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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Run To Him
Non classifié
52
Piano & claviers
Piano seul
42
Piano, Voix
12
Piano, Voix et Guitare
8
Instruments en Do
5
Orgue
2
Piano Facile
2
Piano Trio: piano, violon, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
3
Guitare
3
Paroles et Accords
1
Guitare notes et tablatures
1
Voix
Chorale SATB
19
Chorale TTBB
6
Chorale Unison
4
Voix seule
3
Chorale 3 parties
2
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Chorale 2 parties
1
Chorale SSAA
1
+ 4 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Alto et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière et Piano
2
Saxophone Soprano et Piano
2
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
Clarinette et Piano
1
Flûte à bec Alto
1
Clarinette, Harpe (duo)
1
Clarinette, Basson (duo)
1
Saxophone Tenor et Piano
1
Quatuor de Flûtes à bec
1
Hautbois, Piano (duo)
1
Clarinette Basse
1
Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
1
+ 15 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Quatuor de Cuivres
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba
2
Cor et Piano
1
Ensemble de Tubas
1
+ 1 instrumentations
Retracter
Cordes
Violon et Piano
9
Quatuor à cordes: 2 violons, alto, violoncelle
8
Trio à Cordes: violon, alto, violoncelle
5
Alto, Piano
2
Violoncelle
2
Harpe
1
Violoncelle , Guitare (duo)
1
Violon, Violoncelle (duo)
1
2 Violons (duo)
1
Violoncelle, Piano
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
24
Batterie
23
Cloches
19
Orchestre d'harmonie
5
Ensemble Jazz
4
Orchestre
4
Orchestre à Cordes
3
Xylophone
1
+ 3 instrumentations
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PARTITIONS …
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
BLUEGRASS
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Run To Him
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
30 partitions trouvées
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Grandma Got Run Over By A Reindeer
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1459452
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1459452 Composed by Randy Brooks. Arranged by Will Corbin. Christmas,Country,Pop. 10 pages. Will Corbin #1038405. Published by Will Corbin (A0.1459452). Randy Brooks says he was inspired to write this song by a tipsy relative. Important useless but interesting related fact: Brooks is the nephew of Foster Brooks, who made the rounds of '60s TV sitcoms, talkies and variety shows playing a stumbling drunk. Brooks' band talked him out of recording it himself, so he turned it over to Elmo Shropshire (I'm not making this up), who recorded it in 1979. (This is what most people would refer to as a very bad career move on Brooks' part, since he has not otherwise been heard of since.)This version, instrumental only, spares you the silly story ... but everybody reconizes the tune.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
13.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Randy Brooks
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Will Corbin
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Grandma Got Run Over By A Reindeer
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Will Corbin
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SheetMusicPlus
Enter Aruna (Charioteer of Surya)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1304600
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1304600 By George B Chave. By George B Chave. Arranged by George B Chave. 21st Century,Chamber,Classical,Contemporary. 17 pages. BrassMagicMusic.com #894037. Published by BrassMagicMusic.com (A0.1304600). In epic accounts from Hindu literature Surya is angered by Rahu attacking him. Indeed, solar eclipses as explained in Hindu mythology are of Rahu swallowing Surya.  To prevent Surya from burning everything up, Brahma asks Aruna to become Surya’s charioteer. This quintet evokes the heroic character of Aruna, as well as his ability to temper Surya’s anger as they traverse the sky. Moderately difficult, Enter Aruna is appropriate for College and Professional level quintets. As with all my original brass quintet compositions and arrangements, I play through each part on each instrument to ensure playability and musicality. I also perform these compositions with my own quintet as a second measure of quality control. Rest assured, these pieces are well-crafted with meticulous attention to detail.
$11.99
11.05 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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George B Chave
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George B Chave
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Enter Aruna
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BrassMagicMusic.com
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SheetMusicPlus
Christmas-Thanksgiving Package for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.808714 Composed by Various. Arr…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808714 Composed by Various. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 362 pages. Sweetwater Brass Press #6717705. Published by Sweetwater Brass Press (A0.808714).   This is a one-stop answer for Christmas and Thanksgiving gig music. It consists of a collection of 23 traditional compositions, a total of about 43 minutes of music. All have proved to be among the most popular over the years, and all are in the public domain and copyright free.  These selections have been especially arranged for brass quintet. They average a little under two minutes, with the longest being 2:57 and the shortest, 1:12; just right for caroling, holiday parties or almost any such setting. The individual parts are mostly within the normal playing range of Bb trumpet, horn in F, trombone and tuba.  The Sheet Music Plus audio preview sample contains a few measures from most of the selections. In the download document, however, the arrangements are printed in alphabetical order.  Completed in 2022, total performance time for all items in the Package runs about 43 minutes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.33 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Various
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F
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Christmas-Thanksgiving Package for Brass Quintet
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Sweetwater Brass Press
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SheetMusicPlus
Blessed Are They That Mourn (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Bra…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Score and parts. 38 pages. Sweetwater Brass Press #3064649. Published by Sweetwater Brass Press (A0.808673).    Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted. The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement translates Brahms’ choral parts and orchestral accompaniment into a warm and appealing five-brass-instruments version.    This arrangement was completed in 2017, and performance time runs about 10 minutes, 32 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.33 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johannes Brahms
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F
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
Ms. Grace
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by F. Leslie Smith. Contemporary,Disco,Hip-Hop,Pop,R & B,Rock. Score and parts. 27 pages. Sweetwater Brass Press #800795. Published by Sweetwater Brass Press (A0.1202140). John Hall and his then-wife Johanna had written several hit songs for John's group, Orleans.  Johanna wanted to create a song in the 1950s doo-wop style she so admired.  They did, and their composition described a certain Miss Grace who enchanted the lyricist with her “satin and perfume and lace.† The problem was: that song really did not fit in with Orleans' pop rock repertoire and image.  Meanwhile, The Tymes, a Philadelphia group, was looking for a number that might revive its popularity.  So when the Miss Grace song was suggested they decided to take it on. This was the mid-1970s, just when the honorific Ms. was growing in use.  So The Tymes changed the song's title to “Ms. Grace.† Released as a single, the song did very well in the UK, topping the chart at number one in January 1975.  Written in 4/4 time, this brass quintet version flows along at about 104 BPM.  Beginning notation instructs that eighth-note pairs are to be played so that the first note is about twice as long as the second; in other words, swing style.  It retains the original D major key, but gives most of the melody to Horn and Trombone an octave lower so that it stays within normal playing range of the group.  The nature of the song is such that there are a number of phrases that begin with off-beat pickup notes. Trumpets provide accents and flourishes and occasionally take over the melody for a few measures.  Tuba really does the most work, playing through almost the entire piece.  Completed in 2023, performance time runs about 3 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.98 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johanna Hall and John Hall
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F
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in other words, swing style
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Ms. Grace
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Sweetwater Brass Press
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.98 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
"Faithfulness" ? a medley for brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Advanced Intermediate - Digital Download Composed by William Runyan, He…
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Brass Quintet - Advanced Intermediate - Digital Download Composed by William Runyan, Henri Hemy/J.G. Walton, Lowell Mason. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, General Worship. Score, Set of Parts. 18 pages. Published by Con Spirito Music
"Faithfulness" is a medley of three beloved hymns on the topics of God's faithfulness to his people and their faithful belief and life in Him. It includes "Great is Thy Faithfulness," "Faith of Our Fathers," and "My Faith Looks Up to Thee," and it incorporates original harmonizations, transitions/modulations, and orchestration for brass quintet. Ideal as a prelude to worship, as an offertory, or at communion, this advanced-intermediate arrangement is suitable for proficient high school musicians and church/community ensembles. Includes full score and parts for Bb trumpets 1-2, horn in F, trombone, and tuba. ©2019 Todd Marchand / ConSpiritoMusic.com."Faithfulness" is a medley of three beloved hymns on the topics of God's faithfulness to his people and their faithful belief and life in Him. It includes "Great is Thy Faithfulness," "Faith of Our Fathers," and "My Faith Looks Up to Thee," and it incorporates original harmonizations, transitions/modulations, and orchestration for brass quintet.
Ideal as a prelude to worship, as an offertory, or at communion, this advanced-intermediate arrangement is suitable for proficient high school musicians and church/community ensembles.
Includes full score and parts for Bb trumpets 1-2, horn in F, trombone, and tuba.
©2019 Todd Marchand / ConSpiritoMusic.com.
$15.00
13.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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William Runyan, Henri Hemy/J
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Todd Marchand
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"Faithfulness" ? a medley for brass quintet
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SheetMusicPlus
Philadelphia Morning
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472…
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472617 Composed by Bill Conti. Arranged by Mary Clark. Classical,Film/TV. 11 pages. Second Wind Music #1050268. Published by Second Wind Music (A0.1472617). “Philadelphia Morning” is a powerfully expressive composition that sets the tone for a scene early in the movie Rocky when the main character has just found out the he will get to fight the world champion boxer and sets out for a training run in the gritty city streets of Philadelphia at 4 a.m. on a dark, cold, dreary winter day. (click here to see a clip of this scene from the movie) This beautifully written piece is penetrating and pensive in describing the battle within, the solitude of it, the impossibility at hand, and generally, the struggle involved in pushing oneself. There is a powerful but subtle orchestration here; the sound of a kind of musical undertow — an undertow that is pulling our hero down, as if giving him leaden legs, or of running in quicksand. But there is also a twinkle of possibility. At the end, the [music] trails off and there is uncertainty in the air.” [From: Jack Doyle, “Philadelphia Morning: 1976-1977,” PopHistoryDig.com, March 25, 2015.]This brass quintet arrangement of Philadelphia Morning would work well as a short concert piece that showcases the expressive qualities of the French horn as well as that of the whole ensemble. This piece has a quiet, pensive, somewhat moody tempermanent. While this arrangement is not technically challenging (other than the range for the horn part noted below), the lean scoring and soft dynamics requires the ensemble to pay close attention to balance and play as one in style, tone quality, and expressiveness. Phrases passing from one player to another need to flow as if being played on a piano. The expressive opening eight-bar horn solo, which is a direct transcription from the movie score, is mostly unaccompanied and ranges up to a high b-flat so a strong, confident horn player is needed – but they will surely enjoy playing this elegantly written passage. (The film soundtrack recording features Vincent DeRosa on horn.) The bass trombone part can be played on a tuba.
$12.99
11.98 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Bill Conti
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Mary Clark
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Philadelphia Morning
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Second Wind Music
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SheetMusicPlus
Allegro - Score Only
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.1372446 By Solo Trumpet Player. …
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Brass Quintet - Level 3 - Digital Download SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical. 4 pages. Peet du Toit #956746. Published by Peet du Toit (A0.1372446). Franz Peter Schubert (German: [fÊants ˈpeËtÉ ËˆÊƒuËbÉt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs Erlkönig, Gretchen am Spinnrade, Ave Maria; the Trout Quintet, the unfinished Symphony No. 8 in B minor, the Great Symphony No. 9 in C major, the String Quartet No. 14 Death and the Maiden, a String Quintet, the two sets of Impromptus for solo piano, the three last piano sonatas, the Fantasia in F minor for piano four hands, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin, Winterreise and Schwanengesang.Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis.Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers in the history of Western classical music and his work continues to be admired and widely performed.
$17.00
15.67 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Solo Trumpet Player
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ed
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Allegro - Score Only
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Peet du Toit
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SheetMusicPlus
Christmas Bells Are Swinging
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1477610
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1477610 By Steve Dekker. By J. Fred Coots/ Haven Gillespie, Jules Styne/Sammy Cahn, & Walter Kent/Kim Gannon. Arranged by Steve Dekker. 20th Century,21st Century,Christmas,Holiday,Jazz. 37 pages. Steve Dekker #1054990. Published by Steve Dekker (A0.1477610). This medley for brass quintet with optional drum set is a hip take on 3 holiday classics (Santa Claus Is Comin' To Town, Let It Snow and I'll Be Home For Christmas). Filled with cool figures, jazz harmonies, musical quotes, nostalgia and whimsy, this arrangement is appropriate for high school, college and service levels players. This showcase for brass quintet will truly ring in the season and add a profound impact to your holiday concert! Run time is 6:10.
$50.00
46.1 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Steve Dekker
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Steve Dekker
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Christmas Bells Are Swinging
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Steve Dekker
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SheetMusicPlus
Once In Love With Amy
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.808700 Composed by Frank Loesse…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Brass Press #5020113. Published by Sweetwater Brass Press (A0.808700). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy, particularly its chorus, seems to lend itself to performance by musical instruments in the lower registers. And that’s what inspired this arrangement in which bass tuba carries the load with strong support from euphonium and tuba. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features euphonium and tuba playing melody while bass tuba provides tempo and pulse. Then comes the familiar chorus-Once in love with Amy, always in love with Amy-and bass tuba takes over. The first time through, bass tuba plays melody with the other two providing accompaniment; the second time, bass tuba plays an intricate counterpoint while euph and tuba do a rather smooth swing version of the melody. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 75 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for euphonium and bass tuba should be within normal playing range. Tuba, on the other hand, plays quite a few G and A notes at the top of the treble clef. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for brass quintet. This arrangement was completed in 2020, and performance time runs about 3 minutes, 1 second. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for euphonium) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
11.98 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Captain America March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1279471
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1279471 By Alan Silvestri. By Alan Silvestri. Arranged by Trevor Wilson. Chamber,Film/TV,Patriotic. 25 pages. Trevor's Music Studio #870954. Published by Trevor's Music Studio (A0.1279471). Brass quintet…. assemble! Dive into the Marvel Cinematic Universe with this amazing fanfare march for Captain America: The First Avenger written by the one, the only, you know him, you love him, Alan Silvestri. Perfect for a Disney themed concert, Americana celebration, Movie themed program, or just an impressive fanfare to open a concert with, this arrangement is suitable for the slightly more advanced brass quintet. The fast modal- and scale-like runs in the trumpet parts lie on the fingers well.This arrangement for brass quintet has optional percussion parts that add just that extra zing. Don’t know anyone who plays percussion? No problem! Play it with just the brass parts and it works great! Only know one drummer who plays set? Perfect! The parts are flexible enough to be played by one person on drum set (the cymbal part might be tricky though). Percussion parts are included.Download comes with full score and set of parts.
$19.99
18.43 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Alan Silvestri
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Trevor Wilson
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Captain America March
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Trevor's Music Studio
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SheetMusicPlus
Hello, Dolly!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Ar…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.
$15.99
14.74 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Louis Armstrong
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Keith Terrett
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Hello, Dolly!
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Keith Terrett
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SheetMusicPlus
Toot, Toot, Tootsie!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.44 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gus Kahn, Ernie Erdman and Dan Russo
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Chattanooga Choo Choo
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1377195
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 18 pages. Peet du Toit #961811. Published by Peet du Toit (A0.1377195). Chattanooga Choo Choo is a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun Valley Serenade. It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.The song opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. This is followed by the vocal introduction of four lines before the main part of the song is heard.The main song opens with a dialog between a passenger and a shoeshine boy:Pardon me, boy, is that the Chattanooga Choo Choo?Yes, yes, Track 29!Boy, you can give me a shine.Can you afford to board the Chattanooga Choo Choo?I've got my fare, and just a trifle to spare.The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.Here's my representation thereof with Sam Harrill's nifty percussion score supporting it.
$17.00
15.67 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Floyd Cramer
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Peet du Toit
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Chattanooga Choo Choo
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Peet du Toit
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SheetMusicPlus
The Boar's Head Carol - Brass Quintet - Intermediate
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.734424 Composed by Traditional …
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Brass Ensemble - Level 3 - Digital Download SKU: A0.734424 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Sacred,Standards. Score and parts. 10 pages. Chicory Music #5370939. Published by Chicory Music (A0.734424). The Boar's Head CarolThis Christmas carol talks about a feast during midwinter in which a wild boar was served as the main dish and its head placed in a situated position to symbolize bravery and abundance. Closely related to the Norse tradition of boar sacrifice to their goddess Freyja during the feast of Winter Solstice, this song originated from an urban legend in Queen's College, Oxford back in the 15th century which tells of how a scholar from Queen’s College managed to kill an attacking boar and offered it at dinner.The song was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde. It is also said to be the very 1st Christmas carol to ever be publish in English because it dates back that early.Although the modern versions of the song makes no mention of Christmas, the original verses does so in The boar's head we bring with song, in worship of Him that thus sprung, of a Virgin to redress all wrong; NoelThis Intermediate Level arrangement starts out in Bb Major and modulates to C Major for the final chorus. Performance time approx. 1 minute 45 seconds.
$9.99
9.21 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional English Carol
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Dennis Ruello
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Noel
This
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The Boar's Head Carol - Brass Quintet - Intermediate
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Chicory Music
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SheetMusicPlus
Four Early Jazz Classics for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.911345 By Keith Terrett. By Various. Arranged by…
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Level 3 - Digital Download SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #517391. Published by Keith Terrett (A0.911345). Four Early Jazz Classics from the USA for Brass Quintet includes: 1)Little Brown Jug:It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era. 2)Frankie & Johnny:Frankie and Johnny (sometimes spelled Frankie and Johnnie; also known as Frankie and Albert or just Frankie) is a traditional American popular song. It tells the story of a woman, Frankie, who finds that her man Johnny was making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. 3)Tin Roof Blues:Tin Roof Blues is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions. 4)Battle Hymn of the Republic:The Battle Hymn of the Republic, also known as Mine Eyes Have Seen the Glory outside of the United States, is a song by American writer Julia Ward Howe using the music from the song John Brown’s Body. Howe’s more famous lyrics were written in November 1861, and first published in The Atlantic Monthly in February 1862. The song links the judgment of the wicked at the end of time (Old Testament, Isaiah 63; New Testament, Rev. 19) with the American Civil War. Since that time, it has become an extremely popular and well-known American patriotic song. Arranged here for Brass Quintet, this arrangement is available for most ensembles of your choice, e-mail for other arrangements. An excellent selection for your next concert!
$18.00
16.59 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Keith Terrett
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Keith Terrett
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Four Early Jazz Classics for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Fast and Playful (Symphony No. 4, in E minor, Op. 98: Allegro giocoso)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1237416
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1237416 Composed by Johannes Brahms. Arranged by F. Leslie Smith. 19th Century,Chamber,Classical,Romantic Period,Wedding. 51 pages. Sweetwater Brass Press #832340. Published by Sweetwater Brass Press (A0.1237416). “Fast and Playful,†a jolly mix of fanfares and quieter, more lighthearted sections, packs impish drollery and escapades into one fun-filled piece.  Based on “Allegro giocoso,†the delightful third movement of Brahms Symphony No. 4, this arrangement was especially created for brass quintet.  It preserves the fun and whimsicality of the original but translates that into a form accessible for brass instruments.  Changes involve octaves and rhythmic figures, but melodic themes, sections, period order and key signature remain the same.   Completed in 2023, performance time at the suggested tempo runs about 6 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.44 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johannes Brahms
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F
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Fast and Playful
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Sweetwater Brass Press
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SheetMusicPlus
Lift High the Cross (Crucifer)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Sydney H. Nicholson (1875-1947). Arranged by F. Leslie Smith. Christian, Sacre…
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Composed by Sydney H. Nicholson (1875-1947). Arranged by F. Leslie Smith. Christian, Sacred, Easter, Lent. Score, Set of Parts. 32 pages. Published by Sweetwater Brass Press (S0.274709). - Score,Set of Parts - Christian,Sacred,Easter,Lent - Sweetwater Brass Press
In 1887, George Kitchin wrote ?Lift High the Cross.? Michael R. Newbolt revised it in 1916, and it was printed in that year in Sydney Nicholson?s supplement to Hymns Ancient and Modern. At the same time, it was set to Nicholson?s hymn tune, ?Crucifer,? and has since come to be used as the opening or closing hymn in many churches. There are several very good arrangements of ?Lift High the Cross? featuring brass instruments with varying combinations of other musicians?organ, choir, tympani, snare drum, hand bells, high voice descant. This arrangement features brass quintet alone, and the triumphant nature of the hymn?s melody sits exceptionally well with this particular instrumental grouping. It begins, however, with a completely different interpretation?the first time through the refrain and the verse are played relatively slowly, quietly and contemplatively (the tempo marking instructs ?Reverently?). The pace then picks up, and the feeling of the piece changes