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Opening Up
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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LORD, WHO THROUGHOUT THESE FORTY DAYS - Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.774063 Arranged by Anthony Giam…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.774063 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. Score and parts. 23 pages. Whole Tone Press #6638585. Published by Whole Tone Press (A0.774063). Expertly arranged for brass quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the 1st trumpet above the drone of the trombone and tuba. Then the tuba takes the melody, transposing it to G Dorian, then, briefly to A Mixolydian. At the key change, the melody returns to its original form, now taken up by the French horn. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelParticularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.
$8.50
7.74 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FORTY DAYS - Brass Quintet
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Whole Tone Press
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SheetMusicPlus
Farewell Celebration (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158678 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158678 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic. 30 pages. Https://gildedmusicpress.com/ #758696. Published by https://gildedmusicpress.com/ (A0.1158678). The opening of this 4-minute piece is dance-like, intimating a celebratory mood up front—alone at first, but shared with the ensemble throughout the piece. After much celebration, the piece ends solemnly, as if giving each other final hugs and good-byes. Every Airman has a story to tell. “Farewell Celebration†is part of my story as an Airman musician. It is a fitting farewell to the Heartland of America Band stationed at Offutt Air Force Base in Bellevue, Nebraska, and to the entire American Midwest, as my family and I finalized our plans to uproot for an extraordinary three-year adventure in Asia. Work on this composition began toward the end of July and beginning of August 2021 as a melody with instructions to be the opening of a brass quintet piece, beginning with trumpet alone. It remained in that state until January 2022 when I entered this sketch into the computer to be worked on sporadically along with several other works in progress. When I contracted Covid-19 in July 2022, all of these works and other incipient pieces received attention, but this one more than most others. In the fall, I felt an urgency to complete it as a sentimental gesture of enthusiastic good-byes due to many life changes taking place. In particular, my fourth son, Paul, was departing for two years for Brazil. I was compelled to complete this work before he left on October 17, 2022, which I accomplished the day prior to his departure. In addition to Paul’s farewell, two co-workers with whom I had worked closely in the Air Force brass quintet called “Offutt Brass,†were also moving on with new exciting chapters in their lives. MSgt Ben Kadow, our fantastic trombonist, had received an assignment to move to Germany, leaving us on November 8. And MSgt Ryan Heseltine, our unparalleled French horn player, retired at the end of the year. On top of all that, in September I was given an assignment to move to Japan the following summer. Some farewells are more difficult to endure than others, though all seem to have varied brands of profound emotion. In contrast to saying good-bye to a loved one who passes away, all of these farewells were joyful, albeit poignant. “Farewell Celebration†is dedicated to my son Paul, to my outstanding professional colleagues, Ben Kadow and Ryan Heseltine, and to all our friends and family members who we left behind as we moved to Japan.
$24.95
22.72 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Farewell Celebration
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https://gildedmusicpress.com/
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SheetMusicPlus
Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.802701
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contemporary. Score and parts. 13 pages. Peet du Toit #6859613. Published by Peet du Toit (A0.802701). Josef Weinberger has been synonymous with popular musical theater for over 125 years. Weinberger was born the son of a goldsmith in Lipto St. Miklo in Hungary but his family moved to Vienna in 1865. In 1885 Josef Weinberger and Carl Hofbauer started an art and music store in Vienna, but the partnership ended when both partners set up on their own, Weinberger in 1890 and Hofbauer in 1892. Weinberger saw the potential, in publishing and licensing, of the craze for operetta, and made a connection with Johann Strauss II. Within a few years all the great operetta composers were his clients: Strauss, Millöcker, Zeller, Kálmán, Oscar Straus, Stolz, and Fall. He even provided licensing services for the last great Viennese operetta composer, Franz Lehár, who from the 1920s published through his own company, Glocken-Verlag.The