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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James Scott
Non classifié
136
Piano & claviers
Piano seul
100
Piano Facile
17
Piano, Voix et Guitare
15
Piano, Voix
11
Orgue
5
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
2
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
Piano (partie séparée)
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
36
Guitare
15
Ligne De Mélodie, (Paroles) et Accords
3
Guitare (partie séparée)
2
Mandoline
1
Paroles et Accords
1
Basse electrique
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
28
Chorale TTBB
12
Chorale 3 parties
12
Voix seule
11
Chorale SSAA
6
Chorale 2 parties
4
Chorale SSAB, Piano
1
Chorale
1
Chorale SSATB
1
Voix duo
1
Voix duo, Piano
1
Chorale SSAB a cappella
1
+ 7 instrumentations
Retracter
Vents
Flûte traversière et Piano
21
Clarinette
17
Ensemble de Clarinettes
12
Saxophone Baryton, Piano
10
Quatuor de Saxophones: 4 saxophones
10
Hautbois, Piano (duo)
10
Flûte traversière
9
Saxophone Tenor et Piano
9
Saxophone Alto
8
Saxophone Tenor
8
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Soprano et Piano
8
Quatuor de Clarinettes: 4 clarinettes
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Clarinette Basse, Piano
7
Clarinette et Piano
7
Saxophone (partie séparée)
6
Piccolo, Piano
6
Saxophone Soprano
6
Saxophone Alto et Piano
6
Flûte à bec Tenor
6
Flûte à bec Soprano, Piano
4
Quatuor de Flûtes : 4 flûtes
4
Cor anglais, Piano
3
Flûte à bec Alto, Piano
3
Flûte à Bec
2
Flûte à Bec, Piano
2
Quintette de Saxophone: 5 saxophones
2
2 Clarinettes (duo)
1
2 Saxophones (duo)
1
Saxophone et Guitare
1
2 Flûte à bec (duo)
1
Flute (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes à bec
1
+ 30 instrumentations
Retracter
Cuivres
Trombone et Piano
15
Trompette
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trombone
7
Euphonium, Piano (duo)
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone basse et Piano
5
Trombone (partie séparée)
5
Trompette, Piano
5
Tuba et Piano
4
Cor et Piano
4
Trompette (partie séparée)
3
Cor anglais, Piano
3
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
4 Tubas
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon et Piano
19
2 Violons (duo)
18
Violoncelle, Piano
11
2 Altos (duo)
9
Violon
8
Contrebasse, Piano (duo)
7
Alto, Piano
6
Harpe
5
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Trio à Cordes: 2 violons, violoncelle
4
Alto seul
4
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Alto (duo)
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
17
Fanfare
13
Orchestre à Cordes
11
Ensemble de cuivres
9
Ensemble Jazz
7
Orchestre
3
Batterie (partie séparée)
1
Batterie
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
James Scott
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
7 partitions trouvées
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1
Brother James' Air — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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J
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Todd Marchand
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Brother James' Air — bra
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1261270 Composed by J.L. Macbeth Bain. Arranged by Todd Marchand. 19th Century,Christian,Fo...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1261270 Composed by J.L. Macbeth Bain. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred,Traditional. 16 pages. Con Spirito Music #854340. Published by Con Spirito Music (A0.1261270). Brother James' Air was composed by James Leith Macbeth Bain (1860-1925), a Scottish-born poet, author, mystic, and healer whose ministry took him to Liverpool and London, where he became known simply as Brother James. The tune is often sung to the metrical paraphrase of Psalm 23, The Lord's My Shepherd, by the Puritan religious author and English politician Francis Rous (c. 1581-1659), published in his The Psalms of David set forth in English meeter (1643). The angular, highly arpeggiated tune in bar form (AAB) is both stark and lovely, rising and falling before ascending to a high tonic cadence in its final phrase. Its harmonic simplicity — consisting primarily of I, IV, and V chords — lends itself to alternate harmonizations with substitute chords. Following a short introduction, this arrangement presents the tune four times: first, alternating between the two trumpets; second, by trio of horn, trombone, and tuba; third, in minor tonality (reflecting the psalm's verse 4 and the text's paraphrase, Yea, though I walk thro' death’s dark vale); and fourth, with powerful extended harmonies and surprise cadences resolving to a quiet, peaceful conclusion.  ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$15.00
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
He Ain't Heavy, He's My Brother
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Rock
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Neil Diamond
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Peet du Toit
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he's my brother
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He Ain't Heavy, He's My Brothe
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1404796 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Peet du Toit. Rock. 14...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1404796 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Peet du Toit. Rock. 14 pages. Peet du Toit #987859. Published by Peet du Toit (A0.1404796). James Wells, Moderator of the United Free Church of Scotland, tells the story of a little girl carrying a big baby boy in his 1884 book The Parables of Jesus. Seeing her struggling, someone asked if she wasn't tired. With surprise she replied: No, he's not heavy; he's my brother.He Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for the Hollies later that year and also a hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years. The Hollies' version was re-released in 1988 and again was a major hit in the UK.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.Not sure how many brass quintet versions of this music is available, but here's my representation of it. Enjoy!
$21.00
Bugle Call Rag for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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the age of 15 was playing pian
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Eubie Blake, Carey Morgan
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Jari A
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Bugle Call Rag for Brass Quint
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JV MUSIC
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SheetMusicPlus
Brass Ensemble - SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Sco...
