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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Mass
Non classifié
366
Piano & claviers
Piano seul
526
Piano, Voix
337
Piano, Voix et Guitare
246
Piano Facile
129
Instruments en Do
27
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Piano grosses notes
3
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Orgue
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
2
2 Guitares (duo)
1
Paroles et Accords
1
Piano, Guitare (duo)
1
Mandoline, Piano (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
231
Chorale 3 parties
66
Voix seule
42
Chorale Unison
36
Chorale 2 parties
27
Chorale
15
Chorale SSAA
12
Voix duo, Piano
12
Chorale TTBB
9
Voix Soprano, Piano
7
Voix moyenne, Piano
3
Voix haute
3
Voix Alto, Piano
2
Voix Baryton, Piano
2
Voix Tenor
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
79
Clarinette et Piano
62
Saxophone Alto et Piano
54
Hautbois, Piano (duo)
47
Saxophone Tenor et Piano
33
Saxophone Soprano et Piano
24
Clarinette
12
Saxophone Baryton, Piano
11
Cor anglais, Piano
11
Clarinette Basse, Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte traversière
5
2 Clarinettes (duo)
4
2 Saxophones (duo)
4
Flûte, Violon, Piano
3
Saxophone Alto
2
Flûte, Basson et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Tenor
2
Ensemble de Clarinettes
2
Ensemble à vent
2
Clarinette, Violoncelle, Piano (trio)
2
2 Hautbois (duo)
2
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette, Basson
1
Hautbois, Harpe
1
Hautbois
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte et Guitare
1
Flûte à Bec, Piano
1
Flûte, Clarinette (duo)
1
2 Flûtes traversières (duo)
1
Piccolo, Piano
1
Ensemble de Flûtes
1
+ 31 instrumentations
Retracter
Cuivres
Trompette, Piano
36
Trombone et Piano
35
Cor et Piano
22
Euphonium, Piano (duo)
15
Trompette
12
Cor anglais, Piano
11
Tuba et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Euphonium
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Tubas (duo)
1
2 Trompettes (duo)
1
Trompette, Cor (duo)
1
Tuba
1
Trombone basse et Piano
1
2 Trombones (duo)
1
Trombone
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 14 instrumentations
Retracter
Cordes
Violon et Piano
98
Violoncelle, Piano
67
Alto, Piano
51
Violon
14
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violoncelle
7
Contrebasse, Piano (duo)
5
Alto seul
5
Contre Basse
3
Piano Trio: Violon, Alto, Piano
3
2 Violons (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto et Basson
1
2 Violoncelles (duo)
1
Harpe, Flûte (duo)
1
Violon, Violoncelle (duo)
1
4 Violoncelles
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre
22
Orchestre d'harmonie
13
Ensemble Jazz
9
Orchestre à Cordes
5
Orchestre de chambre
4
Ensemble de Percussions
3
Ensemble d'École
2
Jazz combo
2
Ensemble de cuivres
2
Cloches
1
+ 5 instrumentations
Retracter
Autres
Instruments
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Piano Mass
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
2 partitions trouvées
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Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1109895 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 8 page...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1109895 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 8 pages. RayThompsonMusic #712266. Published by RayThompsonMusic (A0.1109895). Arranged standard brass quintet. A beautiful piece of music. It suits the brass quintet. The Lacrimosa (Latin for weeping/tearful), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. Lacrimosa dies illa Qua resurget ex favilla Judicandus homo reus. Huic ergo parce, Deus: Pie Jesu Domine, Dona eis requiem. Amen. Full of tears will be that day When from the ashes shall arise The guilty man to be judged; Therefore spare him, O God, Merciful Lord Jesus, Grant them eternal rest. Amen. The piece begins piano on a rocking rhythm in 12/8, intercut with quarter rests, which will be reprised after two bars, on Lacrimosa dies illa (This tearful day). Then follows a diatonic progression, in disjointed eighth-notes on the text resurget (will be reborn), then legato and chromatic on a powerful crescendo. The music is forte by bar 8, at which point Mozart's contribution to the movement is interrupted by his death. Süssmayr brings the music to a reference of the Introit and ends on an Amen cadence. Discovery of a fragmentary Amen fugue in Mozart's hand has led to speculation that it may have been intended for the Requiem. Indeed, many modern completions (such as Levin's) complete Mozart's fragment. Some sections of this movement are quoted in the Requiem mass of Franz von Suppé, who was a great admirer of Mozart. Ray Robinson, the music scholar and president (from 1969 to 1987) of the Westminster Choir College, suggests that Süssmayr used materials from Credo of one of Mozart's earlier masses, Mass in C major, K. 220 Sparrow in completing this movement.
$4.95
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,St...
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
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Piano Mass
