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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Big Time
Non classifié
261
Piano & claviers
Piano seul
311
Piano grosses notes
174
Piano, Voix et Guitare
88
Piano, Voix
84
Piano Facile
54
Instruments en Do
21
Accordéon
15
Piano (partie séparée)
10
Clavecin
6
1 Piano, 4 mains
4
Orgue
4
Accompagnement Piano
2
2 Pianos, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare (partie séparée)
18
Guitare
17
Guitare notes et tablatures
13
Ligne De Mélodie, (Paroles) et Accords
6
4 Guitares (Quatuor)
4
Basse electrique
3
Paroles et Accords
2
Ukulele
2
2 Guitares (duo)
2
Banjo
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Ensemble de guitares
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
48
Chorale 3 parties
23
Chorale SSAA
12
Voix Alto, Piano
11
Voix seule
9
Chorale TTBB
9
Chorale 2 parties
8
Pack Instrumental pour Chorale
6
Chorale Unison
4
Voix duo
1
Voix Soprano, Piano
1
+ 6 instrumentations
Retracter
Vents
Saxophone (partie séparée)
49
Quatuor de Saxophones: 4 saxophones
36
Saxophone
34
2 Saxophones (duo)
34
Flûte, Hautbois, Clarinette, Basson
19
Saxophone, Clarinette (duo)
18
2 Clarinettes (duo)
18
Flûte traversière
14
Clarinette, Violon (duo)
14
Clarinette
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
2 Flûtes traversières (duo)
13
Flûte traversière et Piano
13
Clarinette, Trompette (duo)
13
Hautbois, Piano (duo)
11
Quintette de Saxophone: 5 saxophones
9
Clarinette (partie séparée)
8
Flûte, Clarinette (duo)
8
Saxophone Alto et Piano
8
Quatuor de Clarinettes: 4 clarinettes
8
Ensemble de saxophones
8
Hautbois, Clarinette (duo)
7
Saxophone Tenor
7
2 Hautbois (duo)
7
Flute (partie séparée)
7
Flûte, Violon
7
Clarinette et Alto
6
Hautbois, Flûte
6
Hautbois, Basson (duo)
6
Flûte, Alto (duo)
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Trompette (duo)
5
Saxophone Alto
5
Flûte, Saxophone (duo)
5
Hautbois (partie séparée)
4
Saxophone Soprano et Piano
3
Ensemble de Clarinettes
3
Saxophone Tenor et Piano
3
Clarinette et Piano
3
Quatuor de Flûtes : 4 flûtes
2
Saxophone Baryton, Piano
2
Clarinette Basse, Piano
2
2 Flûte à bec (duo)
2
3 Clarinettes (trio)
2
Flûte et Guitare
2
Ensemble de Flûtes
1
Flûte à bec Soprano
1
Instruments en Mib
1
3 Saxophones (trio)
1
Hautbois, violon (duo)
1
Cor anglais, Piano
1
2 Saxophones, Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois (duo)
1
+ 49 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
44
Trompette (partie séparée)
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Trompette
24
Trombone
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trompette, Saxophone (duo)
12
2 Trompettes (duo)
8
Trompette, Trombone (duo)
7
2 Trombones (duo)
7
Tuba (partie séparée)
5
Quatuor de Cuivres
5
Cor (partie séparée)
5
Trompette, Piano
4
Cor et Piano
3
Euphonium, Piano (duo)
2
2 Cors (duo)
2
Trombone et Piano
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Trombones
2
Bass Clef Instruments
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais, Piano
1
Ensemble de Tubas
1
Instruments en Sib
1
Cor et Basson (duo)
1
Tuba et Piano
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon
34
Violon, Violoncelle (duo)
19
Harpe
11
Contrebasse (partie séparée)
11
Alto seul
10
Violoncelle
10
Violon et Piano
9
2 Violoncelles (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
Violon, Alto (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
2 Altos (duo)
6
2 Violons (duo)
6
Violoncelle, Piano
4
Contre Basse
4
Alto, Piano
3
Violon (partie séparée)
3
Alto (partie séparée)
1
Violon, Basson (duo)
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Alto et Basson
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
287
Orchestre d'harmonie
117
Orchestre
40
Fanfare
30
Jazz combo
28
Ensemble de cuivres
27
Orchestre à Cordes
17
Batterie (partie séparée)
9
Batterie
8
Cloches
6
Ensemble de Percussions
4
Percussion (partie séparée)
3
Big band
1
Orchestre de chambre
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Big Time
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
29 partitions trouvées
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Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Big Bad Bill
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Jack Yellen, Milton Ager
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Bill Wilson
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Big Bad Bill
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.775311 Composed by Jack Yellen, Milton Ager. Arranged by Bill Wilson. Jazz. 21 pages. Alexander Wilson #6549791. Publi...
