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Vous avez sélectionné:
One Mississippi
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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1
At the Mississippi Cabaret
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Ragtime
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Albert Gumble
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Bill Wilson
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At the Mississippi Cabaret
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble,Brass Quintet - Level 2 - SKU: A0.774872 Composed by Albert Gumble. Arranged by Bill Wilson. Ragtime. Score and parts. 12 pages. Alexande...
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Brass Ensemble,Brass Quintet - Level 2 - SKU: A0.774872 Composed by Albert Gumble. Arranged by Bill Wilson. Ragtime. Score and parts. 12 pages. Alexander Wilson #433293. Published by Alexander Wilson (A0.774872). At the Mississippi Cabaret, written by Albert Gumble in 1914, occupies an interesting transitional position in popular American music. It's a ragtime piece that has rhythmic similarities with Waiting for the Robert E. Lee, written in 1912, and it has noticeable melodic and harmonic similarities with Jersey Bounce, written and performed as a swing band piece two and a half decades later. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:00. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
The Heavenly Vision (Turn Your Eyes Upon Jesus-Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Helen Lemmel
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Joseph Pugh
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The Heavenly Vision
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Joseph Pugh
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - SKU: A0.1070694 Composed by Helen Lemmel (1863-1961). Arranged by Joseph Pugh. Contemporary,Easter,Sacred. Accompaniment. D...
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Horn,Trombone,Trumpet,Tuba - SKU: A0.1070694 Composed by Helen Lemmel (1863-1961). Arranged by Joseph Pugh. Contemporary,Easter,Sacred. Accompaniment. Duration 227. Joseph Pugh #6858237. Published by Joseph Pugh (A0.1070694). Helen Lemmel (1863-1961) Helen Howarth Lemmel was born on November 14, 1864, in Wardle, England. She was the daughter of a Wesleyan Methodist pastor, and she came to this country with her family at the age of twelve. Helen lived briefly in Mississippi before settling in Wisconsin. Soon she developed a reputation as a brilliant singer, even studying private voice in Germany for four years. This is Joseph's Brass Quintet arrangement of one of her well known and beloved Hymns.Download the sheet music today at a reduced price and play along.
$2.99
Trail of Tears, Op. 144
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Dr
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Trail of Tears, Op. 144
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. ...
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Brass Quintet - Level 3 - SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. Https://gildedmusicpress.com/ #1066363. Published by https://gildedmusicpress.com/ (A0.1489498). Rounding out the “American Trails” with the fifth composition in the collection, “Trail of Tears” is in reference to the heart-wrenching dark history of over 60,000 American Indians being expelled from their lands. During the period between 1830 and 1850, natives from five tribes were forcibly displaced from their homelands in what later became known as the American Deep South. These “Five Civilized Tribes” included the Cherokee, Chickasaw, Choctaw, Muscogee, and Seminole nations. Under the leadership of President Andrew Jackson, Congress passed the “Indian Removal Act” in 1830 which revoked all land ownership from all Native Americans in the Southeast. Although Jackson was not the originator of the movement to remove the Indians, it was his top legislative priority upon taking office. In his mind, they were a primary obstacle for the fulfillment of the Manifest Destiny and American national success. There were many opponents to the violent legislation, such as David Crockett of Tennessee and Catherine Beecher.The most brutal year of the Trail of Tears occurred in 1838 among the Cherokee who had resisted the Treaty of New Echota of 1836 through petitions and pleas to the US government. Despite their efforts, the expulsive treaty was ratified and the resistant Cherokee were compelled by militia to vacate all lands east of the Mississippi River. The heaviest death tolls occurred in the summer and winter months of 1838 after the deadline to depart had passed in May. Disease, exposure, starvation, and harassment by frontiersman compounded the physical exertion of the “death marches” that killed many.This composition extensively borrows the four-note motif from Beethoven’s Symphony No. 5. That symphony was composed in the early 1800s in Europe at the same time as the growth of the anti-Indian sentiment across the American frontier. Rather than primary thematic material, “Trail of Tears” uses the motif as a morose, plodding accompanimental pattern that adds depth of sorrow to the musical homage.
$19.95
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