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--INSTRUMENTS--
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ALTO
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CHORALE - CHAN…
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His name Medley
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31
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71
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5
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3
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1
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9
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33
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31
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33
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21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
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Trompette (partie séparée)
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1
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41
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24
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12
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3
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2
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1
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1
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1
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1
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1
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1
2 Violons (duo)
1
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31
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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Vous avez sélectionné:
His name Medley
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
4 partitions trouvées
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AN AUSTRALIAN MEDLEY - BRASS QUINTET
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1490412
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1490412 Composed by Traditional. Arranged by BRIAN W. COPPING. Contest,Festival,Folk,Historic,Traditional. 33 pages. EMK Music #1067254. Published by EMK Music (A0.1490412). Scored for 2 Trumpets (Bb Cornet/Flugel Horn), Horn in F, Trombone/Euphonium and Bass. There are Alternative Parts for Eb and Bb Horn, and, Bb Trombone, Bb Euphonium, and Eb and Bb Basses all in Treble and Bass Clefs.This Medley brings together two well-known Australian tunes with the Queensland version of Waltzing Matilda which, in spite of a catchy melody written by Marie MacPherson, is less well known than the version written by Banjo Patterson and Marie Cowan. Botany Bay was originally heard, under a different name, in both Melbourne and London in the Nineteenth Century as part of a Burlesque Musical, and Click Goes the Shears reflects the importance of the wool industry in Australia. The contrasting time signatures and tempos are, in some way, symbolic of the enormous variety found in this vast continent.
$14.00
12.91 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional
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BRIAN W
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AN AUSTRALIAN MEDLEY - BRASS QUINTET
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EMK Music
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SheetMusicPlus
On Christmas Night, On Christmas Day, Rejoice! (medley) ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional English carols. Arranged by Todd Marchand. Christian, Sacred, Chri…
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Composed by Traditional English carols. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 18 pages. Published by Con Spirito Music (S0.180015). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. ©Copyright2015 Todd Marchand / ConSpiritoMusic.com?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. ©Copyright2015 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional English carols
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Todd Marchand
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On Christmas Night, On Christmas Day, Rejoice!
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Con Spirito Music
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SheetMusicPlus
An American Folk Hymn Medley ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by American folk hymns. Arranged by Todd Marchand. Christian, Gospel, Sacred, Fol…
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Composed by American folk hymns. Arranged by Todd Marchand. Christian, Gospel, Sacred, Folk, Americana. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.180677). - Score,Set of Parts - Christian,Gospel,Sacred,Folk,Americana - Con Spirito Music
?An American Folk Hymn Medley? brings together three 19th-century shape-note tunes in a contemporary setting for brass quintet. HOLY MANNA is popularly known as ?Brethren We Have Met to Worship? from its association with a text by Methodist clergyman George Atkins (1793-1827). It was first published in Columbian Harmony, a shape-note tune book, in 1829, and is attributed to William Moore, the publisher. RESTORATION, first published in William Walker?s 1835 shape-note hymnal, Southern Harmony, was later renamed ARISE from its association with a text by Joseph Hart (1712-1768) in which the chorus begins ?I will arise and go to Jesus?.? PLEADING SAVIOR, published in Joshua Leavitt?s 1830 compilation The Christian Lyre, is today best-known in many churches as the accompaniment to the text ?Sing of Mary, Pure and Lowly.? In this arrangement, the similar tunes HOLY MANNA and PLEADING SAVIOR, both in major tonality and 8.7.8.7 poetic meter, frame the contrasting minor tonality tune, RESTORATION. Contrasting instrument textures, keys, and tempi, and a mix of both traditional and contemporary harmonies breathe a fresh spirit into these venerable tunes.?An American Folk Hymn Medley? brings together three 19th-century shape-note tunes in a contemporary setting for brass quintet. HOLY MANNA is popularly known as ?Brethren We Have Met to Worship? from its association with a text by Methodist clergyman George Atkins (1793-1827). It was first published in Columbian Harmony, a shape-note tune book, in 1829, and is attributed to William Moore, the publisher. RESTORATION, first published in William Walker?s 1835 shape-note hymnal, Southern Harmony, was later renamed ARISE from its association with a text by Joseph Hart (1712-1768) in which the chorus begins ?I will arise and go to Jesus?.? PLEADING SAVIOR, published in Joshua Leavitt?s 1830 compilation The Christian Lyre, is today best-known in many churches as the accompaniment to the text ?Sing of Mary, Pure and Lowly.? In this arrangement, the similar tunes HOLY MANNA and PLEADING SAVIOR, both in major tonality and 8.7.8.7 poetic meter, frame the contrasting minor tonality tune, RESTORATION. Contrasting instrument textures, keys, and tempi, and a mix of both traditional and contemporary harmonies breathe a fresh spirit into these venerable tunes.
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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American folk hymns
#
Todd Marchand
#
An American Folk Hymn Medley ? brass quintet
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Con Spirito Music
#
SheetMusicPlus
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His name Medley
