An arrangement of the national anthem of Germany ( "Deutschlandlied"), arranged for classical brass quintet.The "Deutschlandlied" (English: "Song of Germany", German pronunciation: [?d??t?lant?li?t]; also known as "Das Lied der Deutschen" or "The Song of the Germans"), or part of it, has been the national anthem of Germany since 1922, except in East Germany, whose anthem was "Auferstanden aus Ruinen" ("Risen from Ruins") from 1949 to 1990.Since World War II and the fall of Nazi Germany, only the third stanza has been used as the national anthem. The stanza's beginning, "Einigkeit und Recht und Freiheit" ("Unity and Justice and Freedom") is considered the unofficial national motto of Germany,[1] and is inscribed on modern German Army belt buckles and the rims of some German coins.The music was written by Austrian composer Joseph Haydn in 1797 as an anthem for the birthday of Francis II, Emperor of the Holy Roman Empire and later of Austria. In 1841, the German linguist and poet August Heinrich Hoffmann von Fallersleben wrote the lyrics of "Das Lied der Deutschen" to Haydn's melody, lyrics that were considered revolutionary at the time.The song is also well known by the beginning and refrain of the first stanza, "Deutschland, Deutschland �ber alles" ("Germany, Germany above all"), but this has never been its title. The line "Germany, Germany above all" meant that the most important goal of 19th-century German liberal revolutionaries should be a unified Germany which would overcome the perceived anti-liberal ethos of then-fragmented Germany (Kleinstaaterei). Along with the flag of Germany, it was one of the symbols of the March Revolution of 1848.In order to endorse its republican and liberal tradition, the song was chosen as the national anthem of Germany in 1922, during the Weimar Republic. West Germany adopted the "Deutschlandlied" as its official national anthem in 1952 for similar reasons, with only the third stanza sung on official occasions. Upon German reunification in 1990, only the third stanza was confirmed as the national anthem.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Although ?America? (aka ?My Country, ?Tis of Thee?) has been a beloved anthem in the US for nearly two centuries, its origin is not American at all, and it is not unique to America as a patriotic song. Sometimes attributed to British writer/musician Henry Carey (c. 1685-1743), the tune likely dates to the 17th century or earlier and has also been attributed to the English composer John Bull, the French composer Jean-Baptiste Lully, and even a Swiss military melody. It was published in England in the 1744 tune book, Thesaurus Musicus, and it gained immediate and lasting popularity when, with the words ?God Save the King,? it was performed in September 1745 at London's Drury Lane and Covent Garden theaters in support of King George II. Eventually, the tune became the national anthem not only of Britain, but of several other nations, including Denmark, Prussia, and Liechtenstein. After the American colonies became independent from England, a variety of new patriotic texts were written to be sung to the tune. In 1831, Samuel F. Smith, a student at Massachusetts? Andover Theological Seminary, wrote the lyrics today known as ?My Country, ?Tis of Thee.? Smith's words and the traditional tune were one of several unofficial national anthems of the United States during the 19th and early 20th centuries. This attractively harmonized, contemporary setting of a long-lived traditional tune will be a favorite of both performers and listeners at patriotic observances. �Copyright 2015, revised 2020 Todd Marchand / www.ConSpiritoMusic.com

The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions.
This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns.
Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.

That most sensual of ballroom dances, the tango, originated during the 1880s along the R�o de la Plata, the confluence of the Uruguay and Paran� rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries.
The tango is closely identified with Argentina, and Argentine musician �.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was ?El Choclo? (in English: ?The Corn Cob?!).
?El Choclo? premiered in Buenos Aires in 1903 and became one of Argentina?s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: ?Kiss of Fire.? A number of singers made recordings of ?Kiss of Fire? that year, the most popular of which was that of Georgia Gibbs; her ?Kiss of Fire? disc reached the top spot on the Billboard chart.
The melody for ?El Choclo? is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.
Completed in 2020, performance time for ?El Choclo? runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.