields. Ewald?s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, altohorn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but thereare also separate substitute parts for the modern brass quintet (2 trumpets, horn in F,trombone and tuba).27 November 1860 - 16 April 1935
Ewald was a Russian composer of music, mainly for conical brass instruments.He was born in Saint Petersburg and died in Leningrad. He also collected andpublished Russian folk songs. Ewald?s professional life, like that of many of his musicalcontemporaries, was in an entirely different field; that of a civil engineer, in which heexcelled, being appointed in 1900 as professor and manager of the Faculty ofConstruction Materials at the Institute of Civil Engineers. Brass players however areindebted to him for something very different ? a series of quintets which have becomea staple of the repertoire and which represent almost the only, and certainly the mostextended examples of original literature in the Romantic style. Ewald?s formal musicaltraining began in 1872 when he enrolled at the St Petersburg Conservatory at the ageof twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of itskind in Russia and it was here that Ewald received lessons in cornet, piano, horn,cello, harmony and composition.As an adult he worked alongside fellow musicalnationalists known collectively as the Mighty Handful?Borodin, Mily Balakirev,
César Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov.
All of these men had ?day jobs? in non-musical fields.
Ewald?s contributions as a composer reflected an abiding love for brass
instruments for which he wrote his quintets scored originally for two cornets, altohorn, baritone horn and tuba.
I've edited these four quartets using Ewald's original instrumentation, but thereare also separate substitute parts for the modern brass quintet (2 trumpets, horn in F,trombone and tuba).
$28.00
25.77 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Victor Ewald (1860-1935)
#
Edited by Roar Kvam
#
Ewald: Quintet No. 1 for Brass Instruments
#
KVAMusic Edition
#
SheetMusicPlus
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