Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Composition:
Non classifié
7 082
Piano & claviers
Piano seul
9 367
Piano, Voix
3 175
Piano Facile
757
Orgue
693
Piano, Voix et Guitare
165
Instruments en Do
152
Accompagnement Piano
128
1 Piano, 4 mains
124
Piano Trio: piano, violon, violoncelle
85
2 Pianos, 4 mains
70
Accordéon
65
Clavecin
28
Piano Quatuor: piano, violon, alto, violoncelle
21
Orgue, Piano (duo)
15
2 Accordéons
13
Piano (partie séparée)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Clavier
7
Orgue, Trompette (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
5
1 Piano, 6 mains
5
2 Pianos, 8 mains
4
Fake Book
1
+ 18 instrumentations
Retracter
Guitares
Guitare
600
Guitare notes et tablatures
488
Piano, Guitare (duo)
131
2 Guitares (duo)
109
Basse electrique
82
Ukulele
59
Ligne De Mélodie, (Paroles) et Accords
30
Mandoline
17
Guitare (partie séparée)
15
4 Guitares (Quatuor)
15
Mandoline, Guitare (duo)
8
Ensemble de guitares
7
Banjo
6
Dulcimer
6
Ukulele Baryton
6
3 Guitares (trio)
4
Guitare, Violon, Violoncelle (trio)
2
2 Mandolines (duo)
2
Mandoline, Piano (duo)
2
2 Ukuleles
2
Luth
1
2 Dulcimers (duo)
1
Guitare, Quatuor à cordes
1
Cithare
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 901
Chorale Unison
610
Chorale 3 parties
219
Chorale 2 parties
120
Chorale TTBB
118
Voix Alto, Piano
87
Voix Tenor, Piano
81
Voix Soprano, Piano
77
Chorale SSAA
74
Voix Baryton, Piano
73
Voix haute
49
Voix duo, Piano
38
Voix Tenor
32
Voix Soprano
27
Chorale SSAATTBB
22
Voix duo
14
Voix moyenne, Piano
10
Chorale
8
Voix seule
8
Voix basse, Piano
4
Voix basse
2
Voix Mezzo-Soprano, Piano
2
Chorale SAATB A Cappella
1
Chorale SSAB, Piano
1
Chorale SSAATB
1
Chorale SSATB
1
Chorale SSATTB
1
+ 22 instrumentations
Retracter
Vents
2 Saxophones (duo)
1 233
Flûte traversière et Piano
1 113
Hautbois, Piano (duo)
838
Clarinette et Piano
805
Quatuor de Saxophones: 4 saxophones
582
Saxophone Alto et Piano
564
2 Clarinettes (duo)
550
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
539
2 Flûtes traversières (duo)
497
Saxophone, Clarinette (duo)
419
Flûte, Hautbois, Clarinette, Basson
361
Clarinette
359
Saxophone Tenor et Piano
357
Flûte traversière
340
Quintette de Saxophone: 5 saxophones
304
Clarinette, Violon (duo)
293
2 Hautbois (duo)
253
Clarinette, Trompette (duo)
237
Saxophone Soprano et Piano
228
Flûte, Clarinette (duo)
227
Quatuor de Clarinettes: 4 clarinettes
209
Hautbois, Basson (duo)
177
Hautbois, Clarinette (duo)
165
Saxophone Alto
164
Flûte, Violon
156
Cor anglais, Piano
148
Clarinette et Alto
147
Quatuor de Flûtes : 4 flûtes
146
Flûte, Saxophone (duo)
140
Saxophone Baryton, Piano
136
Hautbois, Flûte
126
Ensemble de saxophones
121
Flûte, Alto (duo)
120
Saxophone Tenor
115
Flûte, Trompette (duo)
114
Saxophone (partie séparée)
111
3 Saxophones (trio)
110
2 Flûte à bec (duo)
107
Hautbois (partie séparée)
106
Ensemble de Clarinettes
94
Flûte, Violon, Piano
84
Quintette de Clarinettes: 5 clarinettes
84
Hautbois
83
3 Clarinettes (trio)
75
Clarinette Basse, Piano
74
Quintette de Flûte : 5 flûtes
71
Trio de Flûtes: 3 flûtes
62
Ensemble de Flûtes
55
Clarinette, Violoncelle (duo)
39
Flûte, Violoncelle
38
Flûte à bec Soprano
38
Clarinette, Basson (duo)
37
Saxophone Baryton
36
Saxophone Soprano
36
Hautbois, Violoncelle
32
Quatuor de Flûtes à bec
32
Flûte et Guitare
29
Flûte, Hautbois (duo)
25
Hautbois, Clarinette, Basson (trio d'anches)
23
Clarinette (partie séparée)
