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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Edge of Time
Non classifié
121
Piano & claviers
Piano seul
89
Piano Facile
27
Piano, Voix
23
Piano, Voix et Guitare
10
Orgue
4
2 Pianos, 4 mains
3
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare
16
Dulcimer
7
Banjo
2
Ukulele
1
Mandoline
1
Voix
Chorale SATB
36
Chorale 3 parties
6
Chorale 2 parties
5
Voix seule
3
Chorale SSAA
3
Chorale TTBB
2
Voix moyenne, Piano
2
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Chorale Unison
1
+ 5 instrumentations
Retracter
Vents
Saxophone
49
Clarinette
18
2 Saxophones (duo)
17
Flûte traversière
15
3 Saxophones (trio)
9
Quatuor de Saxophones: 4 saxophones
7
Flûte à Bec
7
Flûte traversière et Piano
7
Clarinette et Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Hautbois, Piano (duo)
5
Saxophone Alto et Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
2 Flûte à bec (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Flûte à bec Alto
4
Trio de Flûtes: 3 flûtes
4
Quintette de Saxophone: 5 saxophones
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
2 Flûtes traversières (duo)
3
Saxophone Baryton, Piano
3
2 Clarinettes (duo)
3
3 Clarinettes (trio)
3
Cor anglais, Piano
3
Saxophone Tenor et Piano
3
Flûte à bec Soprano
3
3 Flûtes à bec (trio)
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Alto, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Soprano et Piano
2
Clarinette, Violon (duo)
2
Ensemble de Clarinettes
2
Clarinette, Basson (duo)
2
Ensemble de Flûtes
2
Hautbois, Clarinette (duo)
1
Saxophone Alto
1
Ensemble de saxophones
1
Flûte à bec Tenor
1
Saxophone (partie séparée)
1
Clarinette et Alto
1
Flûte et Guitare
1
Ensemble de Hautbois
1
2 Hautbois (duo)
1
Flûte irlandaise
1
Flûte, Violoncelle, Piano (trio)
1
4 Hautbois
1
Saxophone Tenor
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon
1
Hautbois, Flûte
1
Hautbois (partie séparée)
1
Clarinette, Violoncelle (duo)
1
Flûte, Saxophone (duo)
1
+ 51 instrumentations
Retracter
Cuivres
Trompette
19
Trombone
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de cuivres: 4 trompettes
4
2 Trombones (duo)
4
2 Trompettes (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Ensemble de Cors
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
3
Cor et Piano
3
4 Tubas
3
Cor anglais, Piano
3
Trompette, Cor (duo)
2
Trompette, Trombone (duo)
2
Trombone et Piano
2
3 Tubas (trio)
2
Trompette, Saxophone (duo)
2
3 Cors (trio)
2
Trompette, Piano
2
2 Tubas (duo)
2
Trombone, Cor (duo)
2
2 Cors (duo)
2
3 Trombones (trio)
1
Quatuor de Cuivres
1
+ 20 instrumentations
Retracter
Cordes
Violon, Violoncelle (duo)
19
Harpe
14
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
11
Trio à cordes: 3 violins
7
Violoncelle, Piano
5
2 Violons (duo)
5
Alto, Piano
5
Violon
5
Alto seul
4
2 Altos (duo)
4
2 Violoncelles (duo)
4
Trio à Cordes: 3 violoncelles
3
Violon, Alto (duo)
3
Trio à cordes: 3 altos
3
Quatuor à cordes : 4 altos
3
Violoncelle
3
Quatuor à cordes: 4 violons
3
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
4 Harpes
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
47
Fanfare
24
Batterie
9
Orchestre à Cordes
8
Orchestre
6
Ensemble Jazz
4
Orchestre de chambre
4
Ensemble de cuivres
4
Ensemble de Percussions
2
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Edge of Time
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
8 partitions trouvées
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1
From the Shadow's Edge (for Brass Quintet & Optional Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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From the Shadow's Edge
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. H...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. Https://gildedmusicpress.com/ #758453. Published by https://gildedmusicpress.com/ (A0.1158148). From the Shadow's Edge was commissioned by horn player in the US Air Force Bands, SSgt Alena Zidlicky, to honor her grandmother Beluse Urlich Zidlicky (Babi), who escaped the oppressive Nazi occupation of Czechoslovakia during WWII. For brass quintet and percussion, the horn is featured. The music of this composition begins in aural darkness, as if immersed in an inescapable shadow. The tense harmonies and contrapuntal motions of the brass are accompanied by two heartbeat motifs, in the tuba and bass drum, conjuring sentiments of fear and uncertainty. Emotions swell as the solo horn enters with contrasting triplet rhythms that struggle against the complex mixture of duple strains throughout the other parts. This dark introduction serves as a prelude to the above storyline, which transitions quickly (and trepidatiously) out of the shadow. From rehearsal letter B through the remainder of the piece, hope permeates in the brightness, once escaped from the shadow’s ominous edge. The complex nature of the thematic overlapping and polyphonic texture of the quintet as a whole provide feelings of unrest, anticipation, hope, and yes, heroism. Nothing exudes heroism more than a soaring solo horn! This composition celebrates triumph over evil, whether during life or in death, and those who press on with a brightness of hope even in the darkest shadows that life can cast, as exemplified in the life of Beluse Ulrich Zidlicky.
