Inspiredby Psalm 19 from the Book of Psalms this is Benedetto Marcello?s Psalm 19 - ?TheHeavens Declare the Glory of God? transcribed here for Brass Quintet. This selection is programmable for a varietyof sacred and secular occasions including Weddings and accessible to advancedintermediate level players and above. PlayingTime: 2:00 . Preview this score on YouTube: https://www.youtube.com/watch?v=Tnl_AldcMJE

Trio Sonata No.9 \"The Golden Sonata\", Z.810 (originally in F Major) by Henry Purcell and arranged for Brass Quintet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40. Note: The Organ part is optional. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.

?How Can I Keep From Singing?? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) ? the first being ?Shall We Gather at the River?? Born in Philadelphia, Lowry studied at Pennsylvania's Lewisburg (today Bucknell) University; was ordained a Baptist minister in 1854; served in churches in Pennsylvania, New York, and New Jersey; and later returned to Lewisburg and served as chancellor. Best remembered as a writer of more than 500 gospel songs and hymns, Lowry served as editor for Biglow and Main publishing company, where he edited numerous gospel song books and hymn books. Like Horatio Spafford?s ?It Is Well With My Soul,? Lowry?s ?How Can I Keep From Singing?? (also known as ?Endless Song?) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim: "My life flows on in endless song above earth?s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I?m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?" This intermediate-level arrangement is quick to rehearse, satisfying to play, and well-received by audiences. Suitable for high school ensembles, church and community musicians, and professionals for use in concert, recital, and worship. Ideal as a prelude or offertory/communion anthem. �Copyright 2016 Todd Marchand / ConSpiritoMusic.com

27 November 1860 - 16 April 1935

Ewald was a Russian composer of music, mainly for conical brass instruments.He was born in Saint Petersburg and died in Leningrad. He also collected andpublished Russian folk songs. Ewald?s professional life, like that of many of his musicalcontemporaries, was in an entirely different field; that of a civil engineer, in which heexcelled, being appointed in 1900 as professor and manager of the Faculty ofConstruction Materials at the Institute of Civil Engineers. Brass players however areindebted to him for something very different ? a series of quintets which have becomea staple of the repertoire and which represent almost the only, and certainly the mostextended examples of original literature in the Romantic style. Ewald?s formal musicaltraining began in 1872 when he enrolled at the St Petersburg Conservatory at the ageof twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of itskind in Russia and it was here that Ewald received lessons in cornet, piano, horn,cello, harmony and composition.As an adult he worked alongside fellow musicalnationalists known collectively as the Mighty Handful?Borodin, Mily Balakirev,

C�sar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov.

All of these men had ?day jobs? in non-musical fields.
Ewald?s contributions as a composer reflected an abiding love for brass

instruments for which he wrote his quintets scored originally for two cornets, altohorn, baritone horn and tuba.

I've edited these four quartets using Ewald's original instrumentation, but thereare also separate substitute parts for the modern brass quintet (2 trumpets, horn in F,trombone and tuba).

Borodin's String Trio in G minor dates from 1855, one of his early works for 2 Violins and Cello. It is based on the once well-known Russian folk song Chem tebya ya ogorchila (What have I done to hurt you?). The music is about 7 minutes in length in one movement with the lovely bitter-sweet theme and eight variations.

The Trio in G minor was largely forgotten until the mid 20th Century. Justin Chiang's lovely arrangement for Brass Quintet for advanced performers works exceptionally well.

Instrumentation is for 2 Trumpets in C, Horn, Trombone, and Tuba.