English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
7
Librairie
Musicale
0
Matériel
de Musique
161
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
283
PIANO & CLAVIERS
Piano seul
144
Piano, Voix
22
Piano Facile
21
Piano, Voix et Guitare
20
Orgue
16
Piano grosses notes
6
2 Pianos, 4 mains
6
Instruments en Do
5
1 Piano, 4 mains
4
Piano (partie séparée)
3
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
12
Guitare notes et tablatures
5
Guitare (partie séparée)
4
Basse electrique
2
Ensemble de guitares
1
2 Guitares (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Basse électrique (partie séparée)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
86
Chorale 3 parties
27
Chorale 2 parties
17
Chorale TTBB
15
Chorale SSAA
13
Voix Baryton, Piano
4
Voix duo, Piano
4
Voix moyenne, Piano
3
Voix haute
2
Voix seule
2
Voix Tenor, Piano
2
Chorale Unison
2
Chorale
1
Voix duo
1
Voix basse, Piano
1
Chorale SSATTB
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
24
Clarinette (partie séparée)
22
Saxophone (partie séparée)
22
Flûte, Hautbois, Clarinette, Basson
15
Flûte traversière et Piano
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Ensemble de saxophones
8
Flute (partie séparée)
8
Flûte traversière
8
Clarinette
8
Saxophone Tenor et Piano
7
Saxophone Baryton, Piano
7
Saxophone Soprano et Piano
7
3 Clarinettes (trio)
7
Hautbois, Piano (duo)
7
Hautbois
7
Cor anglais, Piano
6
Clarinette et Piano
6
Saxophone Alto et Piano
5
Ensemble de Clarinettes
5
Clarinette Basse, Piano
5
Quintette de Saxophone: 5 saxophones
4
Piccolo
4
Quatuor de Flûtes : 4 flûtes
4
2 Flûtes traversières (duo)
4
Hautbois (partie séparée)
4
Hautbois, Guitare (duo)
3
Clarinette, Guitare (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte et Guitare
3
2 Clarinettes (duo)
3
Ensemble de Flûtes
3
Clarinette Basse
2
Saxophone Alto
2
Quatuor de Flûtes à bec
1
2 Flûtes traversières, Piano
1
Saxophone et Harpe
1
Hautbois, Harpe
1
Flûte, Saxophone (duo)
1
Flûte traversière, Orgue (duo)
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
4 Hautbois
1
Piccolo, Piano
1
Saxophone Tenor
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
3 Saxophones (trio)
1
Quintette de Flûte : 5 flûtes
1
3 Flûtes à bec (trio)
1
Saxophone et Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette (partie séparée)
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trombone (partie séparée)
14
Quatuor de cuivres: 4 trombones
12
Cor (partie séparée)
10
Trombone et Piano
8
Trompette, Piano
8
Cor et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Cor anglais, Piano
6
Euphonium, Piano (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba (partie séparée)
4
Cor
4
Trompette
3
2 Trompettes (duo)
3
Ensemble de Trombones
3
Quatuor de Cuivres
3
Tuba ou Euphonium ou Saxhorn
3
Tuba et Piano
3
2 Trombones (duo)
3
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Trombone
2
Tuba
1
Cor Anglais
1
3 Tubas (trio)
1
Trio de Cuivres
1
Trombone, Cor (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
2 Cors (duo)
1
Ensemble de Trompettes
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trompettes
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
14
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle
8
Contrebasse (partie séparée)
8
Violon
8
Alto, Piano
8
Violoncelle, Piano
7
Violon (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle (partie séparée)
4
Violon, Violoncelle (duo)
4
Contre Basse
3
2 Violons (duo)
3
Violon, Guitare (duo)
3
Alto seul
3
Harpe
2
Alto (partie séparée)
2
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
1
Contrebasse, Piano (duo)
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Ensemble de Violons
1
Ensemble d'Altos
1
Harpe, Violon (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
99
Orchestre
28
Ensemble de cuivres
28
Orchestre à Cordes
28
Percussion (partie séparée)
14
Orchestre de chambre
11
Ensemble Jazz
8
Percussion
7
Ensemble de Percussions
6
Batterie (partie séparée)
5
Jazz combo
4
Timbales
4
Cloches
4
Batterie
4
Marimba
1
Orchestre, Violon
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
City Rat
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
7 partitions trouvées
<
1
Swanee by Gershwin for Brass Quintet with Optional Drums
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.722766
(+)
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.722766 Composed by George Gershwin. Arranged by Jari A. Villanueva. 20th Century,Broadway,Folk,Ragtime. Score and parts. 26 pages. JV MUSIC #4297713. Published by JV MUSIC (A0.722766). Swanee by George Gershwin for Brass Quintet with Optional Drums and optional parts for Eb Horn and Baritone TC Arranged by Jari Villanueva Score2 Trumpets in BbHorn in FTromboneTubaEb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for Trombone Swanee was George Gershwin’s first big song hit written in 1919. The song was written for a New York City revue called Demi-Tasse, which opened in October 1919 in the Capitol Theater. Caesar and Gershwin, who was then aged 20, claimed to have written the song in about ten minutes riding on a bus in Manhattan, finishing it at Gershwin's apartment. It was written partly as a parody of Stephen Foster's Old Folks at Home. It was originally used as a big production number, with 60 chorus girls dancing with electric lights in their slippers on an otherwise darkened stage. The song had little impact in its first show, but not long afterwards Gershwin played it at a party where Al Jolson heard it. Jolson then put it into his show Sinbad, already a success at the Winter Garden Theatre, and recorded it for Columbia Records in January 1920. After that, said Gershwin, Swanee penetrated the four corners of the earth. The song was charted in 1920 for 18 weeks holding the No. 1 position for nine. It sold a million sheet music copies, and an estimated two million records. It became Gershwin's first hit and the biggest-selling song of his career; the money he earned from it allowed him to concentrate on theatre work and films rather than writing further single pop hits.https://www.youtube.com/watch?v=nYVgQDl6G3g
$15.00
13.47 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
George Gershwin
#
Jari A
#
Swanee by Gershwin for Brass Quintet with Optional Drums
#
JV MUSIC
#
SheetMusicPlus
Toot, Toot, Tootsie!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.28 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Gus Kahn, Ernie Erdman and Dan Russo
#
F
#
Toot, Toot, Tootsie!
