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Come Sunday
Non classifié
144
Piano & claviers
Piano seul
50
Piano, Voix
26
Orgue
15
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14
Piano Facile
9
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
2
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1
2 Pianos, 4 mains
1
Instruments en Do
1
1 Piano, 4 mains
1
+ 6 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
4
Guitare notes et tablatures
4
Ukulele
3
3 Guitares (trio)
2
Paroles et Accords
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
+ 3 instrumentations
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Voix
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249
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32
Chorale 3 parties
17
Chorale 2 parties
15
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14
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5
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3
Voix duo
1
Chorale SSAA
1
Chorale
1
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11
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8
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7
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6
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5
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4
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Saxophone Soprano et Piano
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3
2 Saxophones (duo)
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3
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2
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2
2 Clarinettes, Piano
2
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1
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1
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1
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1
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1
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1
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1
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1
Flûte, trombone et piano
1
3 Clarinettes (trio)
1
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1
Flûte, Violon, Violoncelle et Piano
1
Quatuor de Clarinettes: 4 clarinettes
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Trombone et Piano
9
Trompette
8
Trombone (partie séparée)
5
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4
Cor et Piano
4
Cor
3
Cor (partie séparée)
3
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3
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2
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2
2 Trompettes (duo)
2
Tuba (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Quatuor de cuivres: 2 trompettes, 2 trombones
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1
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1
2 Cors (duo)
1
Tuba
1
Trompette, Cor (duo)
1
Cor anglais, Piano
1
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12
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7
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4
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4
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3
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2
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2
Alto seul
2
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto (partie séparée)
1
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19
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5
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Orchestre à Cordes
1
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Vous avez sélectionné:
Come Sunday
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Low in the Grave for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Robert Lowrey
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Jason A
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Low in the Grave for brass qui
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Call of the Wild Publishing
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.978199 Composed by Robert Lowrey. Arranged by Jason A. Heald. Easter,Jazz. Score and parts. 16 pages. Call of the Wil...
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Brass Ensemble - Level 5 - SKU: A0.978199 Composed by Robert Lowrey. Arranged by Jason A. Heald. Easter,Jazz. Score and parts. 16 pages. Call of the Wild Publishing #6321209. Published by Call of the Wild Publishing (A0.978199). Low in the Grave by Robert Lowrey and arranged for brass quintet by Jason A. Heald is a swinging rendition of the traditional Easter hymn. A terrific way to wake up the congregation on Easter Sunday or spice up any concert or service. The parts come with the score and include for two trumpets, French Horn (with optional trombone), trombone, and tuba/bass trombone. To peruse more music bu Jason Heald, visit www.jasonheald.com .
$4.99
Cinnamon Rolls (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gilde...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95
Easter Anthem (William Billings) — brass quintet, timpani
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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William Billings
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Todd Marchand
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Easter Anthem
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged by Todd Marchand....
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 13 pages. Con Spirito Music #800831. Published by Con Spirito Music (A0.1202170). Ideal as a prelude or postlude to Easter Sunday and Eastertide services of worship, “Easter Anthem†originated as a choral work by William Billings (1746-1800) with text excerpted from Night Thoughts on Life, Death, and Immortality, an extensive blank-verse poem by the English poet Edward Young (1683-1765) published in nine parts (or “nightsâ€) from 1742 to 1745.Born in Boston, Billings was self-taught in music — a tanner by trade — and he was renowned as a singing master and proponent of the singing-school tradition of American folk culture. Considered the ï¬rst native-born American composer, his works include hymns, anthems, psalms, and fuging tunes.“Easter Anthem†is exemplary of his compositional style, which is noted for rhythmic vitality and straightforward harmonies. Exuberantly glorious, it celebrates the resurrection of Christ and the salvation of the world from its opening acclamation, “The Lord is risen indeed! Hallelujah!†to its closing declaration, Thine all the glory, man’s the endless bliss!The Lord is risen indeed! Hallelujah!Now is Christ risen from the dead,And become the ï¬rst fruit of them that slept.Hallelujah!And did he rise?Hear, O ye nations! Hear it, O ye dead!He rose! He burst the bars of death,And triumph'd o'er the grave.Then I rose!Then ï¬rst humanity triumphantPass'd the crystal ports of light,And seiz'd eternal youth.Man, all immortal, Hail!Heaven, all lavish of strange gifts to man,Thine all the glory! Man's the boundless bliss!This joyful work, which explores various combinations of choral voices, is well-suited to the sonorities of the brass quintet. In this arrangement, tempo indications, dynamic markings and articulations, as well as a newly composed timpani part, have been added by the arranger.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
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Come Sunday
