Partitions Numériques de Can't Get Right pour Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Partitions numériques Accès après achat

Expédition postale Téléchargement

TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 45

PIANO & CLAVIERS

Piano seul 33 Piano, Voix et Guitare 19 Piano Facile 14 Piano, Voix 13 Accompagnement Piano 2

2 Pianos, 8 mains 1 Piano Quatuor: piano, violon, alto, violoncelle 1 Piano Trio: piano, violon, violoncelle 1 1 Piano, 4 mains 1 Instruments en Do 1 2 Pianos, 4 mains 1 Piano grosses notes 1

Instrumentations suivantes

Retracter

GUITARES

Piano, Guitare (duo) 1 Dulcimer 1 Paroles et Accords 1 Basse electrique 1 Ukulele 1

2 Guitares (duo) 1 Guitare 1

Instrumentations suivantes

Retracter

VOIX

Chorale SATB 12 Chorale SSAA 6 Chorale 3 parties 6 Chorale TTBB 4 Chorale 2 parties 4

Chorale Unison 2 Chorale SSATTB 1 Voix basse, Piano 1 Voix Soprano, Piano 1

Instrumentations suivantes

Retracter

VENTS

Saxophone (partie séparée) 5 Saxophone Tenor 4 Saxophone Alto 4 Flûte traversière 4 Clarinette 3

Hautbois (partie séparée) 2 Clarinette et Piano 2 Saxophone Alto et Piano 2 Hautbois, Piano (duo) 2 Saxophone Baryton, Piano 2 Saxophone Tenor et Piano 2 Saxophone Soprano et Piano 2 Flûte traversière et Piano 2 Saxophone Soprano 1 Flûte et Guitare 1 Hautbois 1 Clarinette, Guitare (duo) 1 Quatuor de Flûtes : 4 flûtes 1

Instrumentations suivantes

Retracter

CUIVRES

Trompette 4 Cor 3 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3 Trombone et Piano 3 Trombone 3

Tuba 3 Cor et Piano 2 Trompette, Piano 2 Quatuor de Cuivres : 2 trompettes, trombone, tuba 2 Quatuor de Cuivres 1 Tuba et Piano 1 Trombone (partie séparée) 1

Instrumentations suivantes

Retracter

CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 32 Violon, Violoncelle (duo) 19 Trio à Cordes: 2 violons, violoncelle 17 Violon 7 Violoncelle 6

Quintette à cordes: 2 violons, alto, violoncelle, basse 5 Violon et Piano 5 Trio à Cordes: violon, alto, violoncelle 4 Alto (partie séparée) 4 Harpe 4 Contre Basse 3 Violoncelle, Piano 2 Contrebasse, Piano (duo) 2 Violon, Alto (duo) 2 Alto, Piano 2 Alto seul 2 2 Violoncelles (duo) 2

Instrumentations suivantes

Retracter

PERCUSSIONS & ORCHESTRES

Orchestre à Cordes 9 Orchestre d'harmonie 8 Ensemble Jazz 5 Orchestre 2 Ensemble de Percussions 2

Jazz combo 1 Batterie 1 Fanfare 1 Ensemble de cuivres 1

Instrumentations suivantes

Retracter

AUTRES

Vous avez sélectionné:

Can't Get Right

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Partitions à imprimer

3 partitions trouvées

El Condor Pasa (If I Could)

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).

$15.00 13.76 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #Daniel Alomia Robles, Jorge Milchberg, and Paul Simon #El Condor Pasa #Peet du Toit #SheetMusicPlus

That's A Plenty (brass quintet)

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Ensemble - Level 4 - Digital Download SKU: A0.964573 Composed by Lew Pollack.…(+)

Brass Ensemble - Level 4 - Digital Download SKU: A0.964573 Composed by Lew Pollack. Arranged by Betsy Bright. Concert,Graduation,Jazz. Score and parts. 16 pages. Bright Music Company #6247241. Published by Bright Music Company (A0.964573). 2 Trumpets in BbHorn in FTromboneTubaThere are already a couple of awesome quintet arrangements of this piece out there. So why have our own? Wellâ€¦this was originally written specifically for one of our education shows (Sailing the High Seas), but we decided itâ€™s worth putting out into the world because itâ€™s shorter and substantially less taxing than the standard editions. This particular arrangement has been reduced to under 2 minutes, making it perfect for education shows when you want some Dixieland, but you donâ€™t have all day. Thereâ€™s enough written-in-improv lines (inspired by the Louis Armstrong recordings) to make it feel right, but without requiring actual improvisation. And, as always, thereâ€™s ample rest for the higher brass players. This piece is so painless to play that it could be put at the end of any recital, no matter how tiring, and everyone can get through this last piece while taking the audience out with some Dixieland fun.We also have a trio version of this piece!Duration: just under 2 minutes

$15.00 13.76 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #Lew Pollack #Betsy Bright #That's A Plenty #Bright Music Company #SheetMusicPlus

Toot, Toot, Tootsie!

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl. Â The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again. Â And, he did this seven times! Â What would he say to her each time? Â Heâ€™d tell her that heâ€™s leaving, that she shouldnâ€™t cry, that heâ€™ll write and that if she does not hear from him she should assume heâ€™s been arrested. Â What a romantic line!Â Â Â Anyway, thatâ€™s the gist of the â€œToot, Toot, Tootsie!â€ lyrics. Â Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York Cityâ€™s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922. Â It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson. Â Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film. Â Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.Â Â This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM. Â After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear. Â The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narratorâ€™s observations, Horn and Trumpet 1 alternating the lead. Â At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody. Â This leads right into a repeat of the verseâ€”this time played at full speedâ€”and a change of key to D-flat major. Â Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus. Â The piece wraps up with a vaudeville-style conclusion and eventually fades away. Â (But donâ€™t miss Trombone's four-measure reference to â€œCharlottetown Is Burning Down/Goodbye, Liza Janeâ€ at measure 141.)Lots of fun!Â Â Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. Â He would like to receive your suggestions, comments, corrections and criticisms. Â For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

$6.99 6.41 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #Gus Kahn, Ernie Erdman and Dan Russo #F #Toot, Toot, Tootsie! #Sweetwater Brass Press #SheetMusicPlus