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Vous avez sélectionné:
I Will Go
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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Let It Go
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461587
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461587 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Will Corbin. Broadway,Children,Film/TV,Musical/Show. 22 pages. Will Corbin #1040331. Published by Will Corbin (A0.1461587). The Lopezes wrote this song for Disney's 2013 animated film, Frozen. It immediately became a worldwide hit and a favorite of little girls (some big ones, too) everywhere. There are recorded versions in at least 41 languages. It won the 2014 Oscar for Best Original Song, among many other awards.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
13.54 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Idina Menzel
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Will Corbin
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Let It Go
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Will Corbin
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SheetMusicPlus
C Jam Blues for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
11.72 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
3 1/4 Classics for Brass Quintet & Drum kit ''Jazz for 5 Brass Series''
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.746394 Composed by A.Vivaldi, J. Clarke & G.Ross…
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Level 3 - Digital Download SKU: A0.746394 Composed by A.Vivaldi, J. Clarke & G.Rossini, and Wolfgang Amadeus Mozart. Arranged by Keith Terrett. Baroque,Classical,Jazz,Romantic Period,World. 27 pages. Keith Terrett #1924949. Published by Keith Terrett (A0.746394). A fun arrangement for classical Brass Quintet of the main theme from ''Mozart 40'' (first mvt), Spring from the ''Four Seasons'' and ''Trumpet Voluntary' by J. Clarke. To conclude there is a snippet of William Tell! A great crowd pleaser, give it a go with your quintet; with this great chart to lighten your concert with. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$10.99
9.92 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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A
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Keith Terrett
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3 1/4 Classics for Brass Quintet & Drum kit ''Jazz for 5 Brass Series''
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Keith Terrett
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SheetMusicPlus
Legacy of Valor, Op. 138 (Double Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489511 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489511 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Patriotic,Pop. 38 pages. Https://gildedmusicpress.com/ #1066374. Published by https://gildedmusicpress.com/ (A0.1489511). In 2022 the United States Air Force celebrated 75 years of air and space dominance since its creation in 1947. The festivities and ceremonies surfaced throughout the nation all year. This composition was crafted as one of those celebratory creations. “Legacy of Valor” was originally composed for brass quintet and rock band, with two vocalists singing a stirring account of legacy handed down from one generation to another. The lyrics are here:In my youth, I knew a manWho loved to talk about his history;Unfolded his mystery!He made me laugh about some things,And we cried about some others,And we prayed as we talked about his fallen brothers.As I grew, I though a lotAbout that man who told me stories—His woes and his glories.Something firm about his voiceInspired my skill to make a choice,To recall our defenders’ valiant sacrifice.As I wanted to be like this man,As I pondered and dreamedOf becoming what I can,I hoped to see the day, without delay,To defend, like my friend!When I took the oath,I remembered that man!How proud he would beOf his brand new Airman!I answered the call.I’ll give it my all!I will not falter! I will not fail!I’m a guardian of the tradition of honor!Fly, fight, and win!When I hold my little boy,And think of freedoms he’ll enjoy,I ponder his destiny.Yes, it’s hard when I deploy!But distance cannot destroyWhat I love; what I fight so very hard to save!Generations come and go.I wish they all could knowHow it feels to serve America.The piece was difficult for the singers, but they practiced hard, and the USAF Heartland of America Band premiered it during an Independence Day concert tour in June and July 2022, including the grand patriotic concert at Mount Rushmore.A casual comment from one of the singers lingered: “You write for singers like they’re horns!” It is true that most of my compositional experience is with brass instruments. This double brass quintet instrumental rendition of “Legacy of Valor” is indeed a much more musically gratifying composition. It is the way it was supposed to be all along!Released in 2023 for the 76th birthday of the Air Force, this work and its message are appropriate for any patriotic event, including joint performances between any two brass quintets, civilian or military, American or global. Many stirring meanings can be communicated and celebrated through “Legacy of Valor”!
$29.95
27.03 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Legacy of Valor, Op. 138
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https://gildedmusicpress.com/
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SheetMusicPlus
A Child’s Garden of Jazz for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Hen…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50
24.82 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Wolking, Henryenry
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A Child’s Garden of Jazz for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Iko Iko
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461185
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461185 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and Rosa Lee Hawkins. Arranged by Will Corbin. Jazz,Pop. 24 pages. Will Corbin #1040044. Published by Will Corbin (A0.1461185). This song has roots in a Mardi Gras chant that ostensibly came from some unspecified Native American language. James Sugar Boy Crawford turned it into a song, and his band, Sugar Boy and his Cane Cutters (southern Louisiana had a lot of that) recorded it in 1953 as Jock-a-Mo, which may mean kiss my ass or a defiant response to that effect. It was recorded again, as kind of a whim, in 1964 by the girl trio The Dixie Cups, who made it a hit. It has since been endlessly covered by everyone from Cyndi Lauper to The Grateful Dead.This arrangement is essentially solo variations on the main melody backed by horn rhythms. If you want to make it go on endlessly, it's a simple three-chord tune (actually, mostly two chords) that lends itself to simple improv. It's arranged for two trumpets, horn, trombone and tuba.If you require alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
13.54 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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The Dixie Cups
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Will Corbin
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Iko Iko
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Will Corbin
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SheetMusicPlus
Lorena: A Brass Quintet Setting
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Compose…
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.31 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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F
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Lorena: A Brass Quintet Setting
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Sweetwater Brass Press
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SheetMusicPlus
An American Folk Hymn Medley ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by American folk hymns. Arranged by Todd Marchand. Christian, Gospel, Sacred, Fol…
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Composed by American folk hymns. Arranged by Todd Marchand. Christian, Gospel, Sacred, Folk, Americana. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.180677). - Score,Set of Parts - Christian,Gospel,Sacred,Folk,Americana - Con Spirito Music
?An American Folk Hymn Medley? brings together three 19th-century shape-note tunes in a contemporary setting for brass quintet. HOLY MANNA is popularly known as ?Brethren We Have Met to Worship? from its association with a text by Methodist clergyman George Atkins (1793-1827). It was first published in Columbian Harmony, a shape-note tune book, in 1829, and is attributed to William Moore, the publisher. RESTORATION, first published in William Walker?s 1835 shape-note hymnal, Southern Harmony, was later renamed ARISE from its association with a text by Joseph Hart (1712-1768) in which the chorus begins ?I will arise and go to Jesus?.? PLEADING SAVIOR, published in Joshua Leavitt?s 1830 compilation The Christian Lyre, is today best-known in many churches as the accompaniment to the text ?Sing of Mary, Pure and Lowly.? In this arrangement, the similar tunes HOLY MANNA and PLEADING SAVIOR, both in major tonality and 8.7.8.7 poetic meter, frame the contrasting minor tonality tune, RESTORATION. Contrasting instrument textures, keys, and tempi, and a mix of both traditional and contemporary harmonies breathe a fresh spirit into these venerable tunes.
$15.00
13.54 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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American folk hymns
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Todd Marchand
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An American Folk Hymn Medley ? brass quintet
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Con Spirito Music
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