22
Ensemble De Flûte à bec
22
Flûte, Hautbois, Clarinette (trio)
20
Flûte, Hautbois, Basson
20
Flute (partie séparée)
19
3 Flûtes à bec (trio)
19
Flûte à Bec
16
Cor Anglais
16
Flûte, Clarinette et Basson
15
Flûte à bec Alto
15
2 Flûtes traversières, Piano
14
Clarinette, Trombone (duo)
12
3 Hautbois
12
Flûte à bec Tenor
11
5 Flûtes à bec
11
Flûte, Hautbois, Piano (trio)
10
Hautbois, violon (duo)
10
Clarinette, Guitare (duo)
9
Flûte, Basson et Piano
7
4 Hautbois
7
Clarinette, Violoncelle, Piano (trio)
7
Flûte, Alto et Piano
7
2 Saxophones, Piano
7
Hautbois et alto (duo)
7
Flûte, Violoncelle, Piano (trio)
7
Clarinette Basse
6
Flûte à bec Soprano, Piano
6
Saxophone
5
Piccolo, Piano
5
Piccolo
5
Flûte traversière, Orgue (duo)
5
Flûte, Clarinette, Piano (trio)
5
Ensemble à vent
4
Clarinette, Basson, Piano (trio)
4
Flute, harpe et violon
4
2 Clarinettes, Piano
4
Flûte, Violon et Violoncelle
3
Flûte à bec Alto, Piano
3
2 Hautbois, Piano
3
Hautbois, Clarinette et Piano (Trio)
3
Flûte, Trombone (duo)
3
Flûte à bec Alto, Basse continue
3
2 Cors Anglais Et Pianoforte
3
Harmonica
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Contrebasse (duo)
2
Flûte, Harpe et Violoncelle
2
Flûte à Bec, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Saxophone et Orgue
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte traversière, Basse continue
2
Clarinette, Alto et Piano (trio)
2
Flûte et Trio à cordes
1
Flûte irlandaise
1
Flûte, Alto et Violoncelle
1
Saxophone et Harpe
1
Clarinette, Tuba
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Guitare
1
Hautbois, Violon, Piano
1
Hautbois, Violoncelle et Piano
1
2 Clarinettes, Basson
1
Flûte et Quatuor à Cordes
1
2 Flûtes traversières, Harpe
1
Flûte traversière, Orchestre
1
Hautbois, Basson et Piano
1
Saxophone et Guitare
1
Hautbois, trombone (duo)
1
Cornemuse
1
Flûte, Violon, Guitare
1
Cor anglais et Harpe (duo)
1
Hautbois, Guitare (duo)
1
+ 127 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
598
Trombone et Piano
475
Trompette, Piano
467
Trompette
357
2 Trompettes (duo)
294
Quatuor de Cuivres : 2 trompettes, trombone, tuba
292
Trompette, Saxophone (duo)
290
Cor et Piano
286
2 Trombones (duo)
272
Trombone
204
Tuba et Piano
184
Trompette, Trombone (duo)
177
Cor anglais, Piano
148
Quatuor de Cuivres: 2 trompettes, Cor, trombone
141
Cor
140
Quatuor de Cuivres
137
Tuba
123
Euphonium, Piano (duo)
108
2 Cors (duo)
101
Ensemble de Trombones
84
Ensemble de Trompettes
67
Trompette (partie séparée)
66
Trombone (partie séparée)
62
2 Tubas (duo)
58
Quatuor de cuivres: 4 trombones
52
Quatuor de cuivres: 4 cors
28
Cor (partie séparée)
22
Quatuor de cuivres: 4 trompettes
19
Trompette, Cor (duo)
17
Ensemble de Cors
16
Cor Anglais
16
Trompette, Basson (duo)
15
Trio de Cuivres
15
3 Trompettes (trio)
14
2 Euphoniums (duo)
13
Tuba (partie séparée)
13
Cor, Violoncelle (duo)
13
Trompette, Violoncelle (duo)
12
4 Tubas
11
Tuba et Orgue
9
Euphonium
9
2 Euphoniums et 2 Tubas
7
Cor et Basson (duo)
7
3 Trombones (trio)
7
Euphonium, Tuba (duo)
6
Cor, Tuba (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Trompette et Guitare
4
Trombone basse et Piano
4
Cor et Orgue
4
3 Cors (trio)
3
Trompette, Trombone, Piano
3
2 Cors, Piano
3
Trombone basse
3
2 Cors Anglais Et Pianoforte
3
Trombone, Cor (duo)
3
Cor et Harpe
2
Trombone et orchestre
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Euphoniums
2
Trombone, Orgue
2
