English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
15
Librairie
Musicale
0
Matériel
de Musique
582
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
265
PIANO & CLAVIERS
Piano seul
225
Piano, Voix
92
Piano, Voix et Guitare
61
Piano Facile
22
Orgue
17
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
5
Accompagnement Piano
2
2 Pianos, 4 mains
2
Accordéon
1
Instrumentations suivantes
Retracter
GUITARES
Basse electrique
12
Guitare
7
Guitare notes et tablatures
4
2 Guitares (duo)
2
Mandoline
2
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
117
Chorale 3 parties
20
Chorale 2 parties
14
Chorale TTBB
11
Chorale Unison
11
Chorale SSAA
4
Voix haute
2
Chorale SSATB
2
Voix basse, Piano
2
Voix Mezzo-Soprano, Piano
1
Voix Alto, Piano
1
Voix seule
1
Voix Soprano, Piano
1
Voix moyenne, Piano
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone Alto et Piano
22
Hautbois, Piano (duo)
19
Clarinette et Piano
19
Flûte, Hautbois, Clarinette, Basson
19
Clarinette
15
Saxophone Tenor et Piano
13
Ensemble de saxophones
12
Quintette de Saxophone: 5 saxophones
11
Hautbois (partie séparée)
10
2 Saxophones (duo)
10
Saxophone Alto
9
Flûte traversière
9
Saxophone Baryton, Piano
8
Clarinette (partie séparée)
7
Saxophone Soprano et Piano
7
Clarinette Basse, Piano
6
3 Clarinettes (trio)
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Flûtes traversières (duo)
6
Saxophone (partie séparée)
4
2 Clarinettes (duo)
4
3 Saxophones (trio)
4
Cor anglais, Piano
4
2 Hautbois (duo)
3
Ensemble de Clarinettes
3
Flûte, Clarinette et Basson
3
Flûte, Hautbois, Basson
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de Flûtes
2
Saxophone Tenor
2
Quatuor de Flûtes : 4 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Harmonica
1
Saxophone Soprano
1
Flûte, Hautbois (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Hautbois
1
Hautbois, Harpe
1
Hautbois
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Cor Anglais
1
Flute (partie séparée)
1
Clarinette, Harpe (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trombone et Piano
15
Trompette, Piano
13
Quatuor de Cuivres
12
Euphonium, Piano (duo)
12
Cor et Piano
12
Tuba et Piano
11
Trompette
10
Trombone
9
Tuba
8
Cor
8
Trombone (partie séparée)
4
Cor anglais, Piano
4
Trompette (partie séparée)
3
Tuba (partie séparée)
2
Euphonium
2
Cor (partie séparée)
2
Ensemble de Trombones
2
Trombone basse
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
Cor Anglais
1
Ensemble de Trompettes
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
27
Alto, Piano
21
Violoncelle, Piano
18
Violon
14
Violoncelle
10
Contrebasse, Piano (duo)
9
Contre Basse
9
Harpe
8
Violon, Violoncelle (duo)
7
Alto seul
6
2 Violoncelles (duo)
5
Alto (partie séparée)
5
Violon (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Alto (duo)
4
2 Violons (duo)
4
2 Altos (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: 2 violons, alto
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
1
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
81
Orchestre
39
Jazz combo
28
Orchestre à Cordes
14
Ensemble de cuivres
10
Ensemble Jazz
7
Percussion (partie séparée)
5
Cloches
4
Xylophone, Piano
4
Orchestre de chambre
3
Vibraphone
2
Ensemble de Percussions
2
Fanfare
2
Batterie
2
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
New Again
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
15 partitions trouvées
<
1
Against the Current
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1270625
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1270625 Composed by Blue Apollo Music. 20th Century,21st Century,Chamber,Classical,New Age. 28 pages. George Henry Williams III #862998. Published by George Henry Williams III (A0.1270625). The song begins with a steady rhythm, mimicking the waves of the ocean. The melody flows with the waves, mimicking the sway of the ship. The Brass Quintet creates a powerful and dramatic sound that matches the intensity of the situation. The climax of the song is marked by a triumphant horn and trumpet, signifying the ship's eventual victory over the current. Overall, the instrumental piece is a beautiful and emotional tribute to the perseverance of sailors facing difficult challenges on the open sea.
