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Composition for orchestra No. 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Compo…
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
45.29 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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jmsgu3
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SheetMusicPlus
Bach: Toccata and Fugue in D Minor, BWV 565 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1473…
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1473676 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Traditional. 49 pages. Jmsgu3 #1051393. Published by jmsgu3 (A0.1473676). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95
45.29 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue in D Minor, BWV 565 for Brass Quintet
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jmsgu3
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SheetMusicPlus
European Anthem (Ode to Joy) for Brass Quintet & (opt. Snare drum)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.746484 Composed by Ludvig van Beethoven. Arrange…
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Level 3 - Digital Download SKU: A0.746484 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period,World. 11 pages. Keith Terrett #1955507. Published by Keith Terrett (A0.746484). The regional anthem of the EU arranged for Brass Quintet. The melody used to symbolize the EU comes from the Ninth Symphony composed in 1823 by Ludwig Van Beethoven, when he set music to the Ode to Joy, Friedrich von Schiller's lyrical verse from 1785. The anthem symbolises not only the European Union but also Europe in a wider sense. The poem Ode to Joy expresses Schiller's idealistic vision of the human race becoming brothers - a vision Beethoven shared. In 1972, the Council of Europe adopted Beethoven's Ode to Joy theme as its anthem. In 1985, it was adopted by EU leaders as the official anthem of the European Union. There are no words to the anthem; it consists of music only. In the universal language of music, this anthem expresses the European ideals of freedom, peace and solidarity. The European anthem is not intended to replace the national anthems of the EU countries but rather to celebrate the values they share. The anthem is played at official ceremonies involving the European Union and generally at all sorts of events with a European character. Ode to Joy (German original title: An die Freude) is the anthem of the European Union and the Council of Europe; both of which refer to it as the European Anthem due to the Council's intention that, as a semi-modern composition with a mythological flair, it does represent Europe as a whole, rather than any organisation. It is based on the final movement of Beethoven's 9th Symphony composed in 1823, and is played on official occasions by both organisations. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
8.15 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ludvig van Beethoven
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Keith Terrett
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it consists of music only
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European Anthem
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Keith Terrett
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SheetMusicPlus
St. Paul's Suite for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.785294 Composed by Gustav Holst…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.785294 Composed by Gustav Holst. Arranged by Dorm 40 Music. 20th Century,Contemporary,Romantic Period. Score and parts. 86 pages. Dorm40music.com #3555067. Published by dorm40music.com (A0.785294). St. Paul`s Suite (Op. 29, No. 2), originally titled Suite in C, is a composition for string orchestra by the English composer Gustav Holst. It was written in 1912, but owing to revisions was not published until 1921. It is named after the St Paul's Girl`s School in the United Kingdom, where Holst was Director of Music from 1905 to 1934. It was written in gratitude to the school, which had built a soundproof studio for him. This suite is the most famous of the many pieces he wrote for students at St. Paul`s. This arrangement is for brass quintet consisting of two Trumpets in C, Horn in F, Trombone, and Tuba.I`ll be right back.- Gary Bigelow, 1979
$48.00
43.52 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gustav Holst
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Dorm 40 Music
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St. Paul's Suite for Brass Quintet
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dorm40music.com
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SheetMusicPlus
It Had to Be You
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.78 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s
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Isham Jones
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F
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
Two By Grieg: “Sarabande” and “The Last Summer”
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Edvard H. Grieg (1843-1907). Arranged by F. Leslie Smith. Romantic Period, TV,…
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Composed by Edvard H. Grieg (1843-1907). Arranged by F. Leslie Smith. Romantic Period, TV, European, Mother's Day, Wedding. Score, Set of Parts. 22 pages. Published by Sweetwater Brass Press (S0.131535). - Score,Set of Parts - Romantic Period,TV,European,Mother's Day,Wedding - Sweetwater Brass Press