Clarinette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
Trompette, Harpe
1
Trompette, Tuba (duo)
1
Trompette, violon (duo)
1
Trompette, Euphonium (duo)
1
3 Tubas (trio)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor anglais et Harpe (duo)
1
Trombone, Tuba (duo)
1
+ 66 instrumentations
Retracter
Cordes
Violon et Piano
1 290
Quatuor à cordes: 2 violons, alto, violoncelle
1 235
Violoncelle, Piano
730
Alto, Piano
715
2 Violons (duo)
379
Violon
358
Violon, Violoncelle (duo)
336
2 Altos (duo)
325
2 Violoncelles (duo)
318
Violoncelle
274
Violon, Alto (duo)
273
Alto seul
203
Trio à Cordes: violon, alto, violoncelle
180
Harpe
165
Contrebasse, Piano (duo)
152
Quintette à cordes: 2 violons, alto, violoncelle, basse
141
Contre Basse
116
Trio à cordes
65
Alto, Violoncelle (duo)
62
Alto (partie séparée)
60
2 Contrebasses (duo)
53
Violon (partie séparée)
40
Trio à cordes: 3 violins
37
Violon, Guitare (duo)
33
Trio à Cordes: 2 violons, violoncelle
32
Piano Trio: Violon, Alto, Piano
28
Trio à Cordes: 3 violoncelles
27
Quintette à cordes: 2 violons, 2 altos, violoncelle
26
4 Violoncelles
26
Violon, Basson (duo)
26
Contrebasse (partie séparée)
25
Trio à cordes: 3 altos
20
Ensemble de Violons
20
Ensemble d'Altos
19
Alto et Basson
17
Quatuor à cordes: 4 violons
17
Quatuor à cordes : 4 altos
17
Violoncelle, Contrebasse (duo)
13
Flûte, Contrebasse (duo)
10
Violoncelle , Guitare (duo)
10
Harpe, Flûte (duo)
8
2 Violoncelles, Piano
8
Violoncelle, Orgue
8
Ensemble de Violoncelles
7
2 Harpes (duo)
6
Harpe, Violoncelle (duo)
6
Alto, Guitare (duo)
6
Trio à Cordes: 2 violons, alto
6
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
5
2 Violons, Piano
5
3 Contrebasses
3
2 Altos, Piano
3
3 Harpes
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Harpe et Piano
3
Violoncelle, Basse continue
2
Harpe, Violon (duo)
2
Violon, Orgue
2
Alto, Orgue
2
Violoncelle (partie séparée)
2
Harpe (partie séparée)
2
4 Contrebasses
1
Violon, Violoncelle, Clarinette
1
Violon, Basse continue
1
Harpe, Trombone (duo)
1
Violoncelle, Orchestre
1
4 Harpes
1
Alto et Harpe
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 930
Orchestre à Cordes
779
Orchestre
624
Cloches
428
Ensemble Jazz
362
Orchestre de chambre
185
Ensemble de cuivres
156
Jazz combo
83
Ensemble de Percussions
80
Fanfare
36
Marimba
24
Batterie
22
Xylophone, Piano
20
Percussion (partie séparée)
15
Vibraphone
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Batterie (partie séparée)
8
2 Xylophones
8
Xylophone
7
Piano et Orchestre
2
Bodhran
1
2 Marimbas
1
Ensemble d'École
1
Voix et Orchestre
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
13
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
9
Partitions Numériques
598
Librairie Musicale
65
Matériel de Musique
1 877
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Composition:
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
598 partitions trouvées
<
1
26
51
....
576
Patricia: A Ragtime Composition
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
1900 ragtime was
the
#
Joseph Lamb
#
F
#
Patricia: A Ragtime Compositio
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Petite Suite for Brass Quintet
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Gregory Fritze
#
Petite Suite for Brass Quintet
#
Musica Nova USA
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.917402 Composed by Gregory Fritze. 20th Century,Concert,Contemporary,Standards. Score and parts. 96 pages. Musica Nov...
