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Vous avez sélectionné:
Prelude on EASTER HYMN
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249433
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249433 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #840537. Published by Regis Bookshar (A0.1249433). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 1 Hrn, 1 Trb, 1 Tuba) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straighforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weiman. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn, 1 Trombone and 1 Tuba. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.55 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249439 Co…
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Brass Quintet Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249439 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #842456. Published by Regis Bookshar (A0.1249439). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 1 Trb, 1 Tuba) - Advanced /Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets, 1 Trombone and 1 Tuba. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.55 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 2 Trb, 1 Tuba)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249436 Co…
(+)
Brass Quintet Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249436 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 31 pages. Regis Bookshar #841720. Published by Regis Bookshar (A0.1249436). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 2 Trbs, 1 Tuba) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in th middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets, 2 Trombones and 1 Tuba. Included are a score and a complete set of parts (31 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.55 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Euphonium Quintet - Bass Clef)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Low Brass Quintet - Level 4 - Digital Download SKU: A0.1250700 Composed b…
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Euphonium,Low Brass Quintet - Level 4 - Digital Download SKU: A0.1250700 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #844985. Published by Regis Bookshar (A0.1250700). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Euphonium Quintet (Bass Clef) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism. Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn. (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Euphonium Quintet, written in Bass Clef. There is also a version written in Treble Clef, if you would prefer.Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.55 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Euphonium Quintet - Treble Clef)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Low Brass Quintet - Level 4 - Digital Download SKU: A0.1250710 Composed b…
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Euphonium,Low Brass Quintet - Level 4 - Digital Download SKU: A0.1250710 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #844991. Published by Regis Bookshar (A0.1250710). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Euphonium Quintet (Treble Clef) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Choral Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Euphonium Quintet, written in Treble Clef. There is also a version written in Bass Clef, if you would prefer. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.55 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Chorale Prelude on Leoni - Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.814797 Composed by Richard E Br…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.814797 Composed by Richard E Brown. Arranged by Dacker Music. Easter,Jewish,Praise & Worship,Sacred. Score and parts. 21 pages. Dacker Music #4794289. Published by Dacker Music (A0.814797). The hymn tune Leoni is based on the ancient Hebrew chant Yigdal. Among several modern hymns that are set to this tune, the best-known by far is The God of Abraham Praise. This chorale prelude for brass quintet is a transcription of my organ composition of the same name, which is also available from Dacker Music. It is also available scored for brass sextet (standard quintet plus 2nd trombone). grade 4 - duration 2:45
$10.00
9.18 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Richard E Brown
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Dacker Music
#
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Chorale Prelude on Leoni - Brass Quintet
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Dacker Music
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SheetMusicPlus
Chorale Prelude on Regent Square - Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.814779 Composed by Richard E Br…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.814779 Composed by Richard E Brown. Christmas,Easter,Praise & Worship,Sacred. Score and parts. 22 pages. Dacker Music #3907421. Published by Dacker Music (A0.814779). A brass quintet adapted from my organ composition of the same name, this piece is equally useful for the Christmas and Easter seasons, as both the Christmas carol Angels from the Realms of Glory and Easter hymn Easter People, Raise Your Voices use this popular hymn tune. Grade 4 - Duration 2:40
$10.00
9.18 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Richard E Brown
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Chorale Prelude on Regent Square - Brass Quintet
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Dacker Music
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SheetMusicPlus
Chorale Prelude on Truro - Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.814802 Composed by Richard E Br…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.814802 Composed by Richard E Brown. Arranged by Dacker Music. Christmas,Easter,Praise & Worship,Sacred. Score and parts. 22 pages. Dacker Music #5224007. Published by Dacker Music (A0.814802). This rousing setting for brass quintet is also available in brass septet (standard brass quintet plus a third trumpet and second trombone) voicing. It is equally useful for the Advent and Easter seasons, as both the Advent carol Lift Up Your Heads, Ye Mighty Gates and Easter hymn Christ Is Alive use this popular hymn tune. Grade 4 - Duration 2:30
$10.00
9.18 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Richard E Brown
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Dacker Music
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Grade 4
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Chorale Prelude on Truro - Brass Quintet
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Dacker Music
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SheetMusicPlus
Easter Anthem (William Billings) — brass quintet, timpani
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 13 pages. Con Spirito Music #800831. Published by Con Spirito Music (A0.1202170). Ideal as a prelude or postlude to Easter Sunday and Eastertide services of worship, “Easter Anthem†originated as a choral work by William Billings (1746-1800) with text excerpted from Night Thoughts on Life, Death, and Immortality, an extensive blank-verse poem by the English poet Edward Young (1683-1765) published in nine parts (or “nightsâ€) from 1742 to 1745.Born in Boston, Billings was self-taught in music — a tanner by trade — and he was renowned as a singing master and proponent of the singing-school tradition of American folk culture. Considered the ï¬rst native-born American composer, his works include hymns, anthems, psalms, and fuging tunes.“Easter Anthem†is exemplary of his compositional style, which is noted for rhythmic vitality and straightforward harmonies. Exuberantly glorious, it celebrates the resurrection of Christ and the salvation of the world from its opening acclamation, “The Lord is risen indeed! Hallelujah!†to its closing declaration, Thine all the glory, man’s the endless bliss!The Lord is risen indeed! Hallelujah!Now is Christ risen from the dead,And become the ï¬rst fruit of them that slept.Hallelujah!And did he rise?Hear, O ye nations! Hear it, O ye dead!He rose! He burst the bars of death,And triumph'd o'er the grave.Then I rose!Then ï¬rst humanity triumphantPass'd the crystal ports of light,And seiz'd eternal youth.Man, all immortal, Hail!Heaven, all lavish of strange gifts to man,Thine all the glory! Man's the boundless bliss!This joyful work, which explores various combinations of choral voices, is well-suited to the sonorities of the brass quintet. In this arrangement, tempo indications, dynamic markings and articulations, as well as a newly composed timpani part, have been added by the arranger.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.77 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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William Billings