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Brass Quintet - Level 3 - SKU: A0.775311 Composed by Jack Yellen, Milton Ager. Arranged by Bill Wilson. Jazz. 21 pages. Alexander Wilson #6549791. Published by Alexander Wilson (A0.775311). Big Bad Bill, by Jack Yellen and Milton Ager, is a rollicking Dixieland tune. Lead responsibilities are shared by the top four parts. Arranged for brass quintet (two Bb trumpets, French horn, trombone, tuba, and optional drum set). Performance time is approximately 2:12. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Time To Say Goodbye
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Andrea Bocelli & Sarah Brightm
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Time To Say Goodbye
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1394205 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Luci...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1394205 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by C Strommen, U Bye & A Fernie, orchestrated by Peet du Toit. Classical,Pop. 11 pages. Peet du Toit #977678. Published by Peet du Toit (A0.1394205). Con te partirò (With You I Shall Depart) is an Italian song written by Francesco Sartori (music) and Lucio Quarantotto (lyrics). It was first performed by Andrea Bocelli at the 1995 Sanremo Music Festival and recorded on his album of the same year, Bocelli. The single was first released as an A-side single with Vivere in 1995, topping the charts, first in France, where it became one of the best-selling singles of all-time, and then in Belgium, breaking the all-time record sales there.A second version of the song, sung partly in English, released in 1996 as Time to Say Goodbye, paired Bocelli with British soprano Sarah Brightman, and achieved even greater success, topping charts all across Europe, including Germany, where it became the biggest-selling single in history. Brightman and Bocelli produced a version with Brightman singing in German and Bocelli in Italian, with this version being available on the CD Time to Say Goodbye. That version alone has now sold more than 12 million copies worldwide, making it one of the best-selling singles of all time.I hope this cover thereof for a Brass Quintet is pleasing to the players and their audience.
$22.00
Old Time Rock & Roll
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Film/TV
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Rock
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Bob Seger
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Will Corbin
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Old Time Rock & Roll
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1462337 By Bob Seger. By George Jackson and Thomas E. Jones III. Arranged by Will Corbin. Film/TV,Pop...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1462337 By Bob Seger. By George Jackson and Thomas E. Jones III. Arranged by Will Corbin. Film/TV,Pop,Rock. 19 pages. Will Corbin #1041082. Published by Will Corbin (A0.1462337). This 1979 hit from Bob Seger is probably his best-known song. He claims the lyrics are mostly his, although the song's credited writers say otherwise (and they're still all bickering about it). The song gained wider popularity after it was featured in the 1983 comedy flick Risky Business, which also featured Tom Cruise's big breakout role.If you need other instrumentation, please contact me at wilcor@aol.com.
$15.00
Once Upon A Time...storybook Love
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Mark Knopfler
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Marc Donatelle
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Once Upon A Time...storybook L
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Marc Donatelle
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1401694 By Mark Knopfler. By Mark Knopfler. Arranged by Marc Donatelle. 20th Century,Contem...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1401694 By Mark Knopfler. By Mark Knopfler. Arranged by Marc Donatelle. 20th Century,Contemporary,Film/TV,Pop,Wedding. 14 pages. Marc Donatelle #984876. Published by Marc Donatelle (A0.1401694). This arrangement features the Horn and Trombone, building to a big tutti in the middle, finishing with a quiet ending.The 1st trumpet mute is optional, but effective. The MP3 sample is from the middle of the chart.Entertaining to listen to, and perfect for a wedding!
$20.00
Bugle Call Rag for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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the age of 15 was playing pian
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Eubie Blake, Carey Morgan
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Jari A
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Bugle Call Rag for Brass Quint
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JV MUSIC
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SheetMusicPlus
Brass Ensemble - SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Sco...
