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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
S.-Kaspin Africa
Non classifié
282
Piano & claviers
Piano seul
200
Piano, Voix
137
Piano Facile
42
Piano, Voix et Guitare
29
Instruments en Do
10
Orgue
9
2 Pianos, 4 mains
8
1 Piano, 4 mains
7
Accompagnement Piano
6
Piano grosses notes
5
Piano (partie séparée)
3
Piano Trio: piano, violon, violoncelle
3
1 Piano, 6 mains
2
Accordéon
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
18
Guitare
10
Ukulele
4
Guitare (partie séparée)
4
Banjo
2
Dulcimer
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Mandoline
1
2 Guitares (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Basse électrique (partie séparée)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
165
Chorale 3 parties
44
Chorale TTBB
27
Chorale 2 parties
23
Chorale SSAA
16
Chorale Unison
16
Voix basse, Piano
4
Voix seule
2
Chorale SATBB
1
Chorale
1
Voix moyenne, Piano
1
+ 6 instrumentations
Retracter
Vents
Saxophone (partie séparée)
56
Clarinette (partie séparée)
41
Quatuor de Saxophones: 4 saxophones
20
Flûte traversière
19
2 Saxophones (duo)
18
Hautbois (partie séparée)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Quatuor de Clarinettes: 4 clarinettes
14
Saxophone Alto
13
2 Clarinettes (duo)
12
Flute (partie séparée)
12
Saxophone Alto et Piano
11
Saxophone Tenor
10
Flûte traversière et Piano
10
Quintette de Saxophone: 5 saxophones
10
2 Flûtes traversières (duo)
10
Clarinette
10
Saxophone, Clarinette (duo)
9
Flûte, Hautbois, Clarinette, Basson
8
Clarinette et Piano
8
Saxophone Tenor et Piano
8
Clarinette, Violon (duo)
7
Clarinette, Trompette (duo)
6
Saxophone
6
Flûte, Clarinette (duo)
6
Hautbois, Piano (duo)
6
Flûte, Violon
5
Quatuor de Flûtes : 4 flûtes
4
Flûte, Trompette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
2 Hautbois (duo)
3
Hautbois, Flûte
3
Flûte, Saxophone (duo)
3
Ensemble de Clarinettes
3
Hautbois, Clarinette (duo)
3
Clarinette et Alto
3
Saxophone Soprano
2
Quintette de Flûte : 5 flûtes
2
2 Flûte à bec (duo)
2
Clarinette Basse, Piano
2
Saxophone Baryton, Piano
1
Flûte à bec Soprano
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Violon
1
Saxophone et Orgue
1
Flûte, Violon, Piano
1
Hautbois, Basson (duo)
1
Flûte, Harpe et Violoncelle
1
Ensemble de Flûtes
1
Saxophone Soprano et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes, Basson
1
3 Clarinettes (trio)
1
3 Saxophones (trio)
1
+ 51 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
43
Trombone (partie séparée)
41
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Trompette
15
Tuba (partie séparée)
15
Trompette, Piano
13
Trombone et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor (partie séparée)
11
Trombone
9
Ensemble de Trombones
8
Trompette, Trombone (duo)
8
2 Trombones (duo)
6
2 Trompettes (duo)
6
Trompette, Saxophone (duo)
6
Cor et Piano
5
Cor
4
Quatuor de Cuivres
4
Ensemble de Trompettes
3
Tuba et Piano
3
2 Tubas (duo)
2
2 Cors (duo)
1
Cor, Tuba (duo)
1
Trombone et orchestre
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Trompette, Tuba (duo)
1
Euphonium, Piano (duo)
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon (partie séparée)
30
Violon
16
Violon et Piano
15
Violoncelle
14
2 Violons (duo)
13
Contrebasse (partie séparée)
11
Alto (partie séparée)
9
Violoncelle (partie séparée)
7
Violoncelle, Piano
7
2 Violoncelles (duo)
7
Harpe
7
Violon, Violoncelle (duo)
7
Alto, Piano
6
Trio à Cordes: violon, alto, violoncelle
5
2 Altos (duo)
5
Violon, Alto (duo)
5
Alto seul
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble de Violons
2
4 Violoncelles
2
Harpe et Piano
1
Violon, Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
50
Fanfare
29
Percussion (partie séparée)
27
Cloches
24
Orchestre à Cordes
20
Orchestre
15
Ensemble de cuivres
13
Ensemble de Percussions
9
Ensemble Jazz
9
Batterie (partie séparée)
8
Jazz combo
4
Timbales (partie séparée)
4
Orchestre de chambre
3
Marimba
2
3 Marimbas
1
Xylophone, Piano
1
Piano et Orchestre
1
Xylophone (partie séparée)
1
+ 13 instrumentations
Retracter
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▽ INSTRUMENTS
ACCORDEON
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AUTRES INSTRU…
BALALAIKA
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CHANT - CHORA…
CHARANGO
CITHARE
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ORCHESTRE
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|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
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|
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Cuivre
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Accordéon
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ORCHESTRE
|
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CHORALE / VOIX
|
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SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
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GENRES
|
20eme siecle
Asie
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Chanson Francaise
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Enfant
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Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
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Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