(+)
Brass Ensemble - Level 3 - SKU: A0.917402 Composed by Gregory Fritze. 20th Century,Concert,Contemporary,Standards. Score and parts. 96 pages. Musica Nova USA #4895219. Published by Musica Nova USA (A0.917402). Petite Suite for Brass Quintet is a light-hearted piece for brass quintet in four movements with a duration of fourteen minutes. The four movements follow the basic Classical symphonic form - Allegro, Adagio, Scherzo (Presto) and Finale (Presto). The first movement Strombor has a fanfare at the beginning with a melodic 2nd theme in the French Horn. The second movement is based on a slow cantabile theme. The 3rd movement Attack of the Killer Bees includes a bit of theatre. Throughout the movement there is a buzzing of bees, which are killed at the end when all the players stomp on them. The 4th movement Finale has a feeling of cartoon music, ending with a big finish. Throughout the Suite each of the five instrumentalists is featured. The grade of this piece is level 5 (intermediate) for all instruments.Petite Suite for Brass Quintet was composed in 2000 on a commission by the Strombor Brass Quintet of Valencia, Spain. It was recorded by that group on Allegro Records V-3076-2002. It was also recorded by the Hoodlebug Brass Quintet on Albany Records Troy 1175. It can be heard on youtube at: http://youtu.be/RZFf3W_yZLo. Several ensembles around the world have played it, receiving over 100 performances in recent years. Petite Suite for Brass Quintet was submitted to the American Prize Composition Competition in the chamber music division in 2016. It was the highest awarded brass quintet composition that year, awarded Finalist. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00
Ben Hur Chariot Race March
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
1894, he was the manager of th
#
Edward Taylor Paull
#
Judith Katz
#
one in 1907, 1925, and 1959
#
Ben Hur Chariot Race March
#
Imagine Music - Digital
#
SheetMusicPlus
Brass quintet - SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Pub...
(+)
Brass quintet - SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
$12.00
Recordare (from "Requiem") (F) (Brass Quintet - 3 Trp, 2 Hrn)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Horn,Trumpet - Level 4 - SKU: A0.1108151 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Reli...
(+)
Horn,Trumpet - Level 4 - SKU: A0.1108151 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710775. Published by Regis Bookshar (A0.1108151). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 3 Bb Trumpets and 2 French Horns, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Recordare (from "Requiem") (F) (Brass Quintet - 3 Trp, 1 Hrn, 1 Trb)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Horn,Trombone,Trumpet - Level 4 - SKU: A0.1108146 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructi...
(+)
Horn,Trombone,Trumpet - Level 4 - SKU: A0.1108146 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710770. Published by Regis Bookshar (A0.1108146). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 3 Bb Trumpets, 1 French Horn and 1 Trombone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 2 Hrn, 1 Trb)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Horn,Trombone,Trumpet - Level 4 - SKU: A0.1108142 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructi...
(+)
Horn,Trombone,Trumpet - Level 4 - SKU: A0.1108142 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710765. Published by Regis Bookshar (A0.1108142). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets, 2 French Horns and 1 Trombone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Recordare (from "Requiem") (F) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1108148 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructi...
(+)
Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1108148 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710771. Published by Regis Bookshar (A0.1108148). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 3 Bb Trumpets, 1 Trombone and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 2 Trb, 1 Tuba)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1108143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructi...
(+)
Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1108143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710766. Published by Regis Bookshar (A0.1108143). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets, 2 Trombones and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 1 Hrn, 2 Trb)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Horn,Trombone,Trumpet - Level 4 - SKU: A0.1108140 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructi...
(+)
Horn,Trombone,Trumpet - Level 4 - SKU: A0.1108140 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710763. Published by Regis Bookshar (A0.1108140). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn and 2 Trombones, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 3 Trb)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Trombone,Trumpet - Level 4 - SKU: A0.1108145 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,...
(+)
Trombone,Trumpet - Level 4 - SKU: A0.1108145 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710768. Published by Regis Bookshar (A0.1108145). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets and 3 Trombones, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Recordare (from "Requiem") (F) (Brass Quintet - 3 Trp, 2 Trb)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Trombone,Trumpet - Level 4 - SKU: A0.1108152 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,...