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Todd Marchand
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Easter Anthem
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Con Spirito Music
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SheetMusicPlus
Hail the Day That Sees Him Rise ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Robert Williams (1781-1821). Arranged by Todd Marchand. Christian, Sacred, Eas…
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Composed by Robert Williams (1781-1821). Arranged by Todd Marchand. Christian, Sacred, Easter. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.182105). - Score,Set of Parts - Christian,Sacred,Easter - Con Spirito Music
?Hail the Day That Sees Him Rise,? one of the most popular hymn texts on the Ascension of Christ, was written by the great Methodist hymnist Charles Wesley (1707-1788) and published in 10 stanzas in his Hymns and Sacred Poems (1739) as ?Hymn for Ascension Day.? The ?alleluias? were added in George White's Hymns and Introits (1852). The tune most often associated with Wesley's text, ?Llanfair,? is attributed to Welsh singer Robert Williams (1781-1821). In this arrangement, elements of the tune are employed in a majestic, constantly modulating introduction before giving way to three presentations of melody ? first, straightforwardly by the full quintet; second, following a modulation down a major third, by a trio of brass; and third, following another modulation back to the original key, by the full quintet, with a short coda incorporating a flourish recalling the introduction. Especially appropriate at Ascension due to the associated text, this instrumental arrangement is also fitting as a prelude, postlude, or offertory/communion anthem at any time. ©Copyright 2016 Todd Marchand / www.ConSpiritoMusic.com
$15.00
13.77 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Robert Williams
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Todd Marchand
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Hail the Day That Sees Him Rise ? brass quintet
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Con Spirito Music
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SheetMusicPlus
Bach: Wachet auf for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arrang…
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Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
36.69 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Quintet
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jmsgu3
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SheetMusicPlus
How Firm a Foundation
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Joseph Funk. Arranged by Adam Jensen. Contemporary Classical, Christian, Sacre…
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Composed by Joseph Funk. Arranged by Adam Jensen. Contemporary Classical, Christian, Sacred, General Worship, Easter. Score, Set of Parts. 17 pages. Published by Adam Jensen (S0.106691). - Score,Set of Parts - Contemporary Classical,Christian,Sacred,General Worship,Easter - Adam Jensen
This brass quintet arrangement of the traditional hymn, "How Firm a Foundation," was written by arranger Adam Jensen for use as a prelude or special music during worship services. Its three stanzas provide an adventurous, Copland-inspired theme and variation treatment on the traditional hymn tune. Approximately 3 minutes; a Hymn Spinner arrangement. To discover and support more works like this, please visit https://patreon.com/hymnspinner.
$15.00
13.77 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Joseph Funk
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Adam Jensen
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How Firm a Foundation
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Adam Jensen
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.774063 Arranged by Anthony Giam…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.774063 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. Score and parts. 23 pages. Whole Tone Press #6638585. Published by Whole Tone Press (A0.774063). Expertly arranged for brass quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the 1st trumpet above the drone of the trombone and tuba. Then the tuba takes the melody, transposing it to G Dorian, then, briefly to A Mixolydian. At the key change, the melody returns to its original form, now taken up by the French horn. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelParticularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.
$8.50
7.81 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FORTY DAYS - Brass Quintet
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Whole Tone Press
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SheetMusicPlus
"Salvation now has come for all" for Brass Quintet MP3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1066298 Composed by Max Reger…
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Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1066298 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Easter,Instructional,Sacred,Standards. Full Performance. Duration 51. Cristiano Vecchi #4887733. Published by Cristiano Vecchi (A0.1066298). The N.7 from 30 Little Choral Preludes, op.135a for organ by Max Reger: a traditional Easter lutheran hymn, Es ist das Heil uns kommen her, written in five real parts; here transposed in F Major, a second above, for an easier performance and a brighter sound.Version for Brass Quintet: Trumpet in Bb 1&2 - French Horn - Trombone - Tuba .Duration: 50.Score and parts also available on this website.Also available for Woodwind Quintet.
$1.99
1.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Max Reger
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Cristiano Vecchi
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"Salvation now has come for all" for Brass Quintet MP3
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Cristiano Vecchi
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SheetMusicPlus
"Abide, O dearest Jesus" for Brass Quintet MP3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1066333 Composed by Max Reger…
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Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1066333 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Easter,Instructional,Sacred,Standards. Full Performance. Duration 63. Cristiano Vecchi #5019043. Published by Cristiano Vecchi (A0.1066333). The N.1 from 30 Little Chorale Preludes, op.135a for organ by Max Reger: a traditional lutheran hymn, Ach bleib mit deiner Gnade.Version for Brass Quintet: Trumpets in Bb 1&2 - Horn in F - Trombone - Tuba . Also available for Woodwind Quintet, String Quartet, Horn Quartet.Duration: 1'.Score and parts also available on this website.
$1.99
1.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Max Reger
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Cristiano Vecchi
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"Abide, O dearest Jesus" for Brass Quintet MP3
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Cristiano Vecchi
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SheetMusicPlus
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