$10.99
10.01 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Blue Apollo Music
#
Against the Current
#
George Henry Williams III
#
SheetMusicPlus
Here Comes The Sun
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1363718
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1363718 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. 13 pages. Alex Rodrigues #948115. Published by Alex Rodrigues (A0.1363718). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
$12.99
11.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
The Beatles
#
Alex Nunes Rodrigues
#
Here Comes The Sun
#
Alex Rodrigues
#
SheetMusicPlus
Here Comes The Sun
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1363720
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1363720 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. 15 pages. Alex Rodrigues #948117. Published by Alex Rodrigues (A0.1363720). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
$12.99
11.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
The Beatles
#
Alex Nunes Rodrigues
#
Here Comes The Sun
#
Alex Rodrigues
#
SheetMusicPlus
Here Comes The Sun
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1363721
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1363721 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. 13 pages. Alex Rodrigues #948118. Published by Alex Rodrigues (A0.1363721). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
$12.99
11.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
The Beatles
#
Alex Nunes Rodrigues
#
Here Comes The Sun
#
Alex Rodrigues
#
SheetMusicPlus
Here Comes The Sun
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1363719
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1363719 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. 15 pages. Alex Rodrigues #948116. Published by Alex Rodrigues (A0.1363719). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
$12.99
11.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
The Beatles
#
Alex Nunes Rodrigues
#
Here Comes The Sun
#
Alex Rodrigues
#
SheetMusicPlus
''Risen from Ruins'' - "Auferstanden aus Ruinen"
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eis…
(+)
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #758783. Published by Keith Terrett (A0.1158495). The former East German National Anthem arranged for Brass Quintet. In 1949, the Soviet occupation zone of Allied-occupied Germany became a socialist state under the name of the German Democratic Republic (GDR). For the nascent state's national anthem, the poet Johannes Becher, who later became the East German Minister of Culture, wrote the lyrics. Two musicians, Ottmar Gerster and Hanns Eisler, proposed music to Becher's lyrics, and Eisler's version was selected. History Written in 1949, the East German national anthem reflects the early stages of German separation, in which continuing progress towards reunification of the occupation zones was seen by most Germans as appropriate and natural. Consequently, Becher's lyrics develop several connotations of unity and combine them with fatherland (einig Vaterland), meaning Germany as a whole. However, this concept soon would not conform to an increasingly icy Cold War context, especially after the Berlin Wall had been erected in 1961 by the East German government.[1] In September 1973, East and West Germany were admitted to the United Nations simultaneously, following talks between the two governments that conferred a degree of mutual recognition. The term Germany was later removed from the East German constitution, and only the national anthem's tune was played on official occasions. No new lyrics were ever written to replace Becher's, which continued to be used unofficially, especially after die Wende in late 1989: once it became clear that the countries were actually moving towards reunification, East German television Deutscher Fernsehfunk reinstated the work and signed off every night with a joyous symphonic rendition of the vocal arrangement, with accompanying picturesque footage of East Germany's main tourist attractions. Auferstanden aus Ruinen ceased to be a national anthem when the German Democratic Republic dissolved and its states joined the Federal Republic of Germany as a result of German reunification in 1990. Deutschlandlied, composed in 1841, became the national anthem of a united Germany again. East German Premier Lothar de Maizière had proposed that Becher's lyrics be added to the united German national anthem, but this was rejected by his West German counterpart, chancellor Helmut Kohl. At the end of its last broadcast on 2 October 1990, the East German international radio broadcaster Radio Berlin International signed off with a vocal version of the East German national anthem. In November 1995, Auferstanden aus Ruinen was played again when German President Roman Herzog visited Brazil. This was the first event at which the anthem had been played since the German reunification.
$7.99
7.28 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Haans Eisler
#
Keith Terrett
#
''Risen from Ruins'' - "Auferstanden aus Ruinen"
#
Keith Terrett
#
SheetMusicPlus
Christmas For Brass
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass quintet - Grade 3 - Digital Download SKU: DX.145509 Composed by Various. Arra…
(+)
Brass quintet - Grade 3 - Digital Download SKU: DX.145509 Composed by Various. Arranged by Dana F. Everson. Sacred instrumental music. Key of Bb, G. Christmas. Score and parts. 18 pages. David E. Smith - Digital Sheet Music #145509. Published by David E. Smith - Digital Sheet Music (DX.145509). A brass quintet with opt. Trumpet for horn and baritone TC. It begins with fanfare motifs of the tune and then breaks into the hymn adding more parts as it progresses. It continues with a Q&A type of dialog between the lower, then upper voices. The second setion in a different key is reminiscent of the opening only this time in the middle voices and again moves in a Q&A type of dialog. Again modulating to a new key the theme is bounced around with rhythmical interest only to finalize in strong chordal patterns and ending on a bold declamation.