(+)
Trombone,Trumpet - Level 4 - SKU: A0.1108152 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710776. Published by Regis Bookshar (A0.1108152). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 3 Bb Trumpets and 2 Trombones, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1108139 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
(+)
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1108139 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710762. Published by Regis Bookshar (A0.1108139). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Zippity Zank
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
AVANCÉ
#
Damien Gauci
#
Zippity Zank
#
Damien Gauci
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1438730 By Damien Gauci. By Damien Gauci. Contemporary,Jazz. 19 pages. Damien Gauci #101880...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1438730 By Damien Gauci. By Damien Gauci. Contemporary,Jazz. 19 pages. Damien Gauci #1018804. Published by Damien Gauci (A0.1438730). I wrote this piece for an assignment in 2023 and it turned out to be quite a fun composition. Initially, I wanted to write something that is fun, upbeat, and in a jazzy style. Similar to the music from the game Mario Kart by Nintendo. The main theme comes after the short intro section and this idea returns throughout the composition in a rondo form where other sections are heard in-between the main theme.As this was my first time writing for brass quintet, there was a lot to learn about each instrument to ensure that everything was playable and sounded good together. Writing this composition as well as having it performed and recorded taught me a lot about writing for brass quintet and there are many things that I would do differently if I wrote this piece again.As for the name, there is a long story behind how I came up with it which I won’t get in to but the word ‘Zank’ is German for an angry argument and the word ‘Zippity’ is a made-up word that I thought sounded fun with Zank. Sometimes titles aren’t as deep as they seem to be!
$3.99
Treacherous Waters Claim
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Jacob R
#
Treacherous Waters Claim
#
Jacob Boseley
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1382863 By Jacob R. Boseley. By Jacob R. Boseley. 21st Century,Blues,Classical,Contemporary...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1382863 By Jacob R. Boseley. By Jacob R. Boseley. 21st Century,Blues,Classical,Contemporary,Folk. 11 pages. Jacob Boseley #967289. Published by Jacob Boseley (A0.1382863). Treacherous Waters Claim, is a composition that holds a special place in my heart. Stemming from my fascination, and fear of the sea, Treacherous Waters Claim invites listeners into a world of eerie melodies, fluid rubato pacing, and melancholic undertones. Inspired by the captivating works of impressionist aesthetics, this composition was an attempt at a delicate balance of introspection and dramatic tension. It's a journey filled with unexpected twists and turns.    Moreover, Treacherous Waters Claim serves as a valuable learning tool for young ensembles, emphasizing the importance of visual communication and ensemble cohesion while not having an inaccessible range. Its accessible and engaging theme makes it an ideal choice for both educational and professional settings, adding depth and variety to any repertoire.'As you immerse yourself in the waves of this evocative composition, you'll find yourself transported to a world of shifting currents and hidden dangers, where every note carries profound meaning and emotion. Whether you're a music educator seeking to inspire your students or a performer in search of a captivating addition to your repertoire, Treacherous Waters Claim promises to leave a lasting impression.'.
$4.99
Experiment #1
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
AVANCÉ
#
Contemporain
#
Steve Dekker
#
Experiment #1
#
Linden Brass Press Inc.
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1323145 Composed by Steve Dekker. Contemporary. 25 pages. Linden Brass Press Inc. #911412. ...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1323145 Composed by Steve Dekker. Contemporary. 25 pages. Linden Brass Press Inc. #911412. Published by Linden Brass Press Inc. (A0.1323145). Experiment #1 for Brass QuintetTwo Trumpets (Bb), Horn (F), Trombone, TubaLevel: 4/5 (Colg→Univ)The composer combines lyrical heroism with jazzy rhythms to create a beautiful and approachable work for brass. An effective technique used is to punctuate the music with periodic silences or unison moments. There are a few quasi-Penny Lane measures for first trumpet midway through, followed by some nice tuba solos, then the piece ends with an appropriately What if...? feeling!===Performance Notes:Experiment #1 is an original composition written for brass quintet. This composition was inspired by a curiosity to explore the different instrument sounds available in music notation software. As a result, this piece was originally written for synths, keyboards, bass and drums. After completing the piece, I found the sounds and instrumentation lacked warmth and character.  Ultimately, I liked the piece and decided the experiment would be to score it for brass quintet and see what happens.  There are three basic themes or sections utilized in Experiment #1. The themes/sections move from heroic to the contemporary and culminate in a recapitulation of the hero theme. An eighth-note ostinato statement acts as a recurring motif connecting each section. The various themes are spread across the quintet with a variety of textures and contrapuntal devices serving to further elevate the composition. Run time is 4:48....Steve Dekker===.
