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Dark Side - Drums
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Vous avez sélectionné:
Dark Side - Drums
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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Bridges, Op. 136 (for Brass Quintet and Chimes)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Bridges, Op. 136
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Http...
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Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95
Trail of Tears, Op. 144
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Dr
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Trail of Tears, Op. 144
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. ...
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Brass Quintet - Level 3 - SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. Https://gildedmusicpress.com/ #1066363. Published by https://gildedmusicpress.com/ (A0.1489498). Rounding out the “American Trails” with the fifth composition in the collection, “Trail of Tears” is in reference to the heart-wrenching dark history of over 60,000 American Indians being expelled from their lands. During the period between 1830 and 1850, natives from five tribes were forcibly displaced from their homelands in what later became known as the American Deep South. These “Five Civilized Tribes” included the Cherokee, Chickasaw, Choctaw, Muscogee, and Seminole nations. Under the leadership of President Andrew Jackson, Congress passed the “Indian Removal Act” in 1830 which revoked all land ownership from all Native Americans in the Southeast. Although Jackson was not the originator of the movement to remove the Indians, it was his top legislative priority upon taking office. In his mind, they were a primary obstacle for the fulfillment of the Manifest Destiny and American national success. There were many opponents to the violent legislation, such as David Crockett of Tennessee and Catherine Beecher.The most brutal year of the Trail of Tears occurred in 1838 among the Cherokee who had resisted the Treaty of New Echota of 1836 through petitions and pleas to the US government. Despite their efforts, the expulsive treaty was ratified and the resistant Cherokee were compelled by militia to vacate all lands east of the Mississippi River. The heaviest death tolls occurred in the summer and winter months of 1838 after the deadline to depart had passed in May. Disease, exposure, starvation, and harassment by frontiersman compounded the physical exertion of the “death marches” that killed many.This composition extensively borrows the four-note motif from Beethoven’s Symphony No. 5. That symphony was composed in the early 1800s in Europe at the same time as the growth of the anti-Indian sentiment across the American frontier. Rather than primary thematic material, “Trail of Tears” uses the motif as a morose, plodding accompanimental pattern that adds depth of sorrow to the musical homage.
$19.95
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Dark Side - Drums