firm expanded quickly, opening branches in Paris (1885) and Leipzig (1889) where they worked with Friedrich Hofmeister. One of the most remarkable aspects of the developing Weinberger catalogue was the commitment to Czech music, and from April 1893 to August 1894 the Hofmeister entries were almost all by Smetana (various publications of Dalibor and HubiÄka as well as overtures) and Vilém Blodek (V studni); later additions included Tajemstvi (1895) and LibuÅ¡e (1897). Otherwise most of the repertoire was of popular music for various combinations, not least military bands, with von Suppé figuring prominently from 1895 onwards.The mid 1890s also saw significant enlargements of the Weinberger catalogue through the acquisition of other publisher's lists: in 1894 the ancient firm of Artaria, then in 1895 items from the Kratochwill catalogue and over 1,500 works from the Kratz catalogue of theatrical works. This latter acquisition included a number of works with international performing rights, which encouraged Weinberger to open a Parisian branch in 1896, but it also reflected a shift in Weinberger's publishing interests towards theatrical music generally. Another major step in that direction was taken in 1897, when the entire theatrical catalogue of Gustav Lewy – which included the stage works of Johann Strauss the younger and Millöcker – were taken over (with the Strauss performing rights following in 1899).Weinberger was active in three other fields apart from popular music. Firstly, he was Gustav Mahler's third publisher, issuing the Lieder eines fahrenden Gesellen in 1897, and distributing Symphonies nos 1-3, Das klagende Lied and Lieder aus des Knaben Wunderhorn (1900) on behalf of the owner of the publishing rights, the Erste Wiener Zeitungsgesellschaft. Secondly, he took an active part in setting up a trade association, AKM (Gesellschaft der Autoren, Komponisten und Musikverleger or society of authors, composers and publishers) to collect the performance fees due for non-theatrical musical works, in 1897. Finally, Weinberger was the driving force behind the founding of Universal Edition in Vienna in 1901, and not only served as its managing director until 1906 (when he was replaced by Arthur Fadüm), but also provided the new company with space in his own firm's premises until 1908.This orchestration is for a brass quintet. The French Horn acts as a substitute or support for Trumpet 2.
$14.00
12.75 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Josef Weinberger
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arr
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later additions included
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Hermine - Josef Weinberger arr. R Woschnjak
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Peet du Toit
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SheetMusicPlus
Philadelphia Morning
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472…
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472617 Composed by Bill Conti. Arranged by Mary Clark. Classical,Film/TV. 11 pages. Second Wind Music #1050268. Published by Second Wind Music (A0.1472617). “Philadelphia Morning” is a powerfully expressive composition that sets the tone for a scene early in the movie Rocky when the main character has just found out the he will get to fight the world champion boxer and sets out for a training run in the gritty city streets of Philadelphia at 4 a.m. on a dark, cold, dreary winter day. (click here to see a clip of this scene from the movie) This beautifully written piece is penetrating and pensive in describing the battle within, the solitude of it, the impossibility at hand, and generally, the struggle involved in pushing oneself. There is a powerful but subtle orchestration here; the sound of a kind of musical undertow — an undertow that is pulling our hero down, as if giving him leaden legs, or of running in quicksand. But there is also a twinkle of possibility. At the end, the [music] trails off and there is uncertainty in the air.” [From: Jack Doyle, “Philadelphia Morning: 1976-1977,” PopHistoryDig.com, March 25, 2015.]This brass quintet arrangement of Philadelphia Morning would work well as a short concert piece that showcases the expressive qualities of the French horn as well as that of the whole ensemble. This piece has a quiet, pensive, somewhat moody tempermanent. While this arrangement is not technically challenging (other than the range for the horn part noted below), the lean scoring and soft dynamics requires the ensemble to pay close attention to balance and play as one in style, tone quality, and expressiveness. Phrases passing from one player to another need to flow as if being played on a piano. The expressive opening eight-bar horn solo, which is a direct transcription from the movie score, is mostly unaccompanied and ranges up to a high b-flat so a strong, confident horn player is needed – but they will surely enjoy playing this elegantly written passage. (The film soundtrack recording features Vincent DeRosa on horn.) The bass trombone part can be played on a tuba.
