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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lon W
Non classifié
186
Piano & claviers
Piano seul
162
Piano, Voix
94
Piano Facile
80
Piano Trio: piano, violon, violoncelle
51
Piano, Voix et Guitare
34
Orgue
31
Accompagnement Piano
21
Piano Quatuor: piano, 2 violons, violoncelle
13
Instruments en Do
9
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Clavier
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
18
Ukulele
8
Guitare
7
Mandoline
3
Basse electrique
2
Voix
Chorale SATB
229
Chorale TTBB
23
Chorale 3 parties
23
Chorale Unison
18
Chorale 2 parties
17
Voix haute
5
Voix duo, Piano
5
Chorale SSAA
2
Voix Baryton, Piano
2
Voix moyenne, Piano
1
Voix seule
1
Chorale SSAATB
1
Voix duo
1
Chorale SSAATTBB
1
Voix Tenor, Piano
1
+ 10 instrumentations
Retracter
Vents
Flûte, Violon
22
Flûte traversière et Piano
22
Saxophone Alto
19
Clarinette et Piano
17
Hautbois, violon (duo)
15
Clarinette, Violon (duo)
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone (partie séparée)
13
Saxophone Alto et Piano
12
Saxophone Tenor
12
Hautbois, Piano (duo)
12
Flûte, Violon, Piano
11
Saxophone, Violon (duo)
10
Saxophone Tenor et Piano
10
Clarinette
9
Hautbois (partie séparée)
8
Quatuor de Clarinettes: 4 clarinettes
8
Quatuor de Saxophones: 4 saxophones
8
Flûte traversière
7
Ocarina
5
Cor Anglais
5
Flute (partie séparée)
5
2 Saxophones (duo)
5
Saxophone Baryton, Piano
4
2 Clarinettes (duo)
4
Harmonica
4
Saxophone Soprano et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
2 Flûtes traversières (duo)
4
Flûte, Violon et Violoncelle
3
Flûte à bec Soprano
3
2 Flûte à bec (duo)
3
Flûte à bec Alto
3
Flûte, Clarinette (duo)
3
Clarinette (partie séparée)
3
Saxophone Soprano
2
Quatuor de Flûtes : 4 flûtes
2
Ensemble de Flûtes
2
Quatuor de Flûtes à bec
2
Flûte, Violon, Violoncelle et Piano
2
Cor anglais, Piano
2
3 Saxophones (trio)
1
Flûte traversière, Basse continue
1
Flûte, Clarinette et Basson
1
Flûte et Trio à cordes
1
Flûte à Bec
1
2 Hautbois (duo)
1
Flûte et Guitare
1
Ensemble de Clarinettes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte irlandaise
1
+ 46 instrumentations
Retracter
Cuivres
Trompette
23
Trompette, Piano
13
Cor et Piano
13
Trombone et Piano
13
Trompette, violon (duo)
10
Tuba
8
Cor
8
Trombone
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor Anglais
5
Trombone (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba et Piano
5
Trombone, Violon (duo)
3
Euphonium, Piano (duo)
3
2 Cors (duo)
2
Tuba (partie séparée)
2
2 Trombones (duo)
2
Trompette, Trombone (duo)
2
2 Trompettes (duo)
2
Cor anglais, Piano
2
Trompette (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Euphonium
1
Quatuor de Cuivres
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Trombone basse et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor (partie séparée)
1
4 Tubas
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
462
Violon et Piano
247
Violon (partie séparée)
131
Violon
111
Trio à Cordes: violon, alto, violoncelle
90
2 Violons (duo)
70
Violon, Violoncelle (duo)
51
Trio à Cordes: 2 violons, violoncelle
30
Violon, Alto (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Piano Trio: Violon, Alto, Piano
19
Alto, Piano
18
Trio à Cordes: 2 violons, alto
18
Violoncelle, Piano
15
Violoncelle
13
Violon, Basson (duo)
7
Alto seul
5
Violon, Guitare (duo)
5
2 Altos (duo)
5
Contre Basse
4
Harpe, Violon (duo)
4
2 Violoncelles (duo)
4
Harpe
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Violoncelle (duo)
2
2 Violons, Piano
2
Alto (partie séparée)
2
Alto et Harpe
1
Violon, Tuba (duo)
1
Contrebasse, Piano (duo)
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
36
Cloches
26
Orchestre à Cordes
14
Orchestre
9
Batterie
8
Ensemble de cuivres
7
Fanfare
4
Ensemble Jazz
3
Percussion (partie séparée)
2
Orchestre de chambre
2
Timbales (partie séparée)
1
Percussion
1
Jazz combo
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
Lon W
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
6 partitions trouvées
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Hail To The Spirit of Freedom for Brass Quintet By W. C. Handy
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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W
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W
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Jari A
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Hail To The Spirit of Freedom
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722809 Composed by W.C. Handy. Arranged by Jari A. Villanueva. 20th Century,Folk...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722809 Composed by W.C. Handy. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic. Score and parts. 28 pages. JV MUSIC #6087241. Published by JV MUSIC (A0.722809). Hail To The Spirit of Freedom for Brass Quintet By W. C. Handyarranged by Jari Villanueva2 Trumpets, Horn in F, Trombone, Tuba, (opt. Drums)Optional parts for Alto Horn and TC BaritoneWilliam Christopher Handy (November 16, 1873 – March 28, 1958) was a composer and musician who was known as the Father of the Blues. Handy was one of the most influential songwriters in the United States.Handy was an educated musician who used elements of folk music in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from various performers.W.C. Handy wrote numerous compositions including St Louis Blues, Memphis Blues, Yellow Dog Blues, along with this march Hail to the Spirit of Freedom written in 1915. This march was written for the Lincoln Jubilee commemorating the 50th anniversary of the Emancipation held in Chicago. There are quotes Tramp, Tramp, Tramp, Columbia, Gem of the Ocean, Hail Columbia, My Old Kentucky Home, Old Black Joe, Hot Time in the Old Town, Dixie. Yankee Doodle, and the bugle call Reveille.
