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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Nothing from Nothing - Bass
Non classifié
116
Piano & claviers
Piano seul
161
Piano, Voix et Guitare
77
Piano, Voix
47
Piano Facile
36
Instruments en Do
16
Piano grosses notes
6
Orgue, Piano (duo)
4
1 Piano, 4 mains
3
Orgue
2
Piano (partie séparée)
2
Accompagnement Piano
1
Fake Book
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
26
Ligne De Mélodie, (Paroles) et Accords
17
Ukulele
10
Guitare
5
Guitare (partie séparée)
4
3 Guitares (trio)
2
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
Paroles et Accords
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
62
Chorale TTBB
12
Chorale 3 parties
12
Chorale SSAA
9
Chorale 2 parties
7
Voix haute
5
Chorale Unison
4
Voix Tenor
2
Voix Alto, Piano
1
Voix duo
1
Voix Soprano, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 7 instrumentations
Retracter
Vents
Saxophone (partie séparée)
14
Quatuor de Saxophones: 4 saxophones
14
Saxophone Alto et Piano
9
Hautbois, Piano (duo)
6
Flûte traversière et Piano
5
3 Saxophones (trio)
5
Clarinette et Piano
5
2 Saxophones (duo)
5
Quatuor de Flûtes : 4 flûtes
4
2 Flûtes traversières (duo)
4
Saxophone Tenor et Piano
4
Quintette de Saxophone: 5 saxophones
4
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois (partie séparée)
3
Saxophone Alto
3
Cor anglais, Piano
2
Clarinette
2
Flûte traversière
2
3 Clarinettes (trio)
2
2 Clarinettes (duo)
2
Saxophone Tenor
1
Saxophone Soprano et Piano
1
Ensemble de Clarinettes
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à Bec
1
5 Flûtes à bec
1
Flûte et Guitare
1
Trio de Flûtes: 3 flûtes
1
2 Flûte à bec (duo)
1
Flute (partie séparée)
1
Flûte irlandaise
1
Instruments en Mib
1
Saxophone Baryton, Piano
1
Flûte à bec Soprano
1
3 Flûtes à bec (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette (duo)
1
+ 32 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
11
Trompette (partie séparée)
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Quatuor de Cuivres
4
Trompette
4
Trombone et Piano
4
Cor et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor anglais, Piano
2
Trombone
2
Quatuor de cuivres: 4 trombones
2
Tuba
2
Instruments en Fa
1
Instruments en Sib
1
Ensemble de Tubas
1
Cor et Harpe
1
Ensemble de Cors
1
2 Trombones (duo)
1
Cor
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Piano (duo)
1
4 Tubas
1
Trompette, Piano
1
Cor (partie séparée)
1
2 Trompettes (duo)
1
Tuba (partie séparée)
1
Ensemble de Trompettes
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
39
Harpe
9
Violon, Violoncelle (duo)
8
Alto, Piano
7
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Violon et Piano
6
Violon
6
Alto seul
4
Violoncelle, Piano
4
Violoncelle
4
Violon, Alto (duo)
3
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
4 Violoncelles
2
Violon (partie séparée)
2
2 Violons (duo)
2
Trio à cordes: 3 altos
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
Harpe, Violoncelle (duo)
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: violon, alto, violoncelle
1
Quatuor à cordes : 4 altos
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
34
Orchestre à Cordes
28
Ensemble Jazz
23
Ensemble de cuivres
20
Orchestre
18
Batterie
4
Jazz combo
4
Orchestre de chambre
3
Batterie (partie séparée)
2
Marimba
2
Vibraphone
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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Vous avez sélectionné:
Nothing from Nothing - Bass
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
10 partitions trouvées
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Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed E
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contes...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
Aida - Prelude from the Opera for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Giuseppe Verdi
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Thomas Jostlein
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Aida - Prelude from the Opera
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Cherry Classics Music
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SheetMusicPlus
Brass Quintet - Advanced - Composed by Giuseppe Verdi (1813-1901). Arranged by Thomas Jostlein. Romantic Period, Opera. Score, Set of Parts. 11 page...
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Brass Quintet - Advanced - Composed by Giuseppe Verdi (1813-1901). Arranged by Thomas Jostlein. Romantic Period, Opera. Score, Set of Parts. 11 pages. Published by Cherry Classics Music
Verdi's most popular opera Ada was premiered in 1871 and has been possibly performed more than any other....over 1,100 times at the Metropolitan Opera alone.
Preludio begins quietly and mysteriously and quickly builds to a gigantic emotional climax and just as quickly dies down to nothing again...foreshadowing what will occur in the opera.
Thomas Jstlein has beautifully arranged this passionate work of about 4 minutes in length for Brass Quintet composed of advanced performers.
Instrumentation is for 2 Trumpets in C, Horn in F, Trombone and Tuba.
This arrangement is dedicated to the Metropolitan Opera Brass Quintet.