$12.00
10.93 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Various
#
Dana F
#
Christmas For Brass
#
David E. Smith - Digital Sheet Music
#
SheetMusicPlus
St. Thomas
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1463555
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1463555 By Sonny Rollins. By Sonny Rollins. Arranged by Will Corbin. Jazz. 21 pages. Will Corbin #1042294. Published by Will Corbin (A0.1463555). A saxophonist was playing this catchy song outside New Orleans' Cafe du Monde one morning when I was visiting. When I figured out what the tune was, I was driven to arrange it for our quintet. The result is at least good for one illustration: If you thought you needed drums for calypso or Latin, think again. Horns work pretty well.Jazz tenor sax great Sonny Rollins wrote this, mostly as a vehicle for improvisation. It's based on a Bahamian folk melody called Sponger Money, which may or may not be based on a British folk song called The Lincolnshire Poacher. Whatever the case, it's a variation on a song Rollins' mother sang to him when he was a child in the Virgin Islands.This arrangement -- not as easy to play as it looks, because of the rhythms -- is for two trumpets, horn, trombone and tuba. It's also perfect for the improv-impaired -- but can also serve as a framework for players who are good at it.If you need alternative instrumentation, please contact me at wilcor@aol.com.
$15.00
13.66 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Sonny Rollins
#
Will Corbin
#
St. Thomas
#
Will Corbin
#
SheetMusicPlus
The Carioca
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet du Toit. Folk,Pop. 9 pages. Peet du Toit #992996. Published by Peet du Toit (A0.1410576). (The) Carioca is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. It was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance number illustrating the ballroom dance. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.The word Carioca refers to inhabitants of Rio de Janeiro.Astaire and Roger's short dance has historical significance, as it was their first screen dance together. Though billed fourth and fifth, many felt they stole the film, which became a big hit for RKO. The song was nominated for the Academy Award for Best Original Song at the 7th Academy Awards, but lost to an even bigger Astaire and Rogers production number, The Continental from The Gay Divorcee (1934), their next film together and their first starring vehicle. They were billed by RKO as The King and Queen of 'The Carioca.'While the song has become a jazz standard, the dance did not have longevity. Following the success of Flying Down to Rio, an attempt was made to propagate it as a new ballroom dance, without much success. It was a mixture of samba, maxixe, foxtrot and rhumba. The distinctive feature of the dance â?? at least as portrayed in the movie â?? was that it was to be danced with the partners' foreheads touching.A French cover of the song was introduced in the comedy movie La Cité de la Peur (1994) along with a dance, also meant in a humoristic way. Both the song and the dance appear in the film that takes place in Cannes during the Cannes film festival in France, and have become a reference for a whole generation in France. 25 years later, in May 2019, the Carioca scene of the movie was celebrated in Cannes with a flashmob dance and by the actors themselves who danced again the mythic scene included in La Cité de la Peur.
$15.00
13.66 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Caetano Velosa
#
Peet du Toit
#
The Carioca
#
Peet du Toit
#
SheetMusicPlus
Toot, Toot, Tootsie!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.36 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Gus Kahn, Ernie Erdman and Dan Russo
#
F
#
Toot, Toot, Tootsie!
#
Sweetwater Brass Press
#
SheetMusicPlus
Bach: Wachet auf for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arrang…
(+)
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
36.38 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Johann Sebastian Bach
#
James M
#
Bach: Wachet auf for Brass Quintet
#
jmsgu3
#
SheetMusicPlus
De facto Anthems of the Confederate States of America
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746742
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1'' - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De Cœniél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$19.99
18.2 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Charles W
#
Keith Terrett
#
De facto Anthems of the Confederate States of America
#
Keith Terrett
#
SheetMusicPlus
The Duke of Alva's entry into Brussels for brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Digital Download SKU: A0.999619 Composed by Peter Benoit. Arranged…
(+)
Brass Ensemble - Digital Download SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent, duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre. On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.
$12.00
10.93 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Peter Benoit
#
Marc Goris
#
The Duke of Alva's entry into Brussels for brass quintet
#
Brassery Publications
#
SheetMusicPlus
Kids in the Corner
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1263847
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1263847 Composed by Matthew Nunes. Chamber,Classical,Hip-Hop,Pop,R & B,Rock. 107 pages. Matthew Nunes Music #856760. Published by Matthew Nunes Music (A0.1263847). Listen to this piece hereKids in the Corner is a piece especially composed for Thomas Smith, a family friend and former trumpeter, as a personal thank you for his generous donation to my “ Get Matt to Maryland†Rally via rally.org.With this work I aimed to explore some dance styles that don’t tend to be invited to other suites. I wanted to challenge myself with these various styles while infusing the quirkiness of Thomas into the heart of the piece.I. HipThis summer I was able to pass through New York City on my way to a graduate school audition. On the train ride there I ended up next to a kid who was grooving to music I could hear snippets of through his headphones. This movement reflects characteristics of the sounds I heard on my way into the city.II. One for the lovebirds…It’s time to cuddle up next to your partner and take a trip down memory lane. This movement is an ode to the slow songs one may have experienced from a dance in the 1950’s.III. SwungFor quite some time I have been intrigued with early instrumental dances and this movement explores their defining characteristics while hinting at this work’s overall structure.IV. Posh, Prim, and ProperThis axiomatic propinquity of the Minuet and Trio is a coruscating combination of tonal and temporal creation. A suite as brilliant as this is but an inchoate one without homage to music’s finest moment. It is propitious that I elucidated an exposition featuring a Bach cello suite with motives from the Brahms Requiem in fugal counterpoint set against themes by Mahler.V. JigA trumpet player I was performing with was warming up before a concert and cascading a peculiar series of long tones in to the hall. After he finished I approached him and asked him what he was playing. What he revealed to me was hilarious and this movement is homage to that occurrence.- Matthew NunesWindsor, December 2014.
$24.99
22.76 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Matthew Nunes
#
Kids in the Corner
#
Matthew Nunes Music
#
SheetMusicPlus
Lighthouse Suite
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Daniel Baldwin. Score and parts. 89 pages. Published by Imagine Music - Digita…
(+)
Composed by Daniel Baldwin. Score and parts. 89 pages. Published by Imagine Music - Digital (IZ.IMS1511). - score and parts - - Imagine Music - Digital
In the spring of 2010, my minister put me in touch with his nephew, the trombonist of the Gaudete Brass Quintet of Chicago. A brief conversation resulted in a commission for an expansive four movement work written over the course of three years. Lighthouses have always been a fascination of mine; all of the things they must see! The piece begins with a call to the high seas. In this you will hear the introduction of the lighthouse dynamic, a large dynamic sweep, representing the lighthouse light swinging by and out of sight again. The second movement depicts adventures on the open sea. In the third movement, darkness falls. The finale represents daybreak and the excitement of the new day. A dramatic moment leads to a heroic moment, followed by a moment of silence for those who have fallen (the second theme of the fourth movement is presented in the style of taps). A return of the call to the high seas leads to an energetic conclusion. Lighthouse Suite is dedicated to the Gaudete Brass Quintet who premiered the piece in the fall of 2014.In the spring of 2010, my minister put me in touch with his nephew, the trombonist of the Gaudete Brass Quintet of Chicago. A brief conversation resulted in a commission for an expansive four movement work written over the course of three years. Lighthouses have always been a fascination of mine; all of the things they must see! The piece begins with a call to the high seas. In this you will hear the introduction of the lighthouse dynamic, a large dynamic sweep, representing the lighthouse light swinging by and out of sight again. The second movement depicts adventures on the open sea. In the third movement, darkness falls. The finale represents daybreak and the excitement of the new day. A dramatic moment leads to a heroic moment, followed by a moment of silence for those who have fallen (the second theme of the fourth movement is presented in the style of taps). A return of the call to the high seas leads to an energetic conclusion. Lighthouse Suite is dedicated to the Gaudete Brass Quintet who premiered the piece in the fall of 2014.
$24.00
21.85 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Daniel Baldwin
#
Lighthouse Suite
#
Imagine Music - Digital
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