8
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|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
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PVG
Meilleures Ventes
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|
Tout Guitare
Guitare Débutant
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Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
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Chorale SSAA
Chorale UNISON
Meilleures Ventes
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INSTRUMENTS
|
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PIANO
GUITARES
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DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
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ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
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EUPHONIUM
TROMBONE
TROMPETTE
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FOLK
BALALAIKA
BOUZOUKI
CHARANGO
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DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
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PERCUSSION
VIBRAPHONE
XYLOPHONE
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INSTRUMENTATIONS
|
GENRES
|
20eme siecle
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Celtique
Chanson Francaise
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Enfant
Europe de l'Est
Examen
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--INSTRUMENTS--
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Crtitères actifs :
S.-Kaspin Africa
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
29 partitions trouvées
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1
26
There's No Place as Grand (as Bandana Land)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
FACILE
#
Comédie Musicale
#
Noble Sissle, Eubie Blake
#
Bill Wilson
#
There's No Place as Grand
#
Alexander Wilson
#
SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775302 Composed by Noble Sissle, Eubie Blake. Arranged by Bill Wilson. Broadway,Jazz,Musical/Show. 17 pages. Alexander...
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Brass Quintet - Level 2 - SKU: A0.775302 Composed by Noble Sissle, Eubie Blake. Arranged by Bill Wilson. Broadway,Jazz,Musical/Show. 17 pages. Alexander Wilson #5729833. Published by Alexander Wilson (A0.775302). There's No Place as Grand (as Bandana Land) is a rollicking song written by noted African-American songwriting duo Noble Sissle and Eubie Blake for their 1924 show The Chocolate Dandies. Our arrangement of this tune shares lead responsibilities across the two trumpets and French horn, reserving the trombone for Dixieland-style countermelody responsibilities, complete with glissandos. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:57. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Libyan National Anthem for Brass Quintet (2011) (New version after Col. Gadaffi's demise)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Patriotique
#
Africain
#
Libyan National Anthem for Bra
#
Keith Terrett
#
SheetMusicPlus
Composed by Composed by Mohamed Abdel Wahab. Arranged by Keith Terrett. 20th Century, African, Patriotic. Score and parts. 11 pages. Keith Terrett #62...
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Composed by Composed by Mohamed Abdel Wahab. Arranged by Keith Terrett. 20th Century, African, Patriotic. Score and parts. 11 pages. Keith Terrett #6217045. Published by Keith Terrett
$12.99
Central African Republic National Anthem ( La Renaissance ) for Brass Quintet
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Patriotique
#
Herbert Pepper
#
Keith Terrett
#
Central African Republic Natio
#
Casio
#
SheetMusicPlus
Composed by Herbert Pepper. Arranged by Keith Terrett. 20th Century, World, African, St. Patrick's Day, Patriotic. Score, Set of Parts. 9 pages. Published by Ca...
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Composed by Herbert Pepper. Arranged by Keith Terrett. 20th Century, World, African, St. Patrick's Day, Patriotic. Score, Set of Parts. 9 pages. Published by Casio (S0.112811). - Score,Set of Parts - 20th Century,World,African,St. Patrick's Day,Patriotic - Casio
$8.99
Africa - by Toto - for Brass Quintet
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Toto
#
Kate Agioritis
#
Africa - by Toto - for Brass Q
#
Musika Publishing Australia
#
SheetMusicPlus
Brass Quintet, Brass Choir or Ensemble - Advanced Intermediate - Digital Download By Toto. Arranged by Kate Agioritis. Score, Set of Parts. 37 pages. Publi...
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Brass Quintet, Brass Choir or Ensemble - Advanced Intermediate - Digital Download By Toto. Arranged by Kate Agioritis. Score, Set of Parts. 37 pages. Published by Musika Publishing Australia
Toto's iconic hit 'Africa' is still as popular today as it was when it topped the charts in 1982. This rhythmic and inventive arrangement for Brass Quintet (with optional trombone substitute for horn part) will quickly become a favourite among your repertoire.
View the full catalogue of Musika works on our website: www.musikapublishing.com. LIKE Musika Publishing on Facebook!
