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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Do You Hear What I Hear
Sheetmusicplus
Non classifié
153
Piano & claviers
Piano seul
84
Piano, Voix et Guitare
56
Piano Facile
35
Piano, Voix
20
Instruments en Do
8
1 Piano, 4 mains
6
Piano grosses notes
6
2 Pianos, 4 mains
3
Piano (partie séparée)
2
Orgue
2
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
5
Guitare
4
Basse electrique
4
Dulcimer
2
Paroles et Accords
2
Mandoline
1
4 Guitares (Quatuor)
1
Ensemble de Ukulélés
1
Guitare (partie séparée)
1
Guitare Pedal Steel
1
Piano, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
87
Chorale SATB
29
Chorale TTBB
13
Chorale 3 parties
12
Chorale 2 parties
12
Chorale SSAA
7
Chorale Unison
4
Voix duo, Piano
2
Voix moyenne, Piano
1
Chorale SSAB a cappella
1
Voix haute
1
Chorale
1
Voix Soprano, Piano
1
+ 8 instrumentations
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Vents
Flute (partie séparée)
9
Clarinette (partie séparée)
8
Quatuor de Clarinettes: 4 clarinettes
8
Quatuor de Saxophones: 4 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Tenor et Piano
6
Saxophone Alto et Piano
6
Ensemble de Flûtes
5
Flûte, Hautbois, Clarinette, Basson
5
2 Saxophones (duo)
4
Saxophone Tenor
4
Saxophone (partie séparée)
4
Saxophone Alto
4
Ensemble de Clarinettes
4
Hautbois, Basson (duo)
4
3 Saxophones (trio)
3
Flûte traversière
3
2 Clarinettes (duo)
3
Flûte, Clarinette (duo)
3
Clarinette et Piano
3
Flûte traversière et Piano
3
3 Clarinettes (trio)
3
Clarinette, Basson (duo)
2
2 Flûte à bec (duo)
2
Saxophone, Clarinette (duo)
2
2 Flûtes traversières (duo)
2
Hautbois, Piano (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Violon, Piano
2
Saxophone et Harpe
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Flûtes : 4 flûtes
2
Quintette de Saxophone: 5 saxophones
1
Hautbois, Harpe
1
Flûte, Clarinette et Basson
1
Flûte irlandaise
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Harpe et Violoncelle
1
Hautbois (partie séparée)
1
Saxophone Soprano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Clarinette, Guitare (duo)
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Flute, harpe et violon
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Flûte et Guitare
1
Saxophone Soprano et Piano
1
Flûte, Hautbois, Violon
1
Clarinette
1
+ 51 instrumentations
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Cuivres
Trompette (partie séparée)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone (partie séparée)
5
Trombone et Piano
5
Trompette
4
2 Trombones (duo)
4
Trombone
3
2 Trompettes (duo)
3
Clarinette, Cor (duo)
2
Trompette, Piano
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Cor et Piano
2
Tuba (partie séparée)
1
Trompette, Trombone (duo)
1
Trompette, Harpe
1
2 Tubas (duo)
1
Cor anglais, Guitare (duo)
1
3 Trombones (trio)
1
3 Trompettes (trio)
1
Cor
1
Cor et Harpe
1
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
2 Cors (duo)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Harpe
8
Violon
8
Trio à Cordes: violon, alto, violoncelle
6
Violon et Piano
5
2 Violons (duo)
5
Violon, Violoncelle (duo)
5
Violoncelle, Piano
4
Alto, Violoncelle (duo)
3
Violon (partie séparée)
3
Violoncelle
2
Alto, Piano
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
2 Harpes (duo)
2
Trio à cordes: 3 violins
2
Alto seul
2
Harpe, Violon (duo)
2
Harpe, Trombone (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto et Harpe
1
4 Violoncelles
1
Harpe, Violon, Violoncelle
1
Harpe, Violoncelle (duo)
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle (partie séparée)
1
Violon, Alto (duo)
1
Harpe, Voix
1
2 Violoncelles (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
45
Ensemble de cuivres
16
Orchestre
15
Orchestre à Cordes
8
Cloches
8
Percussion (partie séparée)
6
Ensemble Jazz
4
Jazz combo
2
Orchestre de chambre
2
Ensemble de Percussions
1
Batterie (partie séparée)
1
Timbales (partie séparée)
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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FLUTE DE PAN
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Vous avez sélectionné:
Do You Hear What I Hear
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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Do You Hear What I Hear
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Carole King
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John Groves
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Do You Hear What I Hear
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John Groves
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.783658 By Carole King. By Gloria Shayne and Noel Regney. Arranged by John Groves...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.783658 By Carole King. By Gloria Shayne and Noel Regney. Arranged by John Groves. Christmas,Contemporary,Holiday. Score and parts. 9 pages. John Groves #6535081. Published by John Groves (A0.783658). Do You Hear What I Hear - arranged for Brass QuintetBb Trumpet 1Bb Trumpet 2Horn in F (French Horn)Trombone (or Euphonium / Baritone B.C.)TubaIncludes Score and Parts.
$16.99
Do You Hear What I Hear
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Carole King
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Cheryl Camm
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Do You Hear What I Hear
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seapieparcel
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1127832 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Cheryl Camm. 20th Century,Chamber,C...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1127832 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Cheryl Camm. 20th Century,Chamber,Christmas,Pop. 11 pages. Seapieparcel #728440. Published by seapieparcel (A0.1127832). An ethereal, magical arrangement of the popular Christmas song for Brass Quintet (two trumpets in Bb, horn in F, trombone, tuba). All instruments get the tune at some point and it's full of scrunchy harmonies and floaty textures.
$12.99
Do You Hear What I Hear
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Carole King
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Robert Hendrickson
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Do You Hear What I Hear
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Rob Hendrickson
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1214941 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Robert Hendrickson. C...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1214941 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Robert Hendrickson. Christmas,Classical,Holiday,Religious,Traditional. 9 pages. Rob Hendrickson #811832. Published by Rob Hendrickson (A0.1214941). Arranged for Brass Quintet.
$12.99
Do You Hear What I Hear
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Third Day
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Jim Bicigo
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Do You Hear What I Hear
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Polar Publications
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SheetMusicPlus
By Third Day. Arranged by Jim Bicigo. Score, Set of Parts. 15 pages. Published by Polar Publications (H0.271503-198537). - Score,Set of Parts - - Polar Publica...
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By Third Day. Arranged by Jim Bicigo. Score, Set of Parts. 15 pages. Published by Polar Publications (H0.271503-198537). - Score,Set of Parts - - Polar Publications
$15.00
Memorial (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Dr
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Memorial
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. H...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast†(or “appointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.†According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.†Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath†to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial†to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?†This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.†Elements of that musical memory influenced this present work “Memorial.†Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,†Michael Kamen’s “Quintet†for brass, and John Williams’ “Hymn to the Fallen.†The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.
$24.95
Ben Hur Chariot Race March
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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1894, he was the manager of th
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Edward Taylor Paull
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Judith Katz
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one in 1907, 1925, and 1959
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Ben Hur Chariot Race March
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Imagine Music - Digital
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SheetMusicPlus
Brass quintet - SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Pub...
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Brass quintet - SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
$12.00
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