$12.99
11.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Bill Conti
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Mary Clark
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Philadelphia Morning
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Second Wind Music
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SheetMusicPlus
The Longest Day
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1420210 By Paul Anka. By Paul An…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1420210 By Paul Anka. By Paul Anka. Arranged by Annette Butters. Film/TV. 15 pages. Annette Butters #1001636. Published by Annette Butters (A0.1420210). The1962 epic war film 'The Longest Day' featured a stella cast. The film starts with the days leading up to the D-Day landings and with the 6th June 2024 being the 80th Anniversary of that event this music is suitable either as a commenrative piece or as a concert piece featuring 'music for the movies'. There are many versions out there but this arrangement offers an opening scene setting fanfare before the well-known march starts. All players get a turn at the main theme.Â
$15.00
13.66 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Paul Anka
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Annette Butters
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The Longest Day
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Annette Butters
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SheetMusicPlus
Higher Ground ("I'm pressing on the upward way") — brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.66 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Charles H
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Todd Marchand
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Higher Ground
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Con Spirito Music
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SheetMusicPlus
Feeling Good
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.929885 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Noah Allen. Jazz. Score and parts. 24 pages. N.D.A. #4349669. Published by N.D.A. (A0.929885). This new arrangement of the tune made popular by Michael Buble will be an instant hit with your intermediate level brass quintet. A rubato opening gives your trombone player a chance to shine, followed by the classic 12/8 groove we've all come to recognize. Everyone gets a chance at the melody for at least a bit, even the tuba! The first trumpet range goes up to a written high C, with optional lower notes at appropriate points to let your ensemble sound great no matter their ability. Depending on tempo and if the repeat is taken, duration is around 3:15 to 4:15, perfect for a concert closer. Your audience will remember this one for years to come!
$19.99
18.2 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Michael Buble
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Noah Allen
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Feeling Good
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N.D.A.
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SheetMusicPlus
Airpower! (for Brass Quintet & Optional Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158198 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158198 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 28 pages. Https://gildedmusicpress.com/ #758475. Published by https://gildedmusicpress.com/ (A0.1158198). An extremely artistic and challenging composition, fit to feature on any concert, both for the general public and academic circles, Airpower! is cleverly titled to honor MSgt Alex Serwatowski, an Air Force tuba player, upon his retirement. Overall, “Airpower!†is light-hearted with a comedic but dignified feel, intended to be happy and celebratory. There are moments of a more serious nature, such as the transitions in measures 19-22 and 74-77, and a slower contemplative section (51-68) with a particularly dramatic moment in measures 55-56, where the listener wants to rise up with honor and respect. There is a healthy spectrum of emotions in this work. One remarkable feature of this composition is that it does not end in the same key in which it starts. In fact, it ends in D major, a tritone away from its opening key of A-flat major—as distantly related as two keys can be. Throughout the entire piece, the harmonic rhythm is intense, primarily exploring chromatic mediants and relative keys, wandering from A-flat to C to F to D minor and then several rapid tonicizations leading to G major, then to E minor to E major to G, E-flat, C minor, C major, A minor, tonicizations again, finally ending in D major. Although it is highly unified thematically (with essentially one theme that varies and develops, symbolically), this unique harmonic feature symbolizes the change that a person undergoes through a 23-year career. “Airpower!†is about 4’30†in duration, which is a fairly substantial single-movement work for brass quintet. The tempo never varies through the entire work, though with rhythmic augmentation and mutation the effect of tempo changes is present. The technical demands are difficult for all the players. This piece works the tuba into the melody and technical passages as much as any other player.
$24.95
22.72 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Airpower!
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https://gildedmusicpress.com/
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SheetMusicPlus
Hello, Dolly!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Ar…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.
$15.99
14.56 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Louis Armstrong
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Keith Terrett
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Hello, Dolly!
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Keith Terrett
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SheetMusicPlus
Martha My Dear
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.844927
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.844927 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 10 pages. RayThompsonMusic #450440. Published by RayThompsonMusic (A0.844927). Arranged standard brass quintet: 2tpts, hn. tbn and tuba. Opening piano solo arr horn and tuba, then melody is taken by tpt 2 , chorus by trumpet 1. Fun for everyone.Martha My Dear is a song by the English rock band the Beatles from their 1968 eponymous double album The Beatles (also known as the White Album). Credited to Lennon–McCartney, the song was written solely by Paul McCartney about his Old English Sheepdog, Martha. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal.The song incorporates elements from pop rock music; it also features a music hall-inspired piano line that recurs throughout the piece, as well as a brass section. The song modulates through several keys The song is notated mainly in the key of E♠major, showing up embellished chords with jazzy sprinkled dissonances.The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in Two of Us. Though the bridge is in the key of F major, the manner in which it abruptly sets in and exits makes it sound more out-of-the-way than it really is.