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Brass Ensemble - SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Score and parts. 24 pages. JV MUSIC #3366195. Published by JV MUSIC (A0.722732). Bugle Call Rag Composed by Carey Morgan and Eubie Blake Arranged by Jari VillanuevaScore2 Trumpets in BbHorn in FTromboneTubaOptional Drum Set Eb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for TromboneJames Hubert Eubie Blake (1887-1983) Blake was born in Baltimore to former slaves, and the only child of 11 that would survive to adulthood. The young Eubie taught himself the organ after his parents put a $75 organ in their home for 25 cents per week (which would take them almost 6 years to pay off). By the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house. Blake was already an exceptional pianist by the early 1900's, and he had to simplify his music drastically to get it published. Blake was among the pioneers of ragtime, however he was often too far ahead of his time. He released two rags (Charleston Rag and his Baltimore Buzz) in the same year which Scott Joplin released his Maple Leaf Rag. Unfortunately for Blake, the competition was too strong. Part of the reason for Blake's Charleston Rag and his Baltimore Buzz not making the big time may have been due to Blake the progressive nature of his sound. People found it hard to digest his music, especially the publishers. Bugle Call Rag was composed in 1916 with Carey Morgan. It was one of many patriotic selections written by composers during the World War I era. This delightful piece uses bugle calls and quotes There’ll Be A Hot Time In The Old Town Tonight.A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest. https://www.youtube.com/watch?v=nMUSMQhI-lE
$14.99
Highland Cathedral
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Various
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Caleb James
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Highland Cathedral
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Caleb James
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1308854 By Various. By Michael Korb and Ulrich Roever. Arranged by Caleb James. 20th Centur...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1308854 By Various. By Michael Korb and Ulrich Roever. Arranged by Caleb James. 20th Century,Folk,Historic,Multicultural,Traditional,World. 12 pages. Caleb James #898106. Published by Caleb James (A0.1308854). Elevate your high school brass quintet's repertoire with our stunning arrangement of Highland Cathedral. This timeless and evocative composition, originally written by Michael Korb and Uli Roever, has been expertly transcribed for brass quintet, creating a captivating musical experience that will leave a lasting impression on both your performers and your audience.Highland Cathedral is a piece that beautifully combines the grandeur of a cathedral with the majestic, sweeping landscapes of the Scottish Highlands. Our arrangement for brass quintet retains the piece's soul-stirring melodies and captures the essence of this timeless classic while tailoring it to suit the instrumentation and skill level of high school ensembles.
$14.99
Ye Banks & Braes (Trad. Arr.)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Richard John
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Peet du Toit
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Ye Banks & Braes
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Peet du Toit
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1495808 Composed by Richard John (Gb1) Thompson. Arranged by Peet du Toit. Traditional...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1495808 Composed by Richard John (Gb1) Thompson. Arranged by Peet du Toit. Traditional. 7 pages. Peet du Toit #1072337. Published by Peet du Toit (A0.1495808). BANKS AND BRAES (O' BONNY DOON). AKA and see “Bonnie Doon,” Lost is My Quiet, Caledonian Hunt's Delight (The), Ye Banks and Braes. Scottish, Air and Waltz (6/8 or 3/4 time). The antiquarian William Chappell claims the tune is English on the strength of its being included in a Collection of English Songs by Dale (who published about 1780-1794) under the title Lost is my quiet. However, the collector John Glen (1891) relates a delightful story of the tune's origins involving the famous Scots poet, Robert Burns (1759-1796), who wrote to publisher George Thomson in 1794:Do you known the history of the air? It is curious enough. A good many years ago, Mr. James Miller, writer in your good own (Edinburgh), a gentleman whom, possibly, you know, was in company with our good friend Clarke; and taling of Scottish music, Miller expressed an ardent ambition to be able to compose a Scots air. Mr. Clarke, partly by way of a joke, told him to keep to the black keys of the harpsichord, and preserve some kind of rhythm, and he would infallibly compose a Scots air. Certain it is, that, in a few days, Mr. Miller produced the rudiments of an air which Mr. Clarke, with some touches and corrections, fashioned into the tune in question. Ritson, you know, has the same story of the black keys; but this account which I have just given you, Mr. Clarke informed me of several years ago.Miller's tune was first published under the title Caledonian Hunt's Delight (The) in Gow's 2nd Collection (1788), but Glen concludes that it is more likely that Lost is my quiet is a poor adaptation and nothing else. He also notes there is a tune having a supposed resemblance in Playford's Appollo's Banquet (1690) entitled Scotch Tune (A) (No. 68), but in the end he believes that neither Chappell's arguments nor facts are strong enough to deprive Mr. Miller of his claim. The Caledonian Hunt's Delight appears also in George Thomson's A Select Collection of Original Scottish Airs for the Voice (Edinburgh, 1793-1797), arranged by Kozeluch. A rondo on the air was composed by Domenico Corri (1746-1825) under the title Favourite Irish Air (which, of course, it is not).
$13.00
For Your Eyes Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Film/TV
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Bill Conti/Michael Leeson
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Warren J
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For Your Eyes Only
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WW Music Enterprises
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SheetMusicPlus
Brass Quintet - Intermediate - By Bill Conti/Michael Leeson. Arranged by Warren J. Wernick. Score, Set of Parts. 9 pages. Published by WW Music Ente...
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Brass Quintet - Intermediate - By Bill Conti/Michael Leeson. Arranged by Warren J. Wernick. Score, Set of Parts. 9 pages. Published by WW Music Enterprises
"For Your Eyes Only" is the theme tune to the 12th James Bond movie, For Your Eyes Only, written by Bill Conti and Mick Leeson, and performed by Scottish singer Sheena Easton. The song reached number four on the US Billboard Hot 100, and number eight on the UK Singles Chart. It was nominated for Best Original Song at the Academy Awards in 1982. This arrangement, one of the finest I have ever done, was described by one listener as "haunting and beautiful".
$12.99
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