$14.95
Legacy of Valor, Op. 138 (Double Brass Quintet)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Dr
#
Legacy of Valor, Op. 138
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489511 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Patriotic,Pop. 38 pages. Https://gildedmusicp...
(+)
Brass Quintet - Level 4 - SKU: A0.1489511 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Patriotic,Pop. 38 pages. Https://gildedmusicpress.com/ #1066374. Published by https://gildedmusicpress.com/ (A0.1489511). In 2022 the United States Air Force celebrated 75 years of air and space dominance since its creation in 1947. The festivities and ceremonies surfaced throughout the nation all year. This composition was crafted as one of those celebratory creations. “Legacy of Valor” was originally composed for brass quintet and rock band, with two vocalists singing a stirring account of legacy handed down from one generation to another. The lyrics are here:In my youth, I knew a manWho loved to talk about his history;Unfolded his mystery!He made me laugh about some things,And we cried about some others,And we prayed as we talked about his fallen brothers.As I grew, I though a lotAbout that man who told me stories—His woes and his glories.Something firm about his voiceInspired my skill to make a choice,To recall our defenders’ valiant sacrifice.As I wanted to be like this man,As I pondered and dreamedOf becoming what I can,I hoped to see the day, without delay,To defend, like my friend!When I took the oath,I remembered that man!How proud he would beOf his brand new Airman!I answered the call.I’ll give it my all!I will not falter! I will not fail!I’m a guardian of the tradition of honor!Fly, fight, and win!When I hold my little boy,And think of freedoms he’ll enjoy,I ponder his destiny.Yes, it’s hard when I deploy!But distance cannot destroyWhat I love; what I fight so very hard to save!Generations come and go.I wish they all could knowHow it feels to serve America.The piece was difficult for the singers, but they practiced hard, and the USAF Heartland of America Band premiered it during an Independence Day concert tour in June and July 2022, including the grand patriotic concert at Mount Rushmore.A casual comment from one of the singers lingered: “You write for singers like they’re horns!” It is true that most of my compositional experience is with brass instruments. This double brass quintet instrumental rendition of “Legacy of Valor” is indeed a much more musically gratifying composition. It is the way it was supposed to be all along!Released in 2023 for the 76th birthday of the Air Force, this work and its message are appropriate for any patriotic event, including joint performances between any two brass quintets, civilian or military, American or global. Many stirring meanings can be communicated and celebrated through “Legacy of Valor”!
$29.95
The Fairest of the Fair for Brass Quintet
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
John Philip Sousa Arranged by
#
John Philip Sousa
#
Jari A
#
The Fairest of the Fair for Br
#
JV MUSIC
#
SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. Folk,Holid...
(+)
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. Folk,Holiday,Patriotic,Romantic Period. Score and parts. 29 pages. JV MUSIC #3414623. Published by JV MUSIC (A0.722745). The Fairest of the Fair March for Brass Quintet and Optional DrumsBy John Philip Sousa Arranged by Jari VillanuevaScore 2 Trumpets in BbHorn in FTromboneTubaOptional DrumsSubstitute parts for Eb Horn and Baritone T.C .providedThe Fairest of the Fair (1908) by John Philip Sousa was composed for the annual Boston Food Fair of 1908 and is claimed that the memory of a pretty girl he had seen at an earlier fair inspired the composition. Sousa composed The Fairest of the Fair intending his Band to perform it at the annual Boston Food Fair in the fall of 1908. It is the only work of any kind that he composed that year and one of only a handful of compositions that he wrote between 1906 and 1910. He apparently completed it in New York during the summer, as the final page of the original score was signed John Philip Sousa, Camp Comfort, Saranac Lake, Adirondack, New York, July 8, 1908.The march almost missed its premier at the Boston Food Fair. Because of an oversight the music, which Sousa had written and scored out, did not have individual parts written out for the performers. This was discovered the day before the performance. The new composition had received much advanced publicity and it would have been an embarrassment to Sousa not to have it performed. The band’s copyist, Louis Morris, rose to the occasion and on the train to Boston stayed up and copied out the parts so the band could premier the work as advertised on September 28, 1908. In the morning when Sousa found out Morris was working all night he instructed him to finish the work and get some rest. Morris missed the concert and the premier but found an extra $50 in his next paycheck.Published by JV MUSIC Baltimore MD www.jvmusic.net https://youtu.be/KeE5dMnrevU
$15.00
Coronation March (Db) (Brass Quintet - 3 Trp, 2 Trb)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.1083711 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival...