$19.95
18.17 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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The Beatles
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Ray Thompson
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Martha My Dear
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RayThompsonMusic
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SheetMusicPlus
Road Trip (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158418 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158418 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 31 pages. Https://gildedmusicpress.com/ #758704. Published by https://gildedmusicpress.com/ (A0.1158418). Some of my fondest memories as a child were made during long, uncomfortable road trips. As a father, similar memories with my children are among my warmest. This three-and-a-half-minute piece of music aptly tells the title’s story. The excitement leading up to the anticipated day of departure is electric! The opening fanfare-ish intro reflects this buzz well. It is followed by a quirky rhythmic section as “helpful†kids load their poorly packed bags full of unnecessary items awkwardly into the vehicle. The fanfare returns as the family hits the road at last. As the rest of the music unfolds, imagine the alphabet game, off-key songs sung at the top of everyone’s lungs, rest stops (emergency or otherwise), spilled food, car problems, drowsiness, souvenirs, car sickness, and of course ultimate arrival at planned destinations. This soundtrack to a fun part of life can be anyone’s road trip! Work on this composition began on September 19, 2021 as a thoroughly sketched out fanfare in my manuscript notebook during a church youth activity in a park. It remained in that state until I contracted Covid-19 in July 2022 and was confined to a hotel room for a week. There, I entered this sketch into the computer, along with a dozen others. Throughout the summer, all of these works received some attention, but this one more than the rest. Much of the final work on “Road Trip†took place during a trip to Philadelphia.
$24.95
22.72 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Road Trip
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https://gildedmusicpress.com/
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SheetMusicPlus
King Of The Road for Classical Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged …
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Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music for all Occasions
An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet. "King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song. The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song." "King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony. The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs". Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground. A send-up version by English entertainer Billy Howard was a British chart hit in 1976. A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet.
"King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records.
The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song.
The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song."
"King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.
The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs".
Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.
A send-up version by English entertainer Billy Howard was a British chart hit in 1976.
A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$14.99
13.65 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Randy Travis, Roger Miller
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Keith Terrett
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King Of The Road for Classical Brass Quintet
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Music for all Occasions
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SheetMusicPlus
Life On Mars
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By David Bowie. Arranged by Kevin Morgan. Score, Set of Parts. 17 pages. Published by trom…
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By David Bowie. Arranged by Kevin Morgan. Score, Set of Parts. 17 pages. Published by trombonemusic.co.uk (H0.178493-475597). - Score,Set of Parts - - trombonemusic.co.uk
Brass Quintet arrangement of Life On Mars - medium to advanced difficulty. This version keeps the flavour of the original piano and string arrangement without becoming too muddy. First trumpet goes up to top C (Bb instrument) and tuba down to a low concert A. The occasional short semiquaver passages lie well for the instruments and the arrangement benefits from clear articulation - particularly at the opening where the harmonic changes work well if slightly accented. 2 Trumpets in Bb, Horn in F, Trombone in tenor clef and Tuba in bass clef.Brass Quintet arrangement of Life On Mars - medium to advanced difficulty. This version keeps the flavour of the original piano and string arrangement without becoming too muddy. First trumpet goes up to top C (Bb instrument) and tuba down to a low concert A. The occasional short semiquaver passages lie well for the instruments and the arrangement benefits from clear articulation - particularly at the opening where the harmonic changes work well if slightly accented. 2 Trumpets in Bb, Horn in F, Trombone in tenor clef and Tuba in bass clef.
$12.99
11.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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David Bowie
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Kevin Morgan
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Life On Mars
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trombonemusic.co.uk
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SheetMusicPlus
Lift High the Cross (Crucifer)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Sydney H. Nicholson (1875-1947). Arranged by F. Leslie Smith. Christian, Sacre…
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Composed by Sydney H. Nicholson (1875-1947). Arranged by F. Leslie Smith. Christian, Sacred, Easter, Lent. Score, Set of Parts. 32 pages. Published by Sweetwater Brass Press (S0.274709). - Score,Set of Parts - Christian,Sacred,Easter,Lent - Sweetwater Brass Press
