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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
E Blues
Non classifié
260
Piano & claviers
Piano seul
125
Piano grosses notes
55
Piano (partie séparée)
47
Piano Facile
27
Orgue
24
Piano, Voix
20
Piano, Voix et Guitare
14
Instruments en Do
10
Accordéon
4
1 Piano, 4 mains
2
Accompagnement Piano
1
2 Pianos, 4 mains
1
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Basse electrique
104
Guitare notes et tablatures
103
Guitare
81
Guitare (partie séparée)
75
Ligne De Mélodie, (Paroles) et Accords
23
Ukulele
8
Mandoline
6
Basse électrique (partie séparée)
6
Dulcimer
3
Ensemble de guitares
2
Banjo
2
Paroles et Accords
2
Dobro
1
Guitare Pedal Steel
1
2 Guitares (duo)
1
+ 10 instrumentations
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Voix
Chorale SATB
11
Chorale TTBB
7
Chorale SSAA
5
Pack Instrumental pour Chorale
3
Chorale 3 parties
2
Chorale 2 parties
2
Voix seule
1
Voix haute
1
Chorale Unison
1
Voix Alto, Piano
1
Voix Tenor
1
+ 6 instrumentations
Retracter
Vents
Saxophone (partie séparée)
600
Clarinette (partie séparée)
95
Flute (partie séparée)
48
Hautbois (partie séparée)
44
Harmonica
18
Clarinette et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
2 Clarinettes (duo)
8
Saxophone Alto et Piano
7
Saxophone Alto
6
Clarinette
6
Quatuor de Saxophones: 4 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte traversière et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Tenor
5
Hautbois, Piano (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor et Piano
4
Flûte traversière
4
3 Clarinettes (trio)
3
Ensemble de Clarinettes
2
Flûte, Clarinette (duo)
2
Saxophone
2
Saxophone Soprano et Piano
2
Quintette de Saxophone: 5 saxophones
2
3 Saxophones (trio)
2
Flûte et Guitare
2
Ensemble de Flûtes
1
Flûte à bec Tenor
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette Basse, Piano
1
Hautbois
1
Flûte à bec Soprano
1
2 Clarinettes, Basson
1
Clarinette, Guitare (duo)
1
2 Saxophones (duo)
1
Saxophone Baryton, Piano
1
+ 33 instrumentations
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Cuivres
Trompette (partie séparée)
420
Trombone (partie séparée)
406
Cor (partie séparée)
44
Tuba (partie séparée)
40
Trompette
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Euphonium, Tuba (duo)
2
Tuba et Piano
2
2 Trompettes (duo)
2
Cor et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trombones (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone et Piano
1
Cor
1
Trombone
1
Quatuor de cuivres: 4 trombones
1
Trompette, Piano
1
Ensemble de Trombones
1
Tuba
1
Trio de Cuivres
1
+ 16 instrumentations
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Cordes
Contrebasse (partie séparée)
74
Violon (partie séparée)
41
Alto (partie séparée)
30
Harpe
28
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon
12
Violon et Piano
12
Violoncelle (partie séparée)
10
Violoncelle, Piano
6
Violoncelle
6
Alto, Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon, Violoncelle (duo)
3
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Autoharp
2
Contre Basse
2
Violon, Alto (duo)
1
Alto, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: 3 violoncelles
1
4 Harpes
1
Violon, Guitare (duo)
1
+ 21 instrumentations
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Orchestre & Percussions
Batterie (partie séparée)
92
Orchestre d'harmonie
51
Ensemble Jazz
50
Percussion (partie séparée)
32
Jazz combo
28
Batterie
13
Fanfare
10
Orchestre à Cordes
7
Orchestre
4
Orchestre de chambre
2
Vibraphone (partie séparée)
2
Ensemble d'École
1
Caisse Claire
1
Xylophone, Piano
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
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NOËL
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PUNK
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Vous avez sélectionné:
E Blues
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
3 partitions trouvées
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Lonesome Mama Blues
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Blues
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Anna Welker Brown, Billie Brow
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Bill Wilson
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Lonesome Mama Blues
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.775336 Composed by Anna Welker Brown, Billie Brown, and E. Nickel. Arranged by Bill Wilson. Blues. 20 pages. Alexander...
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Brass Quintet - Level 3 - SKU: A0.775336 Composed by Anna Welker Brown, Billie Brown, and E. Nickel. Arranged by Bill Wilson. Blues. 20 pages. Alexander Wilson #6660957. Published by Alexander Wilson (A0.775336). Lonesome Mama Blues, by Anna Welker Brown, E. Nickel, and Billie Brown, is a moderate paced blues number with action in all parts. Arranged for brass quintet (two Bb trumpets, French horn, trombone, tuba) and optional drum set. Contact us at https://www.tootsuitebrasspublishing.com/about-us about the availability of additional transpositions. Performance time is approximately 3:06. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
C Jam Blues for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
Four Early Jazz Classics for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Keith Terrett
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Keith Terrett
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Four Early Jazz Classics for B
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Keith Terrett
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SheetMusicPlus
Level 3 - SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #517391. Published...
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Level 3 - SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #517391. Published by Keith Terrett (A0.911345). Four Early Jazz Classics from the USA for Brass Quintet includes: 1)Little Brown Jug:It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era. 2)Frankie & Johnny:Frankie and Johnny (sometimes spelled Frankie and Johnnie; also known as Frankie and Albert or just Frankie) is a traditional American popular song. It tells the story of a woman, Frankie, who finds that her man Johnny was making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. 3)Tin Roof Blues:Tin Roof Blues is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions. 4)Battle Hymn of the Republic:The Battle Hymn of the Republic, also known as Mine Eyes Have Seen the Glory outside of the United States, is a song by American writer Julia Ward Howe using the music from the song John Brown’s Body. Howe’s more famous lyrics were written in November 1861, and first published in The Atlantic Monthly in February 1862. The song links the judgment of the wicked at the end of time (Old Testament, Isaiah 63; New Testament, Rev. 19) with the American Civil War. Since that time, it has become an extremely popular and well-known American patriotic song. Arranged here for Brass Quintet, this arrangement is available for most ensembles of your choice, e-mail for other arrangements. An excellent selection for your next concert!
$18.00
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