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Pass Me Not
Non classifié
95
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139
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43
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31
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11
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5
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2
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1
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48
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1
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Quatuor de cuivres: 4 trombones
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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11
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4
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3
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2
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2
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2
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1
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1
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1
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1
Piano Trio: Violon, Alto, Piano
1
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41
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12
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8
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7
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3
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1
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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
Pass Me Not
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
5 partitions trouvées
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Help Me Rhonda
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Pop musique
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The Beach Boys
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Will Corbin
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Help Me Rhonda
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1460791 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Will Corbin. Pop. 13 ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1460791 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Will Corbin. Pop. 13 pages. Will Corbin #1039690. Published by Will Corbin (A0.1460791). This 1965 Beach Boys recording hit the top of the Billboard singles chart. Billboard called it an intriguing off-beat rouser, whatever that means.Not much to do with this, other than pass the melody around, and have it still feel like the Beach Boys. It's summertime-in-the-park fodder, nothing more.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
Hotel California
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Rock
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The Eagles
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Will Corbin
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Hotel California
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1461115 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Will Corbin. Pop,Rock. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1461115 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Will Corbin. Pop,Rock. 24 pages. Will Corbin #1040025. Published by Will Corbin (A0.1461115). Hotel California is probably the best known -- and possibly best, period -- song from the Eagles, from the album of the same title. It's on everybody's list of greatest songs ever. The unending guitar solo that fades out to end the song -- by Hotel composer Don Felder and Joe Walsh -- gets a nod here with 16 bars of trombone solo. OK, it's not quite the same thing. Nor is any of it. But you try to get a ringing 12-string guitar sound out of a couple of trumpets and a French horn.I think it's at least recognizable, and maybe even presentable. But no brass quintet will pass for the Eagles.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
Variations of Joy (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Variations of Joy
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158382 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 49 pages. Https://gildedmusicp...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158382 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 49 pages. Https://gildedmusicpress.com/ #758665. Published by https://gildedmusicpress.com/ (A0.1158382). Brass quintet in six short movements. Duration, approx. 8 minutes. Movement I: “Family Vacations.†Fond memories of childhood vacations as well as leading out on road trips as a father, are reflected by the excitement of this movement. Feel free to reminisce on your own family trips as you listen to or perform this movement. Movement II: “Jovial Banter.†I was going to call this movement “Roughhousing,†but that is only part of what this playful piece conjures. Besides wrestling my five boys (with my one girl amusedly watching off to the side), friendly joking with friends about rival universities, and playing harmless pranks on friends and family, all seem to be rolled up into this truly jovial movement. It has its own tricks and surprises to one who has never heard it before. Movement III: “Holiday Foods.†This waltz displays more elegance and structure than most of the other movements. It primarily elicits memories of the distinctive Thrower Christmas feasts, for which we created a unique tradition. Our yuletide banquets hail from a different country every year. Through the decades, we have discovered and adopted many international favorites that we continue to enjoy! Note the middle section of the waltz gets a bit spicy… Movement IV: “Pets.†Though as an adult I have not had the pleasure of enjoying personal pets, my youngest son developed an affinity for YouTube videos about funny cats and dogs. Nevertheless, my favorite childhood pet was “Blackie,†the splendid satin feline featured on the cover of this work. Pets are often quirky and extremely fun, as is this music. If it doesn’t put a smile on the listener’s face, someone in the line of musical communication may have failed. Movement V: “Sharing God’s Wonders.†Slow and wondrous, the music in this movement yearns to be shared. The theme, though only somewhat related to the other variations, strays to its own content after the first motivic notes. The melody is borrowed from a 2010 band composition of mine titled “Tribute to Joel Robison,†an ancestor, and a Texas hero. One passion I have enjoyed through the years is family history, truly a God-given legacy from which I draw much inspiration. Movement VI: “Personal Triumphs.†Indeed a subject to celebrate, triumphs of self-mastery, conquests over difficult tasks, and achievements of monumental goals all prompt me to break out in triumphant fanfares!
$34.95
Higher Ground ("I'm pressing on the upward way") — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Charles H
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Todd Marchand
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Higher Ground
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,S...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
Bridges, Op. 136 (for Brass Quintet and Chimes)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Bridges, Op. 136
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Http...
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Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95
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Pass Me Not