$20.00
I Sit Here on the Barren Hill
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
That's Amore (That's Love)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Film/TV
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Harry Warren and Jack Brooks
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Will Corbin
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That's Amore
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1465650 Composed by Harry Warren and Jack Brooks. Arranged by Will Corbin. Film/TV,Pop. 23 ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1465650 Composed by Harry Warren and Jack Brooks. Arranged by Will Corbin. Film/TV,Pop. 23 pages. Will Corbin #1044262. Published by Will Corbin (A0.1465650). Jerry Lewis ostensibly forked over $30,000 of his own money to the songwriters to come up with something that woluld be a hit for his movie partner, Dean Martin. That's Amore did the job, becoming Martin's signature song. It first showed up in the 1953 Martin/Lewis comedy The Caddy, for which it received an Oscar nomination for best oriiginal song. (It lost to Doris Day''s Secret Love from Calamity Jane.It has been covered countless times, by artists from Annette Funicello to the Wellington International Ukulele Orchestra.This version leans on the trumpets for melody, with the others providing the oom-pah-pah and other support. Nothing fancy -- just fun, and a crowd pleaser.If you need other instrumentation, please contact me at wilcor@aol.com.
$15.00
The Fightin' 55th (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Http...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Black Coffee
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Blues
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Bobby Darin
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Peet du Toit
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Black Coffee
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1373864 By Bobby Darin. By Paul Francis Webster and Sonny Burke. Arranged by Peet du Toit. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1373864 By Bobby Darin. By Paul Francis Webster and Sonny Burke. Arranged by Peet du Toit. Blues. 17 pages. Peet du Toit #958338. Published by Peet du Toit (A0.1373864). Black Coffee is a song with music by Sonny Burke and words by Paul Francis Webster. The song was published in 1948.It's first two measures are nearly identical to Mary Lou Williams' 1938 piece What's Your Story Morning Glory, and both songs share melodic motifs drawn from blues (including a strong melodic emphasis on the flat third and flat seventh intervals, known as blue notes). Williams felt that Burke and Webster plagiarized her composition, and reportedly considered taking legal action over the matter. The two songs have significant melodic and rhythmic differences after the first two measures of their respective 'A' sections, and Black Coffee has a unique bridge section that has no parallel in Morning Glory. However, during her piano solo, Williams plays both the identical feel and harmonies that appear on Black Coffee, with dominant chords moving up and down by half steps in lieu of staying on the tonic chord. While not a carbon copy, Burke and Webster arguably picked sections of What's Your Story Morning Glory to string together to create a new song. Coincidentally, jazz trumpeter Paul Webster (no relation to lyricist Paul Francis Webster) was given co-writer credit for Morning Glory by Williams when she published her song in 1938.My dear friend, Sam Harrill, has added his percussion magic some years later, and I am re-posting this for greater effect. Nothing in the brass parts changed. Thank you, Sam!
$17.00
Moonlight Sonata by Beethoven for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1251244 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 1...
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Brass Quintet - Level 3 - SKU: A0.1251244 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 15 pages. Woods Only, Arrangements #845522. Published by Woods Only, Arrangements (A0.1251244). This arrangement adapted for brass quintet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99
Christmas Suite Box - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Gert Th
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Gert Th
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Christmas Suite Box - Score On
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Gert Th. Walter
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.684899 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Hanukkah,Holiday. 50 pages. Gert ...
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Brass Quintet - Level 3 - SKU: A0.684899 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Hanukkah,Holiday. 50 pages. Gert Th. Walter #6561467. Published by Gert Th. Walter (A0.684899). Are you looking for modern and spirited Christmas music for your Brass Quintet? Here you go! Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music! Christmas Suite Box – The Complete Collection: Candy 'n Cake / Trick Or Treat! / The President's Turkey-Pardon / Thanksgiving Day / Turkey's Wishbone / Black Friday / National Christmas Tree / Dyker Heights / Pyjamas - We Are Family / Hanukkah / Stockings / A Visit From St. Nicholas / Santa Was Here! Wake Up! / Mistletoe / Yule Log / Nothing Goes Out / New Year's Eve / New Year's Hymn. Very easy arrangements, but not only for pupil and beginners. It works for any services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$30.00
Nothing Else Matters for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Rock
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James Hetfield,Lucie Silvas
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John Milne
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Nothing Else Matters for Brass
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Odd Shoe Music
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SheetMusicPlus
By James Hetfield,Lucie Silvas. Arranged by John Milne. Score, Set of Parts. 18 pages. Published by Odd Shoe Music (H0.263039-986355). - Score,Set of Parts - -...
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By James Hetfield,Lucie Silvas. Arranged by John Milne. Score, Set of Parts. 18 pages. Published by Odd Shoe Music (H0.263039-986355). - Score,Set of Parts - - Odd Shoe Music
Metallica as shuffle funk arranged for brass quintet .. it was always meant to be heard this way. Guaranteed to get a reaction from audiences Duration 3m 30s
$14.99
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Nothing from Nothing - Bass