(+)
Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.1083711 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 15 pages. Regis Bookshar #687920. Published by Regis Bookshar (A0.1083711). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Quintet, consisting of 3 Bb Trumpets and 2 Trombones. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
Lewis & Clark Trail (for Brass Quintet & Optional Percussion)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Dr
#
Lewis & Clark Trail
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158189 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 40 pages. Https://gi...
(+)
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158189 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 40 pages. Https://gildedmusicpress.com/ #758465. Published by https://gildedmusicpress.com/ (A0.1158189). The majority of the composition is boisterous, upbeat, exciting, and western! Though perhaps overly romanticized, those thrilling impressions are brought to the modern observer in the monuments and tributes all along the Lewis and Clark Trail. Indeed, from the Gateway Arch in Saint Louis to Floyd’s obelisk; from numerous visitors’ centers to historic markers throughout the more than 7000 miles traversed, Lewis and Clark and the others are kept in grateful memory for their inspiring work of opening the gateway to the west. Many working brass quintets throughout the nation joined a consortium of performances for the fall of 2019—particularly near September 23, as that was the date the expedition ended in Saint Louis, Missouri, where it also began. With the images of the Lewis and Clark Expedition in mind, the compositional process occurred quickly, and a draft of the full-length work was printed for a reading with Offutt Brass one week after it was begun. A final product was to be delivered to the consortium members by the end of April for enough time to bring the work to life in the fall. Within the music itself are several hidden meanings which, though imperceptible upon listening, are significant nonetheless. It will be noted that there is little rest for the players. For the span of 4’40â€, out of nearly 1000 measures of collective music, there is a total of 99 complete measures of rest shared between the performers. Throughout the expedition 33 key personnel participated, three of whom famously ring in the ears of all Americans: Meriwether Lewis, William Clark, and the well-known Shoshone guide, Sacagawea. To acknowledge the arduous nature of this enormous undertaking, what little rest there is in this composition multiplies the number of explorers with the three most famous names.
$29.95
Bridges, Op. 136 (for Brass Quintet and Chimes)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Dr
#
Bridges, Op. 136
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Http...
(+)
Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95
Trail of Tears, Op. 144
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Dr
#
Trail of Tears, Op. 144
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. ...
(+)
Brass Quintet - Level 3 - SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. Https://gildedmusicpress.com/ #1066363. Published by https://gildedmusicpress.com/ (A0.1489498). Rounding out the “American Trails” with the fifth composition in the collection, “Trail of Tears” is in reference to the heart-wrenching dark history of over 60,000 American Indians being expelled from their lands. During the period between 1830 and 1850, natives from five tribes were forcibly displaced from their homelands in what later became known as the American Deep South. These “Five Civilized Tribes” included the Cherokee, Chickasaw, Choctaw, Muscogee, and Seminole nations. Under the leadership of President Andrew Jackson, Congress passed the “Indian Removal Act” in 1830 which revoked all land ownership from all Native Americans in the Southeast. Although Jackson was not the originator of the movement to remove the Indians, it was his top legislative priority upon taking office. In his mind, they were a primary obstacle for the fulfillment of the Manifest Destiny and American national success. There were many opponents to the violent legislation, such as David Crockett of Tennessee and Catherine Beecher.The most brutal year of the Trail of Tears occurred in 1838 among the Cherokee who had resisted the Treaty of New Echota of 1836 through petitions and pleas to the US government. Despite their efforts, the expulsive treaty was ratified and the resistant Cherokee were compelled by militia to vacate all lands east of the Mississippi River. The heaviest death tolls occurred in the summer and winter months of 1838 after the deadline to depart had passed in May. Disease, exposure, starvation, and harassment by frontiersman compounded the physical exertion of the “death marches” that killed many.This composition extensively borrows the four-note motif from Beethoven’s Symphony No. 5. That symphony was composed in the early 1800s in Europe at the same time as the growth of the anti-Indian sentiment across the American frontier. Rather than primary thematic material, “Trail of Tears” uses the motif as a morose, plodding accompanimental pattern that adds depth of sorrow to the musical homage.
