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TROMPETTE
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VIOLONCELLE
XYLOPHONE
Holy, Holy, Holy trombone solo
Sheetmusicplus
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29
Piano & claviers
Accompagnement Piano
7
Piano seul
6
Orgue
1
Piano (partie séparée)
1
Guitares
Guitare (partie séparée)
2
Voix
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2
Chorale SATB
2
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2
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2
Vents
Flûte traversière et Piano
6
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5
Saxophone Alto et Piano
3
Clarinette et Piano
3
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3
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2
Clarinette (partie séparée)
2
Hautbois, Piano (duo)
2
Saxophone Baryton, Piano
1
Flûte traversière
1
Clarinette
1
+ 6 instrumentations
Retracter
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Trombone
52
Trombone et Piano
45
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5
Cor et Piano
4
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4
Trompette
3
Trombone, Orgue
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
Trompette (partie séparée)
1
Tuba et Piano
1
+ 8 instrumentations
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Cordes
Violon et Piano
7
Violoncelle, Piano
2
Harpe, Violon (duo)
2
Harpe, Violoncelle (duo)
2
Alto, Piano
2
Alto et Harpe
2
Contrebasse (partie séparée)
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
+ 3 instrumentations
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Ensemble de cuivres
5
Orchestre
5
Ensemble Jazz
3
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1
Orchestre d'harmonie
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Holy, Holy, Holy trombone solo
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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Arrival of the Queen of Sheba for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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George Frideric Handel
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Terrett, Keith
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Arrival of the Queen of Sheba
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792256 Composed by George Frideric Handel. Arranged by Terrett, Keith. Baroque,Classical,Opera,Renaissance. Score and...
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Brass Ensemble - Level 5 - SKU: A0.792256 Composed by George Frideric Handel. Arranged by Terrett, Keith. Baroque,Classical,Opera,Renaissance. Score and parts. 11 pages. Gordon Cherry #4764761. Published by Gordon Cherry (A0.792256). Handel's Arrival of the Queen of Sheba is one of his many biblical oratorios and was first performed in 1748. Sheba, the powerful Queen and her entourage travels to the Holy Temple in Jerusalem to meet the wise King Solomon. Tradition states that after Solomon correctly answered riddled that she asked, a romance developed. From this encounter Sheba bore Solomon's child, King Menelek, the founder of the Ethiopian empire. This arrangement of about 2 minutes in length, for Brass Quintet with optional timpani is for advanced performers. The 1st B-flat Trumpet part can be performed on Piccolo Trumpet or E-flat trumpet. The work has a joyous, regal and fanfare-like feel.
$17.50
O The Lamb
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Campmeeting Tune
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Nathaniel Hontz
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O The Lamb
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TigerSong LLC
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1198359 Composed by Campmeeting Tune. Arranged by Nathaniel Hontz. Easter,Folk,Holiday,Reli...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1198359 Composed by Campmeeting Tune. Arranged by Nathaniel Hontz. Easter,Folk,Holiday,Religious,Sacred. 12 pages. TigerSong LLC #797522. Published by TigerSong LLC (A0.1198359). A haunting American campmeeting tune, suitable for Lent and Holy Week, arranged for brass quintet. Opens and ends with a melancholy french horn solo.
$12.99
Allelujah from Motet Exsultate, Jubilate K 615 - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Soprano and Brass Quintet
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Peet du Toit
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Allelujah from Motet Exsultate
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Peet du Toit
#
SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet ...
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Brass Quintet - Level 4 - SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet du Toit #956760. Published by Peet du Toit (A0.1372453). This religious solo motet was composed when Mozart was staying in Milan. During the production of his opera Lucio Silla which was being performed there in the Teatro Regio Ducale. It was written for the castrato Venanzio Rauzzini, who had sung the part of the primo uomo Cecilio in Lucio Silla the previous year. While waiting for the end of the run (from 26 December 1772 to 25 January 1773), Mozart composed the motet for his singer, whose technical excellence he admired. Its first performance took place at the Theatine Church on 17 January 1773, while Rauzzini was still singing in Mozart's opera at night. Mozart made some revisions around 1780. On 30 May 1779, a Trinity Sunday, a revised version was performed by Francesco Ceccarelli at the Holy Trinity Church, Salzburg. Another revised version was intended for Christmas. The manuscripts of the two Salzburg versions were discovered in 1978 in St. Jakob, Wasserburg am Inn. In modern times, the motet is usually sung by a female soprano.I was tempted to combine the soprano and a brass quintet. We have performed this arrangement quite successfully at many venues, including a national music festival (Wakkerstroom, South Africa, March 2023).
$25.00
Were You There? (When They Crucified My Lord)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
#
Musique Sacrée
#
Gospel Spirituel
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African-American Spiritual
#
Todd Marchand
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Were You There?
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Con Spirito Music
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SheetMusicPlus
Composed by African-American Spiritual. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. 13 pages. Published by Con Spirito Music (S0...
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Composed by African-American Spiritual. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. 13 pages. Published by Con Spirito Music (S0.181361). - - Christian,Gospel,Spiritual,Sacred,Americana - Con Spirito Music
?Were You There? is a nineteenth-century African-American spiritual that likely predates the American Civil War, and may have roots in a folk hymn known in Tennessee as ?Have You Heard How They Crucified MyLord?? It was first published in William Eleazar Barton's 1899 Old Plantation Hymns; and in 1940, it was included in the hymnal of the Episcopal Church with harmonization by C. Winfred Douglas, making it the first spiritual to be included in any major American hymnal. This arrangement evokes the call-and-response tradition of the spiritual, and features solo trumpet answered by low brass in the introduction and first stanza, solo trombone/low brass trio in the second stanza, and full ensemble in the final stanza. Although appropriate for use throughout the year, it is particularly fitting for performance on Good Friday, Holy Saturday (Easter Vigil) and Easter sunrise services. This intermediate-level arrangement is suitable for ensembles from high school to community and professional musicians. ©Copyright 2015 Todd Marchand / ConSpiritoMusic.com
$15.00
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