$29.95
Give of Your Best to the Master (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Musique Sacrée
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Charlotte A
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Dan Boone (ASCAP)
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Give of Your Best to the Maste
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Dan Boone
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.809212 Composed by Charlotte A. Barnard. Arranged by Dan Boone (ASCAP). Christian,Sacred. Score and parts. 10 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.809212 Composed by Charlotte A. Barnard. Arranged by Dan Boone (ASCAP). Christian,Sacred. Score and parts. 10 pages. Dan Boone (ASCAP) #4803075. Published by Dan Boone (ASCAP) (A0.809212). Performance time 2:10, moderately easy version of an old hymn. Melody gets passed around. Arranged as a prelude for a worship service - perfect for church giving/pledge campaign theme or missions/service theme.
$9.99
Peter Gink
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
#
Contemporain
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George L
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Bill Wilson
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Peter Gink
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble,Brass Quintet - Level 3 - SKU: A0.774891 Composed by George L. Cobb. Arranged by Bill Wilson. 20th Century. Score and parts. 21 pages. Al...
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Brass Ensemble,Brass Quintet - Level 3 - SKU: A0.774891 Composed by George L. Cobb. Arranged by Bill Wilson. 20th Century. Score and parts. 21 pages. Alexander Wilson #1791849. Published by Alexander Wilson (A0.774891). At last, a brass quintet arrangement of George L. Cobb's Peter Gink, an irreverent spoof of Edvard Greig's Peer Gynt Suite No. 1. Audience members with a smattering of classical music knowledge will recognize themes from Morning Mood, Anitra's Dance, and the Hall of the Mountain King. Audience members without any classical music knowledge will enjoy it purely for its melodies and Cobb's aggressively Tin Pan Alley presentation. Performance time is approximately 2:50. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
O Jesulein süss by Bach for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Classique
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach f
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Woods Only, Arrangements
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SheetMusicPlus
Level 2 - SKU: A0.1122846 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 7 pages. Woods Only, Arrangemen...
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Level 2 - SKU: A0.1122846 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 7 pages. Woods Only, Arrangements #723810. Published by Woods Only, Arrangements (A0.1122846). This easy arrangement for brass quintet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$9.99
Wilt Thou Forgive That Sin? (DONNE) - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
John Hilton
#
Todd Marchand
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Wilt Thou Forgive That Sin?
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Con Spirito Music
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726119 Composed by John Hilton (1599-1657). Arranged by Todd Marchand. Christian,Lent,Sacre...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726119 Composed by John Hilton (1599-1657). Arranged by Todd Marchand. Christian,Lent,Sacred. 14 pages. Con Spirito Music #6329603. Published by Con Spirito Music (A0.726119). Wilt Thou Forgive That Sin? are the opening words to the poem, A Hymn to God the Father, written by the English poet, priest, and scholar John Donne (1572-1631). A theologically rich and poetically masterful text, it presents an appeal to God, in which Donne asks Wilt thou forgive? the original sin into whch man is born (stanza 1) and the personal sins of the individual (stanza 2), and in which he acknowledges his own fear of death and his hope of salvation through God's Son, Jesus Christ (stanza 3). Donne commissioned a tune to accompany the hymn from the English early baroque composer John Hilton (1599-1657), of which Donne's friend and biographer Izaak Walton said, he caused it to be set to a most grave and solemn tune, and to be often sung to the organ by the Choristers of St. Paul’s Church, in his own hearing.... Donne's hymn is especially fitting for penitential seasons (Advent, Lent) and occasions, and this arrangement for brass quintet of Hilton's tune makes an effective meditative selection for offertory or communion at any time. ©2021 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more unique arrangements for brass and woodwind ensembles, young/developing band, instrumental and vocal soloists, and choirs, visit www.conspiritomusic.com Â
$15.00
A Mighty Fortress is Our God by Luther for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Martin Luther
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Ander
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A Mighty Fortress is Our God b
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Woods Only, Arrangements
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SheetMusicPlus
Level 1 - SKU: A0.1138522 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 8 pages. Woods Only, Arrange...
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Level 1 - SKU: A0.1138522 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 8 pages. Woods Only, Arrangements #738863. Published by Woods Only, Arrangements (A0.1138522). This easy arrangement for brass quintet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$9.99
Minuet in G major by Bach for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Christian Petzold and Johann S
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Ander
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Minuet in G major by Bach for
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Woods Only, Arrangements
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SheetMusicPlus
Level 3 - SKU: A0.1123852 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 8 pages. ...
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Level 3 - SKU: A0.1123852 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 8 pages. Woods Only, Arrangements #724609. Published by Woods Only, Arrangements (A0.1123852). This easy arrangement for brass quintet has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$9.99
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed E
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contes...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
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Edge of Time