In 1887, George Kitchin wrote ?Lift High the Cross.? Michael R. Newbolt revised it in 1916, and it was printed in that year in Sydney Nicholson?s supplement to Hymns Ancient and Modern. At the same time, it was set to Nicholson?s hymn tune, ?Crucifer,? and has since come to be used as the opening or closing hymn in many churches. There are several very good arrangements of ?Lift High the Cross? featuring brass instruments with varying combinations of other musicians?organ, choir, tympani, snare drum, hand bells, high voice descant. This arrangement features brass quintet alone, and the triumphant nature of the hymn?s melody sits exceptionally well with this particular instrumental grouping. It begins, however, with a completely different interpretation?the first time through the refrain and the verse are played relatively slowly, quietly and contemplatively (the tempo marking instructs ?Reverently?). The pace then picks up, and the feeling of the piece changes to one of exultation. This joyous mood is sustained throughout the variations that follow, and each player gets a chance to shine. Finally, after one last statement of the refrain, the dynamics quiet down for a beautifully soft finish. This is a perfect concert piece for Easter, Lent, or church processional or recessional. This arrangement was completed in 2017, and performance time runs about 5 minutes, 10 seconds. The arranger, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. In 1887, George Kitchin wrote ?Lift High the Cross.? Michael R. Newbolt revised it in 1916, and it was printed in that year in Sydney Nicholson?s supplement to Hymns Ancient and Modern. At the same time, it was set to Nicholson?s hymn tune, ?Crucifer,? and has since come to be used as the opening or closing hymn in many churches. There are several very good arrangements of ?Lift High the Cross? featuring brass instruments with varying combinations of other musicians?organ, choir, tympani, snare drum, hand bells, high voice descant. This arrangement features brass quintet alone, and the triumphant nature of the hymn?s melody sits exceptionally well with this particular instrumental grouping. It begins, however, with a completely different interpretation?the first time through the refrain and the verse are played relatively slowly, quietly and contemplatively (the tempo marking instructs ?Reverently?). The pace then picks up, and the feeling of the piece changes to one of exultation. This joyous mood is sustained throughout the variations that follow, and each player gets a chance to shine. Finally, after one last statement of the refrain, the dynamics quiet down for a beautifully soft finish. This is a perfect concert piece for Easter, Lent, or church processional or recessional. This arrangement was completed in 2017, and performance time runs about 5 minutes, 10 seconds. The arranger, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00
3.64 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Sydney H
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F
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Lift High the Cross
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Sweetwater Brass Press
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SheetMusicPlus
The Holly and the Ivy
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score,…
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Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score, Set of Parts. 30 pages. Published by Sweetwater Brass Press (S0.175595). - Score,Set of Parts - Christian,Christmas - Sweetwater Brass Press
?The holly and the ivy/When they are both full grown/Of all the trees that are in the wood/The holly bears the crown.? So go the opening words to this cheerful, upbeat Christmas song. The lyrics appeared as broadsides in early nineteenth century Birmingham, England. The melody was first published in Cecil J. Sharp?s 1911 English Folk-Carols; on page 63 of the collection?s ?Notes on the Carols? section, Sharp wrote that he heard the tune sung by "Mrs. Mary Clayton, at Chipping Camden." (An alternative version linked the words to a melody identified as "old French carol.") This version is a fast-moving and fun treatment of the Sharp/Clayton melody. It includes, among other things, a call-and-response variation, a running tuba solo, an alternative ?verse? tune and a countermelody section featuring ?Deck the Halls.? There are two key changes, trumpets play a couple of B-above-the-staff notes, and the time signature changes from ¾ to 4/4 near the end. Completed in 2016, this arrangement runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this one, don?t miss Les? arrangements of ?Silver Bells,? ?Jingle Bells,? ?Jolly Old St. Nicholas,? ?Up On The Housetop,? ?Deck the Halls? and many other Christmas songs and carols. Enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.?The holly and the ivy/When they are both full grown/Of all the trees that are in the wood/The holly bears the crown.? So go the opening words to this cheerful, upbeat Christmas song. The lyrics appeared as broadsides in early nineteenth century Birmingham, England. The melody was first published in Cecil J. Sharp?s 1911 English Folk-Carols; on page 63 of the collection?s ?Notes on the Carols? section, Sharp wrote that he heard the tune sung by "Mrs. Mary Clayton, at Chipping Camden." (An alternative version linked the words to a melody identified as "old French carol.") This version is a fast-moving and fun treatment of the Sharp/Clayton melody. It includes, among other things, a call-and-response variation, a running tuba solo, an alternative ?verse? tune and a countermelody section featuring ?Deck the Halls.? There are two key changes, trumpets play a couple of B-above-the-staff notes, and the time signature changes from ¾ to 4/4 near the end. Completed in 2016, this arrangement runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this one, don?t miss Les? arrangements of ?Silver Bells,? ?Jingle Bells,? ?Jolly Old St. Nicholas,? ?Up On The Housetop,? ?Deck the Halls? and many other Christmas songs and carols. Enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00
6.37 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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English Traditional
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F
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The Holly and the Ivy
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Sweetwater Brass Press
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SheetMusicPlus
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