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Brass Ensemble - SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Score and parts. 24 pages. JV MUSIC #3366195. Published by JV MUSIC (A0.722732). Bugle Call Rag Composed by Carey Morgan and Eubie Blake Arranged by Jari VillanuevaScore2 Trumpets in BbHorn in FTromboneTubaOptional Drum Set Eb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for TromboneJames Hubert Eubie Blake (1887-1983) Blake was born in Baltimore to former slaves, and the only child of 11 that would survive to adulthood. The young Eubie taught himself the organ after his parents put a $75 organ in their home for 25 cents per week (which would take them almost 6 years to pay off). By the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house. Blake was already an exceptional pianist by the early 1900's, and he had to simplify his music drastically to get it published. Blake was among the pioneers of ragtime, however he was often too far ahead of his time. He released two rags (Charleston Rag and his Baltimore Buzz) in the same year which Scott Joplin released his Maple Leaf Rag. Unfortunately for Blake, the competition was too strong. Part of the reason for Blake's Charleston Rag and his Baltimore Buzz not making the big time may have been due to Blake the progressive nature of his sound. People found it hard to digest his music, especially the publishers. Bugle Call Rag was composed in 1916 with Carey Morgan. It was one of many patriotic selections written by composers during the World War I era. This delightful piece uses bugle calls and quotes There’ll Be A Hot Time In The Old Town Tonight.A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest. https://www.youtube.com/watch?v=nMUSMQhI-lE
$14.99
C Jam Blues for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
Swanee by Gershwin for Brass Quintet with Optional Drums
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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George Gershwin
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Jari A
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Swanee by Gershwin for Brass Q
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.722766 Composed by George Gershwin. Arranged by Jari A. Villanueva. 20th Century,Broadway,...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.722766 Composed by George Gershwin. Arranged by Jari A. Villanueva. 20th Century,Broadway,Folk,Ragtime. Score and parts. 26 pages. JV MUSIC #4297713. Published by JV MUSIC (A0.722766). Swanee by George Gershwin for Brass Quintet with Optional Drums and optional parts for Eb Horn and Baritone TC Arranged by Jari Villanueva Score2 Trumpets in BbHorn in FTromboneTubaEb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for Trombone Swanee was George Gershwin’s first big song hit written in 1919. The song was written for a New York City revue called Demi-Tasse, which opened in October 1919 in the Capitol Theater. Caesar and Gershwin, who was then aged 20, claimed to have written the song in about ten minutes riding on a bus in Manhattan, finishing it at Gershwin's apartment. It was written partly as a parody of Stephen Foster's Old Folks at Home. It was originally used as a big production number, with 60 chorus girls dancing with electric lights in their slippers on an otherwise darkened stage. The song had little impact in its first show, but not long afterwards Gershwin played it at a party where Al Jolson heard it. Jolson then put it into his show Sinbad, already a success at the Winter Garden Theatre, and recorded it for Columbia Records in January 1920. After that, said Gershwin, Swanee penetrated the four corners of the earth. The song was charted in 1920 for 18 weeks holding the No. 1 position for nine. It sold a million sheet music copies, and an estimated two million records. It became Gershwin's first hit and the biggest-selling song of his career; the money he earned from it allowed him to concentrate on theatre work and films rather than writing further single pop hits.https://www.youtube.com/watch?v=nYVgQDl6G3g
$15.00
Four Early Jazz Classics for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Keith Terrett
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Keith Terrett
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Four Early Jazz Classics for B
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Keith Terrett
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SheetMusicPlus
Level 3 - SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #517391. Published...
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Level 3 - SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #517391. Published by Keith Terrett (A0.911345). Four Early Jazz Classics from the USA for Brass Quintet includes: 1)Little Brown Jug:It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era. 2)Frankie & Johnny:Frankie and Johnny (sometimes spelled Frankie and Johnnie; also known as Frankie and Albert or just Frankie) is a traditional American popular song. It tells the story of a woman, Frankie, who finds that her man Johnny was making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. 3)Tin Roof Blues:Tin Roof Blues is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions. 4)Battle Hymn of the Republic:The Battle Hymn of the Republic, also known as Mine Eyes Have Seen the Glory outside of the United States, is a song by American writer Julia Ward Howe using the music from the song John Brown’s Body. Howe’s more famous lyrics were written in November 1861, and first published in The Atlantic Monthly in February 1862. The song links the judgment of the wicked at the end of time (Old Testament, Isaiah 63; New Testament, Rev. 19) with the American Civil War. Since that time, it has become an extremely popular and well-known American patriotic song. Arranged here for Brass Quintet, this arrangement is available for most ensembles of your choice, e-mail for other arrangements. An excellent selection for your next concert!
