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50
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5
2 Flûtes traversières (duo)
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4
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3
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2
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
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9
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2
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1
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1
Euphonium
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1
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1
Quatuor de cuivres: 4 trombones
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Quatuor à cordes: 2 violons, alto, violoncelle
19
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9
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8
Violon
5
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4
Alto, Piano
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Harpe
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Contrebasse (partie séparée)
3
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Alto (duo)
3
2 Violons (duo)
2
2 Harpes (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Piano
2
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
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1
2 Altos (duo)
1
2 Violoncelles (duo)
1
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PERCUSSIONS & ORCHESTRES
Fanfare
30
Orchestre d'harmonie
30
Ensemble Jazz
22
Batterie
19
Orchestre à Cordes
15
Orchestre de chambre
10
Orchestre
10
Ensemble de cuivres
9
Batterie (partie séparée)
3
Jazz combo
2
Marimba
2
Vibraphone (partie séparée)
1
Percussion
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AUTRES
Vous avez sélectionné:
Good Times
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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Sweet Caroline
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1433659
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1433659 By Neil Diamond. By Neil Diamond. Arranged by Kayleigh Huelin. Pop,Rock. 16 pages. Kayleigh Huelin #1013891. Published by Kayleigh Huelin (A0.1433659). Good times never felt so good! Get Neil Diamond's great song 'Sweet Caroline' now and have your audiences singing along with you! Arranged for brass quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$24.99
22.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Neil Diamond
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Kayleigh Huelin
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Sweet Caroline
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Kayleigh Huelin
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SheetMusicPlus
Down by the Riverside - Brass Quintet arranged in Trad. New Orleans Brass Band Style
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1230998
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1230998 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Spiritual,Traditional. 23 pages. Chicory Music #826635. Published by Chicory Music (A0.1230998). Gospel music has infiltrated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Brass Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).  Performance Time: Approx. 2 minutes 40 seconds
$15.99
14.56 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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African - American Spiritual
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Dennis Ruello
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or Jazz Funeral
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Down by the Riverside - Brass Quintet arranged in Trad. New Orleans Brass Band Style
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Chicory Music
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Trumpet Shall Sound from "The Messiah" for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.810934
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.810934 Composed by Handel, G. F. Arranged by Cherry, Gordon. Baroque,Christmas,Easter,Sacred. 29 pages. Gordon Cherry #3916889. Published by Gordon Cherry (A0.810934). One of the most famous movements from The Messiah, features the Bb Trumpet and Tuba, Trombone or Euphonium on the solo parts. The bass part goes up to a high C above the staff several times, so the tuba must have a good high register. The trombone and tuba solo parts can be switched and the trombonist from the quintet can play the solo bass part on tenor trombone, bass trombone or Euphoniums. The tuba can then move to the trombone part, which is a low part anyway. This work is in the key of Bb, down a 3rd from the original and very playable. This transcription comes in two keys; the original in D (high) or in Bb (lower). In the lower key it can be played on Bb trumpet and is much easier on the solo bass part if played by the tubist. If played in the original key, an optional organ part can be added to the quintet for a very symphonic effect. This work is a must on a Brass Quintet Christmas or Easter Concert.
$22.50
20.49 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Handel, G
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Cherry, Gordon
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Trumpet Shall Sound from "The Messiah" for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Goodbye! So Long! I'm Headin' Home!: A Medley
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. …
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Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. Published by Sweetwater Brass Press (S0.86305). - Score,Set of Parts - Ragtime,Old-time,Americana - Sweetwater Brass Press
