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N Mann
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13
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70
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1
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1
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1
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1
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1
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125
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24
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12
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7
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6
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3
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3
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1
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1
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1
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N Mann
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Pony Express Trail (for Brass Quintet & Woodblocks)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Dr
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Pony Express Trail
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158390 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 34 pages...
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Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158390 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 34 pages. Https://gildedmusicpress.com/ #758671. Published by https://gildedmusicpress.com/ (A0.1158390). “Pony Express Trail†is the fourth substantial composition in a masterful series of “American Trails†for brass quintet. This piece commemorates the 160th year of the astounding system of stations and riders that was ingeniously devised to quickly deliver mail and other communications from America’s Missouri River frontier to the rapidly growing western territories. The music in this 4½-minute work is rambunctious, rhythmically unpredictable, and yet extremely exciting and listenable to the average audience member. The use of three woodblocks as the only percussion allude strongly to the clopping whirl of horses’ hooves, though not in a rhythmically mimicking manner. The opening motifs immediately develop into a manic ride across the Wild West, and lay the groundwork for all melodic content. These simple motifs smack of cowboy music, subtly borrowed from the movie theme to “Magnificent Seven†composed by Elmer Bernstein. Other influences for this piece include Aaron Copland’s harmonies and wide intervals, and the virtuosic brass band cornet writing of Gustav Holst and Malcolm Arnold. In the style of an operatic three-part overture, the middle slow section memorializes the tragic loss of 16 lives during the Paiute war in the summer of 1860. Being a rider or a station attendant for the Pony Express was perilous on any leg of the trail, but especially during that time in the Nevada Territory. In a very real way, all these men were iconic heroes of the American West.
$29.95
Building a Hypercube (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
#
Dr
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Building a Hypercube
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https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages...
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Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages. Https://gildedmusicpress.com/ #758471. Published by https://gildedmusicpress.com/ (A0.1158195). A hypercube is a theoretical cuboid-like fourth-dimensional object. In an attempt to explain spatial dimentions, I created an 18-minute video presentation titled “Dimensions Unfurled†exposing some initial fallacies of common thought, which can be seen on YouTube. All of the music for the above-mentioned video is original. There are two trumpet duets in the section that depicts a hypercube net folding into a hypercube model, starting at 13’20†and 14’51, respectively. Both duets are published in a collection titled “Fifteen-Course Dinner for Two†(available through Gilded Music Press). The two duets share thematic material, and are combined and greatly expanded for this present major six-minute work for brass quintet, “Building a Hypercubeâ€. The first short duet, “Drawing a Hypercube Netâ€, is presented as the quintet’s introduction, quite faithfully to the original, shared through five parts with harmonic expansion. The material from the second duet is essentially unadulterated starting at measure 27, spanning through measure 70 (up to letter D). From there, the development of thematic material is extensive and interesting, morphing into Escher-types of additional themes and melodies, many of which overlap and intertwine in a fascinatingly complex manner. This unsettling compositional style is indicative of years of profound pondering to fathom the mysterious matter of the fourth spatial dimension. Musically the piece is motivically and thematically unified. All the parts share in the rhythmic complexity fitting for the ponderous topic. The form is roughly sonata form with an introduction and coda, though the recapitulation (Del Segno) occurs in its original key. The majority of the piece (about three minutes, almost exactly half) is the symbolically explorative development section, from D to O. A point of interest: in spite of the piece’s high harmonic rhythm, the introduction is diatonically modal (G Mixolydian). The exposition, after a brief building transition, shifts to the relative D Dorian mode. The lengthy development section shifts tonal centers throughout, visiting various major and minor keys. Beginning at letter O, modality returns for a smooth transition into the recapitulation. The piece ends with an exhilarating coda.
$29.95
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