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ALTO
AUTOHARPE
BANJO
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Fugue in Baroque Style
Non classifié
117
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23
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13
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3
Piano Quatuor: piano, violon, alto, violoncelle
1
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21
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16
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14
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11
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8
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8
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5
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5
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3
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3 Clarinettes (trio)
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Clarinette, Harpe (duo)
1
+ 21 instrumentations
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
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11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de cuivres: 4 trombones
4
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4
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2
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1
Cor et Piano
1
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1
Trio de Cuivres
1
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16
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5
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3
Violon, Alto (duo)
2
Violon
2
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2
Violon et Piano
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Alto (partie séparée)
1
Violoncelle, Piano
1
Trio à Cordes: 3 violoncelles
1
Violoncelle
1
Violon, Violoncelle (duo)
1
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3
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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Vous avez sélectionné:
Fugue in Baroque Style
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
7 partitions trouvées
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Canzona BWV 588 in d Minor for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Robert Coulter
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Canzona BWV 588 in d Minor for
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Cherry Classics Music
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SheetMusicPlus
Brass Quintet - Advanced - Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Coulter. Classical Period, Baroque Period, Renaissance,...
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Brass Quintet - Advanced - Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Coulter. Classical Period, Baroque Period, Renaissance, Early Music. Score, Set of Parts. 27 pages. Published by Cherry Classics Music
Bach's Canzona BWV 588 in d Minor was written for organ and may have been influenced by Frescobaldi and the Italian style of the period.
This lovely 5 1/2 minute arrangement by Robert Coulter begins with a fugue in the bass line and continues until a lively triple-meter section which then leads dramatically to its conclusion.
The instrumentation is for Trumpet 1 (parts supplied for D & E-flat instruments), Trumpet 2 in B-flat, Horn, Trombone, and Tuba. This work is appropriate for advanced performers.
$25.00
Contrapunctus II from "The Art of Fugue" for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ralph Sauer
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Contrapunctus II from "Th
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792484 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 13...
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Brass Ensemble - Level 5 - SKU: A0.792484 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 13 pages. Gordon Cherry #4988273. Published by Gordon Cherry (A0.792484). J. S. Bach’s massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Two is a four-voice fugue that uses the direct form of the theme (as in Number One) but with a swinging feel due to the French style dotted eighth – sixteenth rhythm. About 3 minutes in length.
$22.50
Fugue 12 from Well-Tempered Clavier, Book 1 (Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Vierne.
Â
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Fugue 12 from Well-Tempered Cl
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Richard Byrnes
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - SKU: A0.830093 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 15 pages. Richard Byrnes #2907053. P...
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Horn,Trombone,Trumpet,Tuba - SKU: A0.830093 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 15 pages. Richard Byrnes #2907053. Published by Richard Byrnes (A0.830093).  The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for 2 Trumpets, Horn, Trombone, and Tuba. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.  These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$19.99
Happy Birthday J.S. for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Traditional
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Sy Brandon
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Happy Birthday J.S. for Brass
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Sy Brandon
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SheetMusicPlus
Composed by Traditional. Arranged by Sy Brandon. Baroque Period, Birthday. Score, Set of Parts. 7 pages. Published by Sy Brandon (S0.192493). - Score,Set of Par...
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Composed by Traditional. Arranged by Sy Brandon. Baroque Period, Birthday. Score, Set of Parts. 7 pages. Published by Sy Brandon (S0.192493). - Score,Set of Parts - Baroque Period,Birthday - Sy Brandon
A 4-part fugue exposition in the style of J.S. Bach using an ornamented version of Happy Birthday as the subject. A fun setting!
$4.99
Bach: Wachet auf for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #355693...
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Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
Contrapunctus VI BWV 1080 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Gordon Cherry
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Contrapunctus VI BWV 1080 for
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.707842 Composed by Johann Sebastian Bach. Arranged by Gordon Cherry. Baroque,Classical,Renaissance. Score and parts. ...
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Brass Ensemble - Level 5 - SKU: A0.707842 Composed by Johann Sebastian Bach. Arranged by Gordon Cherry. Baroque,Classical,Renaissance. Score and parts. 22 pages. Gordon Cherry #4988139. Published by Gordon Cherry (A0.707842). Bach’s Art of Fugue represents a pinnacle of artistic genius. Each of the 14 fugues and canons is a musical miracle using a variation of a single subject from the initial fugue 1. Written in the last years of his life, the final fugue is unfinished. Contrapunctus VI is in four parts and written in Stylo Francese. This style has little flourishes of scale-like 32nd notes ascending and desending along with dotted rhythms, together called the French style. The work is suitable for advanced performers and is about 5-6 minutes in length. Parts are for 2 Trumpets in C (B-flat parts are provided), Horn, Trombone and Tuba (or Bass Trombone).
$25.00
Suite No. 4 for Brass Quintet (HMV 429)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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G
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P
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Suite No. 4 for Brass Quintet
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Pete Strohm Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.928172 Composed by G. F. Handel. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Sacred. Score and p...
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Brass Ensemble - Level 4 - SKU: A0.928172 Composed by G. F. Handel. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Sacred. Score and parts. 68 pages. Pete Strohm Music #6559549. Published by Pete Strohm Music (A0.928172). Suite No. 4 for Brass Quintet (HMV 429) has a dramatic introductory fugue, followed by the four dances that traditionally comprised such suites (Allemande, Courante, Sarabande, Gigue). Georg Friedrich Händel wrote 22 keyboard suites over his lifetime, primarily in his younger years. Not all the suites lend themselves to brass performance, but this one is perfectly suited for such treatment. This arrangement balances the five voices or the quintet evenly, and makes for a wonderful ensemble experience. This edition includes the ornaments, tempos and articulations that convey the spirit of the Baroque. Quintets can follow traditional Baroque terraced dynamics or use a more contemporary approach, as suits their own style. Perfect for concerts, recitals and contest, the difficulty level varies by movement from medium to medium-advanced. Total performance time is 12:54. Member, ASCAP.
$12.95
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Fugue in Baroque Style