$18.00
Jelly Roll Blues (The)- for Brass Quintet w/opt. Percussion
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jelly Roll Morton
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John Hoesly
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Jelly Roll Blues
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PRS&B
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1115380 By Jelly Roll Morton. By Jelly Roll Morton. Arranged by John Hoesly. 20th Century,Chamber,Histori...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1115380 By Jelly Roll Morton. By Jelly Roll Morton. Arranged by John Hoesly. 20th Century,Chamber,Historic,Jazz,Ragtime. 24 pages. PRS&B #717178. Published by PRS&B (A0.1115380). JELLY ROLL BLUES- for Brass Quintet w/opt. Percussion. Written by Ferdinand Morton in 1915. Jelly Roll Morton first recorded this tune in 1924 as a piano solo and again in 1926 with The Red Hot Peppers. The rhythmic content varies greatly between the two versions as this was a time when Ragtime was becoming Swing. In this arrangement for Brass, the main groove is swing along with a section of what Morten called “the Spanish Tingeâ€, in this case, a tango. Intermediate level.
$25.00
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
The Sidewalks of New York
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Contemporain
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Charles B
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Bill Wilson
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The Sidewalks of New York
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775217 Composed by Charles B. Lawlor, James W. Blake. Arranged by Bill Wilson. 20th Century. 14 pages. Alexander Wilso...
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Brass Quintet - Level 2 - SKU: A0.775217 Composed by Charles B. Lawlor, James W. Blake. Arranged by Bill Wilson. 20th Century. 14 pages. Alexander Wilson #3878537. Published by Alexander Wilson (A0.775217). The Sidewalks of New York was written as a popular song in 1894 by vaudeville singer Charles B. Lawlor and James W. Blake. The song has since been covered in a variety of styles and settings. Our version presents this classic in almost its original form, as a traditional waltz. Your audience will picture romantic couples, long bustled dresses, and spinning parasols as they hear this piece. The melody is generously spread between the top four parts. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:10. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
AN AUSTRALIAN MEDLEY - BRASS QUINTET
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Traditional
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BRIAN W
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AN AUSTRALIAN MEDLEY - BRASS Q
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EMK Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1490412 Composed by Traditional. Arranged by BRIAN W. COPPING. Contest,Festival,Folk,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1490412 Composed by Traditional. Arranged by BRIAN W. COPPING. Contest,Festival,Folk,Historic,Traditional. 33 pages. EMK Music #1067254. Published by EMK Music (A0.1490412). Scored for 2 Trumpets (Bb Cornet/Flugel Horn), Horn in F, Trombone/Euphonium and Bass. There are Alternative Parts for Eb and Bb Horn, and, Bb Trombone, Bb Euphonium, and Eb and Bb Basses all in Treble and Bass Clefs.This Medley brings together two well-known Australian tunes with the Queensland version of Waltzing Matilda which, in spite of a catchy melody written by Marie MacPherson, is less well known than the version written by Banjo Patterson and Marie Cowan. Botany Bay was originally heard, under a different name, in both Melbourne and London in the Nineteenth Century as part of a Burlesque Musical, and Click Goes the Shears reflects the importance of the wool industry in Australia. The contrasting time signatures and tempos are, in some way, symbolic of the enormous variety found in this vast continent.
$14.00
Bach: Wachet auf for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #355693...
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Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
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