This novelty is great as either a featured number or as an encore. It is upbeat, a medley of turn-of-the-last-century tunes that, in the tradition of Haydn?s "Farewell" Symphony (No. 45 in F-sharp minor), provides opportunity for four musicians to leave, one by one, until only Tuba remains. It opens at a fast clip with a statement of ?Good-Night, Ladies? followed by a four-measure vamp that is subsequently repeated after nearly every section. First, horn and tuba perform ?There is a Tavern in the Town.? Second, trombone and trumpets combine to ask, ?Bill Bailey, Won?t You Please Come Home.? Third is a close-harmony, ensemble version of ?Goin? Home.? Fourth features exchanges between trumpets and low brass in ?Toot, Toot, Tootsie!? Fifth is an amalgam of all the tunes; this is played four times, each time featuring a different instrument, which then drops out for the rest of the number. The tuba ends the piece and takes a bow. This arrangement was completed in 2014, and performance time runs about 3 minutes, 56 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. This novelty is great as either a featured number or as an encore. It is upbeat, a medley of turn-of-the-last-century tunes that, in the tradition of Haydn?s "Farewell" Symphony (No. 45 in F-sharp minor), provides opportunity for four musicians to leave, one by one, until only Tuba remains. It opens at a fast clip with a statement of ?Good-Night, Ladies? followed by a four-measure vamp that is subsequently repeated after nearly every section. First, horn and tuba perform ?There is a Tavern in the Town.? Second, trombone and trumpets combine to ask, ?Bill Bailey, Won?t You Please Come Home.? Third is a close-harmony, ensemble version of ?Goin? Home.? Fourth features exchanges between trumpets and low brass in ?Toot, Toot, Tootsie!? Fifth is an amalgam of all the tunes; this is played four times, each time featuring a different instrument, which then drops out for the rest of the number. The tuba ends the piece and takes a bow. This arrangement was completed in 2014, and performance time runs about 3 minutes, 56 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00
3.64 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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Goodbye! So Long! I'm Headin' Home!: A Medley
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Sweetwater Brass Press
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SheetMusicPlus
Toot, Toot, Tootsie!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.36 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gus Kahn, Ernie Erdman and Dan Russo
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Zippity Zank
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1438730
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1438730 By Damien Gauci. By Damien Gauci. Contemporary,Jazz. 19 pages. Damien Gauci #1018804. Published by Damien Gauci (A0.1438730). I wrote this piece for an assignment in 2023 and it turned out to be quite a fun composition. Initially, I wanted to write something that is fun, upbeat, and in a jazzy style. Similar to the music from the game Mario Kart by Nintendo. The main theme comes after the short intro section and this idea returns throughout the composition in a rondo form where other sections are heard in-between the main theme.As this was my first time writing for brass quintet, there was a lot to learn about each instrument to ensure that everything was playable and sounded good together. Writing this composition as well as having it performed and recorded taught me a lot about writing for brass quintet and there are many things that I would do differently if I wrote this piece again.As for the name, there is a long story behind how I came up with it which I won’t get in to but the word ‘Zank’ is German for an angry argument and the word ‘Zippity’ is a made-up word that I thought sounded fun with Zank. Sometimes titles aren’t as deep as they seem to be!
$3.99
3.63 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Damien Gauci
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Zippity Zank
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Damien Gauci
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SheetMusicPlus
The Ash Grove
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1233632
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1233632 Composed by Welsh Traditional. Arranged by Frank Stubbs. 19th Century,Chamber,Country,Folk,Traditional. 5 pages. Frank Stubbs #829218. Published by Frank Stubbs (A0.1233632). The famous Traditional Welsh folksong 'The Ash Grove' arranged for Brass Quintet.The melody is developed and passes throughout the Quintet sometimes hinting at a fugue. This arrangement would suit a group of 'high Intermediate' level players and would be a good fit for any recital, corporate gig, competition entry.
$15.99
14.56 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Welsh Traditional
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Frank Stubbs
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The Ash Grove
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Frank Stubbs
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SheetMusicPlus
Five Foot Two (Has Anybody Seen My Gal)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. S…
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Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 31 pages. Published by Sweetwater Brass Press
The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions. This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns. Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions.
This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns.
Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.61 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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Five Foot Two
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Sweetwater Brass Press
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SheetMusicPlus
Christmas Day (Choral Fantasy on Old Carols) for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Gustav Holst (1874-1934). Arranged by Craig Garner. Post-Romantic, Sacred, Chr…
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Composed by Gustav Holst (1874-1934). Arranged by Craig Garner. Post-Romantic, Sacred, Christmas. Score, Set of Parts. 29 pages. Published by Dorm 40 Music (S0.164839). - Score,Set of Parts - Post-Romantic,Sacred,Christmas - Dorm 40 Music
Holst skillfully weaves together traditional carols, sometimes layering one carol on top of another. Good Christian Men Rejoice, God Rest You Merry Gentlemen, Come Ye Lofty Come Ye Lowly and The First Noel. This arrangement is suitable for a concert or church service. It is a perfect addition to your Christmas music repertoire. Performance time, 6:00.Holst skillfully weaves together traditional carols, sometimes layering one carol on top of another. Good Christian Men Rejoice, God Rest You Merry Gentlemen, Come Ye Lofty Come Ye Lowly and The First Noel. This arrangement is suitable for a concert or church service. It is a perfect addition to your Christmas music repertoire. Performance time, 6:00.
$16.00
14.57 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gustav Holst
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Craig Garner
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Christmas Day
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Dorm 40 Music
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SheetMusicPlus
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