$19.95
Lorena: A Brass Quintet Setting
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
F
#
F
#
Lorena: A Brass Quintet Settin
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Experiment #1
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Steve Dekker
#
Steve Dekker
#
Experiment #1
#
Steve Dekker
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1447510 By Steve Dekker. By Steve Dekker. Arranged by Steve Dekker. 21st Century,Chamber,Cl...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1447510 By Steve Dekker. By Steve Dekker. Arranged by Steve Dekker. 21st Century,Chamber,Classical,Contemporary,Jazz. 24 pages. Steve Dekker #1027289. Published by Steve Dekker (A0.1447510). Experiment #1 is an original composition written for brass quintet. Experiment #1 was inspired by a curiosity to explore the different sounds available in music notation software. As a result, this piece was originally written for synths, keyboards, bass and drums. After completing the piece, I found the sounds and instrumentation lacked warmth and character. Ultimately, I decided the experiment would be to score it for brass quintet and see what happens.There are three basic themes or sections utilized in Experiment #1. The themes move from heroic to contemporary and culminate in a recapitualtion of the hero theme. An eighth-note ostinato statement serves as a recurring motif connecting each section. The various themes are spread across the quintet with a variety of textures and contrapuntal devices serving to further elevate the composition.Experiment #1 is accessible to high school, college and service band level groups. This piece showcases mulitiple stylistic concepts from Classical music, modern Jazz and contemporary music. It is an excellent teaching piece and would be a solid and innovative choice for concert or competition. Run time is 4:48.
$40.00
Forever And A Day
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Steve Dekker
#
Steve Dekker
#
Forever And A Day
#
Steve Dekker
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1433548 By Steve Dekker. By Steve Dekker. Arranged by Steve Dekker. 21st Century,Chamber,Co...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1433548 By Steve Dekker. By Steve Dekker. Arranged by Steve Dekker. 21st Century,Chamber,Contemporary,Contest,Festival,Funk. 42 pages. Steve Dekker #1013109. Published by Steve Dekker (A0.1433548). Forever And A Day is an original piece for brass quintet composed by Steve Dekker. This brass quintet was adapted from Dekker's original 18-piece big band composition which was commisioned and performed by the Kansas City Jazz Orchestra in April 2023 at The Kauffman Center for the Performing Arts, Kansas City, MO. This piece is medium difficult and is accessible to a good high school group or college/service level band. Forever And A Day can be performed by a traditional 5-piece brass quintet or by adding the optional auxiliary percussion parts provided.The piece begins with a wistful chorale before leading into a quasi funk groove that is propelled throughout the composition via contemporary harmonies, rhythms and mood transformations. The energy of this piece is fueled by the juxtaposition of modern style versus Classical elements.Careful attention should be paid to balance/blend, steady rhythm, dynamics, articulation and meter changes. Optional auxiliary percussion parts are included for shaker and tambourine if desired. Run time is 5:54. Enjoy!
$40.00
Canon by Pachelbel - Brass Quintet with Piano and Chord Notation
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
Glauco Fernandes
#
Canon by Pachelbel - Brass Qui
#
Glauco Fernandes
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1369178 By Johann Pachelbel. By Johann Pachelbel. Arranged by Glauco Fernandes. Baroque,Cha...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1369178 By Johann Pachelbel. By Johann Pachelbel. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Wedding. 15 pages. Glauco Fernandes #953527. Published by Glauco Fernandes (A0.1369178). Embark on a journey into the sublime grandeur of classical music with the exclusive sheet music for the arrangement of Johann Pachelbel's Canon in D. This exquisitely crafted arrangement is thoughtfully designed for intermediate-level musicians, offering a captivating musical experience that serves as both an enriching challenge for those honing their skills and a valuable addition to the repertoire of professional musicians.The sheet music for Canon in D stands out for its accessible approach, providing beginner musicians with a stimulating challenge to enhance their instrument-playing abilities. Simultaneously, more experienced musicians will find in this arrangement a rare gem to enrich their repertoires, imparting a unique and engaging interpretation to Pachelbel's majestic composition.Ideal for a variety of events, this arrangement of Canon in D adds a touch of elegance to performances, particularly suitable for weddings where the classical beauty of this piece can create a truly memorable atmosphere. Whether for celebratory moments or as part of a professional repertoire, this sheet music offers a lush and sophisticated interpretation, elevating any occasion.Acquire the Canon in D sheet music now and immerse yourself in the classical opulence of this iconic composition. With its intrinsic quality, this arrangement will not only pose a stimulating challenge for burgeoning musicians but also become an indispensable piece for professionals looking to enrich and diversify their repertoires.If you're seeking more high-quality sheet music, we suggest searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.
$19.99
<
1
26
51
....
576
Composition: