This fresh setting of the Welsh tune, HYFYRDOL, works perfectly for an offertory, prelude, or devotional function. Although written for the Advent season, the multiple familiar hymns set with this tune (Come, Thou Long Expected Jesus; Praise the Lord, Ye Heavens Adore Him; Jesus, What a Friend for Sinners, and others) make the piece suitable throughout the church year. It is readily performed by high school or higher musicians yet still contains sufficient variety and artistic expression to be rewarding for even advanced performers. The familiar melody is stated clearly throughout and accompanied with interesting and sonorous harmonies so as to be accessible to all audiences. Find more music at https://wheatmyermusic.com/portfolio/ and my Facebook page: https://www.facebook.com/WheatMyerMusic/.

The MP3 clip here, limited to 30 seconds, happens late in the arrangement, which is 3 minutes and 15 seconds long. You'll hear the characteristic Stevie Wonder modulation up a half step. I brought the whole song down a half step from the original key of B (yikes!) to Bb. After the modulation players will be challenged briefly by the key of Cb. I urge you to purchase this arrangement, as I'm confident you'll find that I've captured the essential elements, as well as the excitement, of Stevie's great song, and allowed the brass quintet to sound at its best. Professional quintets can really enjoy this arrangement, but it is also playable by good student quintets.

That most sensual of ballroom dances, the tango, originated during the 1880s along the R�o de la Plata, the confluence of the Uruguay and Paran� rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries.
The tango is closely identified with Argentina, and Argentine musician �.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was ?El Choclo? (in English: ?The Corn Cob?!).
?El Choclo? premiered in Buenos Aires in 1903 and became one of Argentina?s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: ?Kiss of Fire.? A number of singers made recordings of ?Kiss of Fire? that year, the most popular of which was that of Georgia Gibbs; her ?Kiss of Fire? disc reached the top spot on the Billboard chart.
The melody for ?El Choclo? is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.
Completed in 2020, performance time for ?El Choclo? runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.