to one of exultation. This joyous mood is sustained throughout the variations that follow, and each player gets a chance to shine. Finally, after one last statement of the refrain, the dynamics quiet down for a beautifully soft finish. This is a perfect concert piece for Easter, Lent, or church processional or recessional. This arrangement was completed in 2017, and performance time runs about 5 minutes, 10 seconds. The arranger, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. In 1887, George Kitchin wrote ?Lift High the Cross.? Michael R. Newbolt revised it in 1916, and it was printed in that year in Sydney Nicholson?s supplement to Hymns Ancient and Modern. At the same time, it was set to Nicholson?s hymn tune, ?Crucifer,? and has since come to be used as the opening or closing hymn in many churches. There are several very good arrangements of ?Lift High the Cross? featuring brass instruments with varying combinations of other musicians?organ, choir, tympani, snare drum, hand bells, high voice descant. This arrangement features brass quintet alone, and the triumphant nature of the hymn?s melody sits exceptionally well with this particular instrumental grouping. It begins, however, with a completely different interpretation?the first time through the refrain and the verse are played relatively slowly, quietly and contemplatively (the tempo marking instructs ?Reverently?). The pace then picks up, and the feeling of the piece changes to one of exultation. This joyous mood is sustained throughout the variations that follow, and each player gets a chance to shine. Finally, after one last statement of the refrain, the dynamics quiet down for a beautifully soft finish. This is a perfect concert piece for Easter, Lent, or church processional or recessional. This arrangement was completed in 2017, and performance time runs about 5 minutes, 10 seconds. The arranger, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00
3.69 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Sydney H
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F
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Lift High the Cross
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Sweetwater Brass Press
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SheetMusicPlus
El Choclo (“Kiss of Fire”)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, S…
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Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press
That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries. <br> The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).<br> “El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.<br> The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.<br> Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries. <br> The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).<br> “El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.<br> The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.<br> Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.78 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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El Choclo
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Sweetwater Brass Press
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SheetMusicPlus
Two By Grieg: “Sarabande” and “The Last Summer”
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Edvard H. Grieg (1843-1907). Arranged by F. Leslie Smith. Romantic Period, TV,…
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Composed by Edvard H. Grieg (1843-1907). Arranged by F. Leslie Smith. Romantic Period, TV, European, Mother's Day, Wedding. Score, Set of Parts. 22 pages. Published by Sweetwater Brass Press (S0.131535). - Score,Set of Parts - Romantic Period,TV,European,Mother's Day,Wedding - Sweetwater Brass Press
In 1880, Edvard Grieg composed twelve songs based on the poetry of A.O. Vinje. Two of those he arranged for string orchestra as Two Elegiac Melodies. Four years later Grieg composed a five-piece suite to celebrate the 200th anniversary of the birth of Ludvig Holberg, the Norwegian-born writer who played a major role in the founding of Danish literature. Originally written for piano, Grieg soon arranged From Holberg?s Time for string orchestra. Nearly one hundred years later, Kathryn Forbes? novel, Mama?s Bank Account, was published, recounting the tale of a Norwegian family living in San Francisco in the early Twentieth Century. Forbes? book inspired a number of dramatic presentations, Broadway and Hollywood productions. Most relevant to ?Two By Grieg,? however, was Mama, a TV series CBS launched in 1949 that ran for eight years. This weekly half-hour program used two Grieg compositions as themes: ?Sarabande? from Holberg Suite and ?The Last Spring? from Two Elegiac Melodies. For many viewers, this was the first time they had ever heard these beautiful songs, and the two melodies have been forever linked thereafter. ?Sarabande? and ?The Last Spring? are the compositions that comprise ?Two By Grieg.? This arrangement is based on Grieg?s string orchestration and stays as close as possible to the original. Completed in 2016, this arrangement runs about 7 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. In 1880, Edvard Grieg composed twelve songs based on the poetry of A.O. Vinje. Two of those he arranged for string orchestra as Two Elegiac Melodies. Four years later Grieg composed a five-piece suite to celebrate the 200th anniversary of the birth of Ludvig Holberg, the Norwegian-born writer who played a major role in the founding of Danish literature. Originally written for piano, Grieg soon arranged From Holberg?s Time for string orchestra. Nearly one hundred years later, Kathryn Forbes? novel, Mama?s Bank Account, was published, recounting the tale of a Norwegian family living in San Francisco in the early Twentieth Century. Forbes? book inspired a number of dramatic presentations, Broadway and Hollywood productions. Most relevant to ?Two By Grieg,? however, was Mama, a TV series CBS launched in 1949 that ran for eight years. This weekly half-hour program used two Grieg compositions as themes: ?Sarabande? from Holberg Suite and ?The Last Spring? from Two Elegiac Melodies. For many viewers, this was the first time they had ever heard these beautiful songs, and the two melodies have been forever linked thereafter. ?Sarabande? and ?The Last Spring? are the compositions that comprise ?Two By Grieg.? This arrangement is based on Grieg?s string orchestration and stays as close as possible to the original. Completed in 2016, this arrangement runs about 7 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00
6.45 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Edvard H
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F
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Two By Grieg: “Sarabande” and “The Last Summer”
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Sweetwater Brass Press
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SheetMusicPlus
Funeral March of a Marionette (“Alfred Hitchcock Presents” Theme)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Charles Gounod (1818 ?1893). Arranged by F. Leslie Smith. Romantic Period, TV,…
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Composed by Charles Gounod (1818 ?1893). Arranged by F. Leslie Smith. Romantic Period, TV, Halloween, Children's Music, Recital. Score, Set of Parts. 24 pages. Published by Sweetwater Brass Press (S0.136443). - Score,Set of Parts - Romantic Period,TV,Halloween,Children's Music,Recital - Sweetwater Brass Press
Gounod wrote this in 1872 as a piano piece and orchestrated it seven years later. He originally conceived of it as one part of a satirical piano suite, the subject of which had nothing to do with puppetry. Once it was completed, however, he had it published as a stand-alone composition with the present title. The occasion of the music is that the Marionette has lost a duel and died; a funeral cortege takes place; the bereaved troupe takes a break then returns to the cortege. Recorded numerous times, the music was also used in several early films but reached its largest audience by far as the theme song for the TV series, ?Alfred Hitchcock Presents," 1955-1965. The current arrangement is based on the composer?s original piano score but has been augmented slightly to take advantage of brass quintet instrumentation. This arrangement was completed in 2016, and performance time runs about 5 minutes, 8 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. Gounod wrote this in 1872 as a piano piece and orchestrated it seven years later. He originally conceived of it as one part of a satirical piano suite, the subject of which had nothing to do with puppetry. Once it was completed, however, he had it published as a stand-alone composition with the present title. The occasion of the music is that the Marionette has lost a duel and died; a funeral cortege takes place; the bereaved troupe takes a break then returns to the cortege. Recorded numerous times, the music was also used in several early films but reached its largest audience by far as the theme song for the TV series, ?Alfred Hitchcock Presents," 1955-1965. The current arrangement is based on the composer?s original piano score but has been augmented slightly to take advantage of brass quintet instrumentation. This arrangement was completed in 2016, and performance time runs about 5 minutes, 8 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00
6.45 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Charles Gounod
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F
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Funeral March of a Marionette
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Sweetwater Brass Press
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SheetMusicPlus
Five Foot Two (Has Anybody Seen My Gal)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. S…
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Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 31 pages. Published by Sweetwater Brass Press
The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions. This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns. Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions.
This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns.
Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.78 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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Five Foot Two
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Sweetwater Brass Press
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SheetMusicPlus
Goodbye! So Long! I'm Headin' Home!: A Medley
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. …
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Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. Published by Sweetwater Brass Press (S0.86305). - Score,Set of Parts - Ragtime,Old-time,Americana - Sweetwater Brass Press
This novelty is great as either a featured number or as an encore. It is upbeat, a medley of turn-of-the-last-century tunes that, in the tradition of Haydn?s "Farewell" Symphony (No. 45 in F-sharp minor), provides opportunity for four musicians to leave, one by one, until only Tuba remains. It opens at a fast clip with a statement of ?Good-Night, Ladies? followed by a four-measure vamp that is subsequently repeated after nearly every section. First, horn and tuba perform ?There is a Tavern in the Town.? Second, trombone and trumpets combine to ask, ?Bill Bailey, Won?t You Please Come Home.? Third is a close-harmony, ensemble version of ?Goin? Home.? Fourth features exchanges between trumpets and low brass in ?Toot, Toot, Tootsie!? Fifth is an amalgam of all the tunes; this is played four times, each time featuring a different instrument, which then drops out for the rest of the number. The tuba ends the piece and takes a bow. This arrangement was completed in 2014, and performance time runs about 3 minutes, 56 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. This novelty is great as either a featured number or as an encore. It is upbeat, a medley of turn-of-the-last-century tunes that, in the tradition of Haydn?s "Farewell" Symphony (No. 45 in F-sharp minor), provides opportunity for four musicians to leave, one by one, until only Tuba remains. It opens at a fast clip with a statement of ?Good-Night, Ladies? followed by a four-measure vamp that is subsequently repeated after nearly every section. First, horn and tuba perform ?There is a Tavern in the Town.? Second, trombone and trumpets combine to ask, ?Bill Bailey, Won?t You Please Come Home.? Third is a close-harmony, ensemble version of ?Goin? Home.? Fourth features exchanges between trumpets and low brass in ?Toot, Toot, Tootsie!? Fifth is an amalgam of all the tunes; this is played four times, each time featuring a different instrument, which then drops out for the rest of the number. The tuba ends the piece and takes a bow. This arrangement was completed in 2014, and performance time runs about 3 minutes, 56 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00
3.69 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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Goodbye! So Long! I'm Headin' Home!: A Medley
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Sweetwater Brass Press
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SheetMusicPlus
Sheep May Safely Graze
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Johann Sebastian Bach (1685?1750). Arranged by F. Leslie Smith. Baroque Period…
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Composed by Johann Sebastian Bach (1685?1750). Arranged by F. Leslie Smith. Baroque Period, Easter, Wedding. Score, Set of Parts. 21 pages. Published by Sweetwater Brass Press (S0.203507). - Score,Set of Parts - Baroque Period,Easter,Wedding - Sweetwater Brass Press
Bach composed the secular cantata Was mir behagt, ist nur die muntre Jagd BWV 208 in 1713. By far, the most famous and most performed movement is the ninth, Schafe können sicher weiden, more popularly known by its English name, "Sheep May Safely Graze." Bach scored the piece for soprano with two recorders and continuo, but others have since provided arrangements for myriad instrument combinations. Long an instrumental favorite at weddings, now even some churches include ?Sheep May Safely Graze? on their list of recommended music for marriage ceremonies. This arrangement is particularly effective in translating Bach?s music into a beautiful and quiet brass quintet composition. Horn in F and Trumpet 1 take turns with the melody, while Trombone and Tuba provide the basso continuo. Upper accompaniment is given to Trumpet 2 and, at various points, whoever else is not otherwise engaged?Trumpet 1, Horn in F and occasionally even Trombone. This arrangement was completed in 2017, and performance time runs about 4 minutes, 4 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. If you like this arrangement, don?t miss ?Andante Cantabile from String Quartet Op. 11,? ?Arabesque #1,? ?Chorale St. Antoni,? ?Clair de lune? and ?Jesus Bleibet Meine Freude (Jesu, Joy of Man's Desiring).? For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. Bach composed the secular cantata Was mir behagt, ist nur die muntre Jagd BWV 208 in 1713. By far, the most famous and most performed movement is the ninth, Schafe können sicher weiden, more popularly known by its English name, "Sheep May Safely Graze." Bach scored the piece for soprano with two recorders and continuo, but others have since provided arrangements for myriad instrument combinations. Long an instrumental favorite at weddings, now even some churches include ?Sheep May Safely Graze? on their list of recommended music for marriage ceremonies. This arrangement is particularly effective in translating Bach?s music into a beautiful and quiet brass quintet composition. Horn in F and Trumpet 1 take turns with the melody, while Trombone and Tuba provide the basso continuo. Upper accompaniment is given to Trumpet 2 and, at various points, whoever else is not otherwise engaged?Trumpet 1, Horn in F and occasionally even Trombone. This arrangement was completed in 2017, and performance time runs about 4 minutes, 4 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. If you like this arrangement, don?t miss ?Andante Cantabile from String Quartet Op. 11,? ?Arabesque #1,? ?Chorale St. Antoni,? ?Clair de lune? and ?Jesus Bleibet Meine Freude (Jesu, Joy of Man's Desiring).? For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$8.00
7.38 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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F
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Sheep May Safely Graze
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Sweetwater Brass Press
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SheetMusicPlus
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