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Our Only Hope
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78
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63
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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12
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6
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3
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1
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19
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Vous avez sélectionné:
Our Only Hope
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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Bridges, Op. 136 (for Brass Quintet and Chimes)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Bridges, Op. 136
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Http...
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Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95
Kings, Halls, and Angel Calls
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Eugene Vasconi
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Eugene Vasconi
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Kings, Halls, and Angel Calls
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High Hopes Publishing
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SheetMusicPlus
Composed by Eugene Vasconi. Arranged by Eugene Vasconi. Christmas. Set of Parts. 68 pages. Published by High Hopes Publishing (S0.32285). - Set of Parts - Chris...
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Composed by Eugene Vasconi. Arranged by Eugene Vasconi. Christmas. Set of Parts. 68 pages. Published by High Hopes Publishing (S0.32285). - Set of Parts - Christmas - High Hopes Publishing
A collection of fresh, modern arrangements of ten traditional Christmas Carols. These have all been performed and have received high marks from the audience and the musicians. Selections include: Good King Wenceslas; Silent Night; Hark, The Herald Angels Sing; Jingle Bells; Deck The Halls; We Three Kings; God Rest Ye Merry, Gentlemen; Joy To The World; Angels We Have Heard On High; We Wish You A Merry Christmas. Performance ranges from easy to difficult. Each selection also includes an optional percussion part for a single performer. The audio clip sample is of the first selection only.You will really enjoy these -- so make your Christmas this year a lot more C-O-O-L.
$30.00
Hallelujah from Messiah by Handel for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Ander
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Hallelujah from Messiah by Han
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1397290 Composed by George Frideric Handel. Arranged by Ander. Baroque,Chamber,Christian,Easter. 21 pages. Woods Only,...
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Brass Quintet - Level 3 - SKU: A0.1397290 Composed by George Frideric Handel. Arranged by Ander. Baroque,Chamber,Christian,Easter. 21 pages. Woods Only, Arrangements #980606. Published by Woods Only, Arrangements (A0.1397290). We present our arrangement of the acclaimed song Hallelujah from Handel’s oratorio “The Messiahâ€, adapted for Brass Quintet. This sheet music is a faithful reproduction of the original composition, bringing the grandeur of Handel’s work to the chamber music. George Frideric Handel, one of the greatest composers of the Baroque period, composed The Messiah in 1741. The piece, cataloged as HWV 56 in Handel’s works catalog, is known for its emotional depth and musical complexity. The song “Hallelujah†is one of the most recognized in the oratorio, celebrating the resurrection and the final victory over sin and death. This arrangement is perfect for teachers looking to expand their student's didactic repertoire, offering a unique opportunity to explore Baroque music in a chamber context. In addition, it is an excellent choice for groups wishing to present an impactful piece in recitals or concerts. With the arrival of the month of March, Easter is approaching. What better way to celebrate than with the music that encapsulates the joy and hope of this season? This arrangement of Hallelujah is the perfect choice to add a special touch to your Easter celebrations. Purchase our arrangement of Hallelujah and experience the timeless beauty of Handel’s music in a new way. Take the opportunity to own a piece that will surely delight musicians and listeners. Don’t miss the chance to make your performances even more memorable.
$9.99
Cinnamon Rolls (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gilde...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95
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Our Only Hope