In 1880, Edvard Grieg composed twelve songs based on the poetry of A.O. Vinje. Two of those he arranged for string orchestra as Two Elegiac Melodies. Four years later Grieg composed a five-piece suite to celebrate the 200th anniversary of the birth of Ludvig Holberg, the Norwegian-born writer who played a major role in the founding of Danish literature. Originally written for piano, Grieg soon arranged From Holberg?s Time for string orchestra. Nearly one hundred years later, Kathryn Forbes? novel, Mama?s Bank Account, was published, recounting the tale of a Norwegian family living in San Francisco in the early Twentieth Century. Forbes? book inspired a number of dramatic presentations, Broadway and Hollywood productions. Most relevant to ?Two By Grieg,? however, was Mama, a TV series CBS launched in 1949 that ran for eight years. This weekly half-hour program used two Grieg compositions as themes: ?Sarabande? from Holberg Suite and ?The Last Spring? from Two Elegiac Melodies. For many viewers, this was the first time they had ever heard these beautiful songs, and the two melodies have been forever linked thereafter. ?Sarabande? and ?The Last Spring? are the compositions that comprise ?Two By Grieg.? This arrangement is based on Grieg?s string orchestration and stays as close as possible to the original. Completed in 2016, this arrangement runs about 7 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. In 1880, Edvard Grieg composed twelve songs based on the poetry of A.O. Vinje. Two of those he arranged for string orchestra as Two Elegiac Melodies. Four years later Grieg composed a five-piece suite to celebrate the 200th anniversary of the birth of Ludvig Holberg, the Norwegian-born writer who played a major role in the founding of Danish literature. Originally written for piano, Grieg soon arranged From Holberg?s Time for string orchestra. Nearly one hundred years later, Kathryn Forbes? novel, Mama?s Bank Account, was published, recounting the tale of a Norwegian family living in San Francisco in the early Twentieth Century. Forbes? book inspired a number of dramatic presentations, Broadway and Hollywood productions. Most relevant to ?Two By Grieg,? however, was Mama, a TV series CBS launched in 1949 that ran for eight years. This weekly half-hour program used two Grieg compositions as themes: ?Sarabande? from Holberg Suite and ?The Last Spring? from Two Elegiac Melodies. For many viewers, this was the first time they had ever heard these beautiful songs, and the two melodies have been forever linked thereafter. ?Sarabande? and ?The Last Spring? are the compositions that comprise ?Two By Grieg.? This arrangement is based on Grieg?s string orchestration and stays as close as possible to the original. Completed in 2016, this arrangement runs about 7 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00
6.35 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Edvard H
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F
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Two By Grieg: “Sarabande” and “The Last Summer”
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Sweetwater Brass Press
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SheetMusicPlus
War March of the Priests (from Athalia)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Felix Mendelssohn (1809-1847). Arranged by F. Leslie Smith. Romantic Period, G…
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Composed by Felix Mendelssohn (1809-1847). Arranged by F. Leslie Smith. Romantic Period, Graduation, Recital. Score, Set of Parts. 19 pages. Published by Sweetwater Brass Press (S0.93391). - Score,Set of Parts - Romantic Period,Graduation,Recital - Sweetwater Brass Press
Mendelssohn?s oratorio ?Athalia? grew out of a commission he had received to write incidental music for a private performance of the French tragedy ?Athalie.? He then went on to expand his original score to include three soloists, full chorus and orchestra, two orators, an overture and the piece presented here. ?War March of the Priests? is one of Mendelssohn?s most performed compositions, one reason being that it goes over so well as both a stand-alone concert piece and as a graduation/commencement processional or recessional. As this arrangement shows, "War March" adapts perfectly to the brass quintet, from the energetic and assertive triplet figures to the complementary legato section: a real gem for two trumpets, horn, trombone and tuba. This arrangement was completed in 2012, and performance time runs about 6 minutes, 42 seconds; however, its repeated sections allow it to be expanded or contracted on the spot to meet the time needs for ceremonial processions. You may contact the arranger, Les Smith, at lessmith@ufl.edu. Be sure to check out the following Sweetwater Brass Press arrangements: "Chorale St. Antoni," "Entry of the Graduates: Processional," "Departure of the Graduates: Recessional," "Marche from Sylvia Ballet Suite," "Marche militaire in D major (No. 1)" and "Academic Festival Overture." For these and other arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.?Mendelssohn?s oratorio ?Athalia? grew out of a commission he had received to write incidental music for a private performance of the French tragedy ?Athalie.? He then went on to expand his original score to include three soloists, full chorus and orchestra, two orators, an overture and the piece presented here. ?War March of the Priests? is one of Mendelssohn?s most performed compositions, one reason being that it goes over so well as both a stand-alone concert piece and as a graduation/commencement processional or recessional. As this arrangement shows, "War March" adapts perfectly to the brass quintet, from the energetic and assertive triplet figures to the complementary legato section: a real gem for two trumpets, horn, trombone and tuba. This arrangement was completed in 2012, and performance time runs about 6 minutes, 42 seconds; however, its repeated sections allow it to be expanded or contracted on the spot to meet the time needs for ceremonial processions. You may contact the arranger, Les Smith, at lessmith@ufl.edu. Be sure to check out the following Sweetwater Brass Press arrangements: "Chorale St. Antoni," "Entry of the Graduates: Processional," "Departure of the Graduates: Recessional," "Marche from Sylvia Ballet Suite," "Marche militaire in D major (No. 1)" and "Academic Festival Overture." For these and other arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.?
$8.00
7.25 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Felix Mendelssohn
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F
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War March of the Priests
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Sweetwater Brass Press
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SheetMusicPlus
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