$18.00
The Peanut Vendor (el Manisero)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Si...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
Bésame Mucho
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Consuelo Velazquez
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Will Corbin
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Bésame Mucho
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1459173 Composed by Consuelo Velazquez. Arranged by Will Corbin. Latin,Pop. 20 pages. Will ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1459173 Composed by Consuelo Velazquez. Arranged by Will Corbin. Latin,Pop. 20 pages. Will Corbin #1038143. Published by Will Corbin (A0.1459173). Mexican songwriter Consuelo Velazquez wrote Besame Mucho, words and music, in 1941. When she died in 2005, The New York Times said this of the song in her obituary: 'Bésame Mucho' is not so much an enduring standard as a global phenomenon. Translated into dozens of languages and performed by hundreds of artists, the song has been an emblem of Latin identity, an anthem of lovers separated by World War II and perennial grist for lounge singers everywhere. Virtually every professional recording musician has covered it, from the Beatles to Placido Domingo. This arrangement borrows its 6/4 time signature (and not much more) from the 2001 recording by Maynard Ferguson and Diane Schuur. It's a little more accessible than Ferguson's screaming big band chart.This one is for two trumpets, horn, trombone and tuba. If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
I Ain't Got Nobody
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Jazz
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Spencer Williams
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Bill Wilson
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I Ain't Got Nobody
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775094 Composed by Spencer Williams. Arranged by Bill Wilson. Jazz. 17 pages. Alexander Wilson #3415833. Published by ...
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Brass Quintet - Level 2 - SKU: A0.775094 Composed by Spencer Williams. Arranged by Bill Wilson. Jazz. 17 pages. Alexander Wilson #3415833. Published by Alexander Wilson (A0.775094). Spencer Williams wrote I Ain't Got Nobody in 1915. This song has subsequently been covered many times over many decades in styles ranging from big band jazz to disco to pop rock to country. Our arrangement stays faithful to the 1915 presentation. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:10. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
The Caissons Go Rolling Along
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Edmund L
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Bill Wilson
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The Caissons Go Rolling Along
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775129 Composed by Edmund L. Gruber. Arranged by Bill Wilson. Holiday,Patriotic. 19 pages. Alexander Wilson #3478469. ...
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Brass Quintet - Level 2 - SKU: A0.775129 Composed by Edmund L. Gruber. Arranged by Bill Wilson. Holiday,Patriotic. 19 pages. Alexander Wilson #3478469. Published by Alexander Wilson (A0.775129). Edmund L. Gruber's The Caissons Go Rolling Along was written in the early 1900's and was later adopted as the official song of the United States Army. Our arrangement of this presents the song twice. The first time it is presented in a transcription that is quite faithful to a 1921 publication of the song. The second time it is presented in a big band swing style. This arrangement is suitable for use in informal Fourth of July festivities. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:40. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Swing Low, Sweet Chariot
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Various
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Will Corbin
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Swing Low, Sweet Chariot
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1465642 By Various. By Willis Wallace. Arranged by Will Corbin. Christian,Jazz,Religious,Tr...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1465642 By Various. By Willis Wallace. Arranged by Will Corbin. Christian,Jazz,Religious,Traditional. 20 pages. Will Corbin #1044254. Published by Will Corbin (A0.1465642). This enduring gospel/spiritual classic was written at some time after the Civil War by a Southern freedman, Wallace Willis. This treatment for quintet is gleaned from Sammy Nestico's fine arrangement for big band.If you need alternative instrumentation, please contact me at wilcor@aol.com.