#
Sweetwater Brass Press
#
SheetMusicPlus
Swing Along! for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Downlo…
(+)
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99
11.67 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Will Marion Cook
#
Charles Decker
#
Swing Along! for Brass Quintet
#
Charles Decker Music Press
#
SheetMusicPlus
Philadelphia Morning
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472…
(+)
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472617 Composed by Bill Conti. Arranged by Mary Clark. Classical,Film/TV. 11 pages. Second Wind Music #1050268. Published by Second Wind Music (A0.1472617). “Philadelphia Morning” is a powerfully expressive composition that sets the tone for a scene early in the movie Rocky when the main character has just found out the he will get to fight the world champion boxer and sets out for a training run in the gritty city streets of Philadelphia at 4 a.m. on a dark, cold, dreary winter day. (click here to see a clip of this scene from the movie) This beautifully written piece is penetrating and pensive in describing the battle within, the solitude of it, the impossibility at hand, and generally, the struggle involved in pushing oneself. There is a powerful but subtle orchestration here; the sound of a kind of musical undertow — an undertow that is pulling our hero down, as if giving him leaden legs, or of running in quicksand. But there is also a twinkle of possibility. At the end, the [music] trails off and there is uncertainty in the air.” [From: Jack Doyle, “Philadelphia Morning: 1976-1977,” PopHistoryDig.com, March 25, 2015.]This brass quintet arrangement of Philadelphia Morning would work well as a short concert piece that showcases the expressive qualities of the French horn as well as that of the whole ensemble. This piece has a quiet, pensive, somewhat moody tempermanent. While this arrangement is not technically challenging (other than the range for the horn part noted below), the lean scoring and soft dynamics requires the ensemble to pay close attention to balance and play as one in style, tone quality, and expressiveness. Phrases passing from one player to another need to flow as if being played on a piano. The expressive opening eight-bar horn solo, which is a direct transcription from the movie score, is mostly unaccompanied and ranges up to a high b-flat so a strong, confident horn player is needed – but they will surely enjoy playing this elegantly written passage. (The film soundtrack recording features Vincent DeRosa on horn.) The bass trombone part can be played on a tuba.
$12.99
11.67 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Bill Conti
#
Mary Clark
#
Philadelphia Morning
#
Second Wind Music
#
SheetMusicPlus
Hello, Dolly!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Ar…
(+)
Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.
$15.99
14.36 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Louis Armstrong
#
Keith Terrett
#
Hello, Dolly!
#
Keith Terrett
#
SheetMusicPlus
The Duke of Alva's entry into Brussels for brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Digital Download SKU: A0.999619 Composed by Peter Benoit. Arranged…
(+)
Brass Ensemble - Digital Download SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent, duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre. On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.
$12.00
10.78 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Peter Benoit
#
Marc Goris
#
The Duke of Alva's entry into Brussels for brass quintet
#
Brassery Publications
#
SheetMusicPlus
America Enters The Great War for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by C. Francis Reiser, Walter Donaldson. Arranged by Jari A. Villanueva. 20th Cent…
(+)
Composed by C. Francis Reiser, Walter Donaldson. Arranged by Jari A. Villanueva. 20th Century, Fourth of July, Patriotic, Americana. Score, Set of Parts. 39 pages. Published by JV MUSIC (S0.198335). - Score,Set of Parts - 20th Century,Fourth of July,Patriotic,Americana - JV MUSIC
America Enters The Great War for Brass Quintet Arranged by Jari Villanueva A Medley of "Goodbye Broadway, Hello France" and "How Ya Gonna Keep ?Em Down on the Farm?" Score and parts provided Full Score 2 Trumpets in B Flat Horn in F Trombone Tuba Drums Eb Alto Horn (Substitute for Horn in F) Baritone T.C. (Substitute for Trombone) "Good-Bye Broadway, Hello France? is a 1917 song composed byBilly Baskette, with lyrics written by C. Francis Reisner and Benny Davis.While the song was popular during its time, it also saw a revival during WorldWar II, where some soldiers preferred World War I songs over the war songsbeing produced at the time. ?How Ya GonnaKeep ?em Down on the Farm (After They?ve Seen Paree?)? is a World War I songthat rose to popularity after the war had ended. The music is by Walter Donaldson. The lyricshighlight concern that American soldiers from rural environments would not wantto return to farm life after experiencing the European city life and culture ofParis during World War I. It became popular among soldiers in the First WorldWar and is remembered as one of the more songs of World War I. This skillful and fun arrangement by Jari Villanueva captures the flavor of theoriginal tunes and would be a great selection commemorating the 100thanniversary of World War I. A retired memberof the United States Air Force Band where he served on the Music Productionstaff (as well as a trumpeter and bugler) and a student of Bill Holcombe, JariVillanueva continues writing for different ensembles. His arrangements areplayed by bands, brass ensembles and brass quintets all over the countryincluding many military groups. Many of his arrangements can be found on SheetMusic Plus and JV MUSIC.
$15.00
13.47 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
C
#
Jari A
#
America Enters The Great War for Brass Quintet
#
JV MUSIC
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