$10.00
Forever And A Day
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Steve Dekker
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Steve Dekker
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Forever And A Day
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Steve Dekker
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1433548 By Steve Dekker. By Steve Dekker. Arranged by Steve Dekker. 21st Century,Chamber,Co...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1433548 By Steve Dekker. By Steve Dekker. Arranged by Steve Dekker. 21st Century,Chamber,Contemporary,Contest,Festival,Funk. 42 pages. Steve Dekker #1013109. Published by Steve Dekker (A0.1433548). Forever And A Day is an original piece for brass quintet composed by Steve Dekker. This brass quintet was adapted from Dekker's original 18-piece big band composition which was commisioned and performed by the Kansas City Jazz Orchestra in April 2023 at The Kauffman Center for the Performing Arts, Kansas City, MO. This piece is medium difficult and is accessible to a good high school group or college/service level band. Forever And A Day can be performed by a traditional 5-piece brass quintet or by adding the optional auxiliary percussion parts provided.The piece begins with a wistful chorale before leading into a quasi funk groove that is propelled throughout the composition via contemporary harmonies, rhythms and mood transformations. The energy of this piece is fueled by the juxtaposition of modern style versus Classical elements.Careful attention should be paid to balance/blend, steady rhythm, dynamics, articulation and meter changes. Optional auxiliary percussion parts are included for shaker and tambourine if desired. Run time is 5:54. Enjoy!
$40.00
Chattanooga Choo Choo
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Jazz
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Floyd Cramer
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Peet du Toit
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Chattanooga Choo Choo
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 1...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 18 pages. Peet du Toit #961811. Published by Peet du Toit (A0.1377195). Chattanooga Choo Choo is a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun Valley Serenade. It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.The song opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. This is followed by the vocal introduction of four lines before the main part of the song is heard.The main song opens with a dialog between a passenger and a shoeshine boy:Pardon me, boy, is that the Chattanooga Choo Choo?Yes, yes, Track 29!Boy, you can give me a shine.Can you afford to board the Chattanooga Choo Choo?I've got my fare, and just a trifle to spare.The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.Here's my representation thereof with Sam Harrill's nifty percussion score supporting it.
$17.00
25 Or 6 To 4
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Chicago
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Chris Magee
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25 Or 6 To 4
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Dubba C Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1363005 By Chicago. By Robert Lamm. Arranged by Chris Magee. Rock. 17 pages. Dubba C Music ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1363005 By Chicago. By Robert Lamm. Arranged by Chris Magee. Rock. 17 pages. Dubba C Music #947389. Published by Dubba C Music (A0.1363005). Recorded in 1970, 25 or 6 to 4 is one of Chicago's first big hits, and this arrangement is the first movement of the Chigago Suite for brass quintet. 25 or 6 to 4 is an exciting arrangement that will have your audience asking for more! This arrangement can be performed as a stand-alone piece, or as a part of the three-movement suite, and it includes an optional part for drum set. Be sure to look for the other two movements: Does Anybody Really Know What Time It Is? and Make Me Smile..
$24.99
When You Wore a Tulip
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Contemporain
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Percy Wenrich
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Bill Wilson
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When You Wore a Tulip
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble,Brass Quintet - Level 2 - SKU: A0.774933 Composed by Percy Wenrich. Arranged by Bill Wilson. 20th Century. Score and parts. 11 pages. Ale...
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Brass Ensemble,Brass Quintet - Level 2 - SKU: A0.774933 Composed by Percy Wenrich. Arranged by Bill Wilson. 20th Century. Score and parts. 11 pages. Alexander Wilson #2075997. Published by Alexander Wilson (A0.774933). When You Wore a Tulip (and I Wore a Big Red Rose) is perhaps the most well-recognized song by Tin Pan Alley songwriter Percy Wenrich. This arrangement presents the song in its original character, modified as little as possible for an authentic presentation by a brass quintet. Performance time is approximately 1:35. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
So Long Sammy
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Patriotique
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Albert Gumble
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Bill Wilson
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So Long Sammy
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble,Brass Quintet - Level 2 - SKU: A0.774911 Composed by Albert Gumble. Arranged by Bill Wilson. Patriotic. Score and parts. 11 pages. Alexan...
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Brass Ensemble,Brass Quintet - Level 2 - SKU: A0.774911 Composed by Albert Gumble. Arranged by Bill Wilson. Patriotic. Score and parts. 11 pages. Alexander Wilson #1932559. Published by Alexander Wilson (A0.774911). Tin Pan Alley master songwriter Albert Gumble's So Long Sammy, written in 1917, is a combination of a little bit of patriotic fanfare, a little bit of optimism, a small dose of wistfulness, and a great big dose of Yankee pride. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:45. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Tears In Heaven
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Eric Clapton
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Max Stannard
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Tears In Heaven
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Max Stannard Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.773453 By Eric Clapton. By Eric Clapton and Will Jennings. Arranged by Max Stannard. Contemporary,Rock. Score and par...
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Brass Ensemble - Level 3 - SKU: A0.773453 By Eric Clapton. By Eric Clapton and Will Jennings. Arranged by Max Stannard. Contemporary,Rock. Score and parts. 13 pages. Max Stannard Music #3411069. Published by Max Stannard Music (A0.773453). Tears in Heaven is a song by Eric Clapton and Will Jennings, from the 1991 Rush film soundtrack. In an interview with Sue Lawley in 1992, Clapton said of the song, There is a song that I’ve written for a movie, but in actual fact it was in the back of my head but it didn’t really have a reason for being until I was scoring this movie which I did a little while ago and then it sort of had a reason to be. And it is a little ambiguous because it could be taken to be about Conor but it also is meant to be part of the film. Conor, Clapton's four-year-old son, fell from a window of a 53rd-floor New York apartment owned by his mother's friend on March 20, 1991. Clapton arrived at the apartment shortly after the accident. The song was Clapton's best-selling single in the United States and reached number two on the Billboard Hot 100. It won three Grammy Awards for Best Pop Vocal Performance, Male, Song of the Year, and Record of the Year. In 2004, Rolling Stone ranked Tears in Heaven 362nd on the magazine's list of The 500 Greatest Songs of All Time.This arrangement is for brass quintet. Duration: 3.25 www.maxstannardmusic.com @MStannardMusic
$12.99
La Rosita
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Contemporain
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Allan Stuart, Paul Dupont
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Bill Wilson
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La Rosita
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775288 Composed by Allan Stuart, Paul Dupont. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #47967...
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Brass Quintet - Level 2 - SKU: A0.775288 Composed by Allan Stuart, Paul Dupont. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #4796729. Published by Alexander Wilson (A0.775288). La Rosita, by lyricist Allan Stuart and composer Paul Dupont, is a charming Latin-flavored piece. Starting in minor, the chorus switches to major. The piece rapidly switches between triplet, duplet, and somewhat ambiguous feels. This piece was used to accompany the 1923 silent film Rosita. Performance time is approximately 1:45. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Fernando
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Pop musique
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ABBA
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Will Corbin
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Fernando
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1460714 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Will Cor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1460714 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Will Corbin. Pop. 21 pages. Will Corbin #1039621. Published by Will Corbin (A0.1460714). ABBA singer Frida Lyngstad first recorded Fernando, named for a bartender at a joint the band frequented, as a solo performance in Swedish. ABBA recorded it a year later, and it became one of their biggest hits, selling 6 million singles in 1976 alone; it was for two decades the holder of the record for time at No. 1 in Australia. This treatment runs a little long; it can be shortened by a minute or so by jumping past the mostly repeated second portion directly to the ending measures (you can figure out where to make the hop).If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
Man! I Feel Like A Woman!
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Shania Twain
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Kayleigh Huelin
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Man! I Feel Like A Woman!
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Kayleigh Huelin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1424405 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Kayleigh H...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1424405 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Kayleigh Huelin. Country,Pop. 17 pages. Kayleigh Huelin #1005596. Published by Kayleigh Huelin (A0.1424405). From one of the biggest-selling albums of all time, Man! I Feel Like A Woman! by Shania Twain is a perfect slice of country-pop. This is a fun arrangement and is bound to put a smile on listeners' faces, and will be a great addition to any quintet's gigging repertoire. Arranged for brass quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$24.99
He Ain't Heavy, He's My Brother
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Rock
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Neil Diamond
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Peet du Toit
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he's my brother
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He Ain't Heavy, He's My Brothe
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1404796 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Peet du Toit. Rock. 14...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1404796 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Peet du Toit. Rock. 14 pages. Peet du Toit #987859. Published by Peet du Toit (A0.1404796). James Wells, Moderator of the United Free Church of Scotland, tells the story of a little girl carrying a big baby boy in his 1884 book The Parables of Jesus. Seeing her struggling, someone asked if she wasn't tired. With surprise she replied: No, he's not heavy; he's my brother.He Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for the Hollies later that year and also a hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years. The Hollies' version was re-released in 1988 and again was a major hit in the UK.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.Not sure how many brass quintet versions of this music is available, but here's my representation of it. Enjoy!
$21.00
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