$19.99
Toto - Africa for Brass Quintet
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Toto
#
Seb Skelly
#
Toto - Africa for Brass Quinte
#
Seb Skelly
#
SheetMusicPlus
Brass Quintet - Advanced Intermediate - Digital Download By Toto. Arranged by Seb Skelly. Score, Set of Parts. 21 pages. Published by Seb Skelly...
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Brass Quintet - Advanced Intermediate - Digital Download By Toto. Arranged by Seb Skelly. Score, Set of Parts. 21 pages. Published by Seb Skelly
Toto's classic banger arranged for Brass Quintet. As heard on YouTube (https://youtu.be/_I-mYxdZIJk) with a few improvements and streamlining - don't say I don't treat you well!
Goes down a treat while busking or at any concert or event you find yourself playing at.
$19.99
Ethiopian National Anthem (March Forward, Dear Mother Ethiopia) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Solomon Lulu Mitiku
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Keith Terrett
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Ethiopian National Anthem
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Casio
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SheetMusicPlus
Composed by Solomon Lulu Mitiku. Arranged by Keith Terrett. 20th Century, World, African, Patriotic. Score, Set of Parts. 11 pages. Published by Casio (S0.11305...
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Composed by Solomon Lulu Mitiku. Arranged by Keith Terrett. 20th Century, World, African, Patriotic. Score, Set of Parts. 11 pages. Published by Casio (S0.113059). - Score,Set of Parts - 20th Century,World,African,Patriotic - Casio
An arrangement of the national anthem of Ethiopia arranged for Brass Quintet.Wodefit Gesgeshi, Widd Innat Ityopp'ya (Amharic: ???? ???? ?? ??? ??????; ???? ???? ?? ??? ?????; "March Forward, Dear Mother Ethiopia") is the national anthem of the Federal Democratic Republic of Ethiopia.he anthem's lyrics were written by Dereje Melaku Mengesha, and the music was composed by Solomon Lulu Mitiku. It was adopted in 1992, as part of reforms that followed the fall of the Derg regime.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
São Tomé and PrÃncipe National Anthem Independência total''-''Total independence'' for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Patriotique
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Manuel dos Santos Barreto de S
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Keith Terrett
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São Tomé and PrÃncipe
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Casio
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SheetMusicPlus
Composed by Manuel dos Santos Barreto de Sousa e Almeida. Arranged by Keith Terrett. World, African, Patriotic. Score, Set of Parts. 13 pages. Published by Casi...
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Composed by Manuel dos Santos Barreto de Sousa e Almeida. Arranged by Keith Terrett. World, African, Patriotic. Score, Set of Parts. 13 pages. Published by Casio (S0.118467). - Score,Set of Parts - World,African,Patriotic - Casio
$6.99
Were You There? (When They Crucified My Lord)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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African-American Spiritual
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Todd Marchand
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Were You There?
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Con Spirito Music
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SheetMusicPlus
Composed by African-American Spiritual. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. 13 pages. Published by Con Spirito Music (S0...
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Composed by African-American Spiritual. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. 13 pages. Published by Con Spirito Music (S0.181361). - - Christian,Gospel,Spiritual,Sacred,Americana - Con Spirito Music
?Were You There? is a nineteenth-century African-American spiritual that likely predates the American Civil War, and may have roots in a folk hymn known in Tennessee as ?Have You Heard How They Crucified MyLord?? It was first published in William Eleazar Barton's 1899 Old Plantation Hymns; and in 1940, it was included in the hymnal of the Episcopal Church with harmonization by C. Winfred Douglas, making it the first spiritual to be included in any major American hymnal. This arrangement evokes the call-and-response tradition of the spiritual, and features solo trumpet answered by low brass in the introduction and first stanza, solo trombone/low brass trio in the second stanza, and full ensemble in the final stanza. Although appropriate for use throughout the year, it is particularly fitting for performance on Good Friday, Holy Saturday (Easter Vigil) and Easter sunrise services. This intermediate-level arrangement is suitable for ensembles from high school to community and professional musicians. Copyright 2015 Todd Marchand / ConSpiritoMusic.com
$15.00
São Tomé and Príncipe National Anthem for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Keith Terrett
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Manuel dos Santos Barreto de S
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Keith Terrett
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São Tomé and Pr&
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Keith Terrett
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1214000 By Keith Terrett. By Composed by Manuel dos Santos Barreto de Sousa e Alm...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1214000 By Keith Terrett. By Composed by Manuel dos Santos Barreto de Sousa e Almeida (1933-). Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 12 pages. Keith Terrett #811197. Published by Keith Terrett (A0.1214000). Arranged for Brass Quintet “Independência total†came for this African island nation in 1975 from Portugal, when their anthem was adopted. The author of the lyrics held several governmental positions after independence: minister of Education and Culture, minister of Information and Culture, president of the National Assembly, and general secretary of the National Union of Writers and Artists of São Tomé e PrÃncipe.
$8.99
Kumbaya
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Bruce Gowers, Carol Rosenstein
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Kumbaya
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1401574 Composed by Bruce Gowers, Carol Rosenstein, Michael Lloyd, and Traditional. Arrange...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1401574 Composed by Bruce Gowers, Carol Rosenstein, Michael Lloyd, and Traditional. Arranged by S Smith-Masters & Peet du Toit. Christian,Christmas. 11 pages. Peet du Toit #984753. Published by Peet du Toit (A0.1401574). Kum ba yah (Come by here) is an African American spiritual song of disputed origin, but known to be sung in the Gullah culture of the islands off South Carolina and Georgia, with ties to enslaved Central Africans. The song is thought to have spread from the islands to other Southern states and the North, as well as other places in the world. The first known recording, of someone known only as H. Wylie, who sang in the Gullah dialect, was recorded by folklorist Robert Winslow Gordon in 1926. It later became a standard campfire song in Scouting and summer camps and enjoyed broader popularity during the folk revival of the 1950s and 1960s.The song was originally an appeal to God to come and help those in need. In American politics, the song would later become part of a phrase (sing Kumbaya) denoting unrealistic, excessively optimistic compromises.Here is a brilliant arrangement by S Smith-Masters orchestrated for a brass quintet and functional percussion.
$14.00
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Allelujah from Motet Exsultate, Jubilate K 615 - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Soprano and Brass Quintet
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Peet du Toit
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Allelujah from Motet Exsultate
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet ...
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Brass Quintet - Level 4 - SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet du Toit #956760. Published by Peet du Toit (A0.1372453). This religious solo motet was composed when Mozart was staying in Milan. During the production of his opera Lucio Silla which was being performed there in the Teatro Regio Ducale. It was written for the castrato Venanzio Rauzzini, who had sung the part of the primo uomo Cecilio in Lucio Silla the previous year. While waiting for the end of the run (from 26 December 1772 to 25 January 1773), Mozart composed the motet for his singer, whose technical excellence he admired. Its first performance took place at the Theatine Church on 17 January 1773, while Rauzzini was still singing in Mozart's opera at night. Mozart made some revisions around 1780. On 30 May 1779, a Trinity Sunday, a revised version was performed by Francesco Ceccarelli at the Holy Trinity Church, Salzburg. Another revised version was intended for Christmas. The manuscripts of the two Salzburg versions were discovered in 1978 in St. Jakob, Wasserburg am Inn. In modern times, the motet is usually sung by a female soprano.I was tempted to combine the soprano and a brass quintet. We have performed this arrangement quite successfully at many venues, including a national music festival (Wakkerstroom, South Africa, March 2023).
$25.00
Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Herbert L
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Geoffrey Bergler
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Herbert L. Clarke - The Southe
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.810733 Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. 20th Century,Folk. Score and parts. 19 pages. Gor...
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Brass Ensemble - Level 5 - SKU: A0.810733 Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. 20th Century,Folk. Score and parts. 19 pages. Gordon Cherry #1986139. Published by Gordon Cherry (A0.810733). Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year  for Victor Records. During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August. Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag. This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet. Instrumentation is for: 2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo) Horn, Trombone Tuba/Bass Trombone The sound track features Mr. Bergler from his student days as Cornet soloist.
$20.00
Now Shall My Inward Joys Arise
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Africa
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Nathaniel Hontz
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Now Shall My Inward Joys Arise
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TigerSong LLC
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SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.1082991 By Africa. By William Billings (1746-1800). Arranged by Nathaniel Hontz. Folk,Patriotic,Sacred,Traditional. S...
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Brass Ensemble - Level 1 - SKU: A0.1082991 By Africa. By William Billings (1746-1800). Arranged by Nathaniel Hontz. Folk,Patriotic,Sacred,Traditional. Score and parts. 11 pages. TigerSong LLC #687203. Published by TigerSong LLC (A0.1082991). A beautiful old colonial American hymn by one of the United State's first composers. For Brass Quintet.
$12.99
Spiritual: Listen to the Lambs for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Robert Nathaniel Dett
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Richard Decker
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Spiritual: Listen to the Lambs
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1050020 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1050020 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 23 pages. Charles Decker Music Press #654420. Published by Charles Decker Music Press (A0.1050020). Early 20th century Canadian-American composer, conductor and pianist Robert Nathaniel Dett's Listen to the Lambs choral anthem combines his neo-romantic style and advocacy for spirituals in this engaging arrangement for brass quintet. Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Always looking to improve his compositional capabilities, Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. This brass quintet arrangement is scored for two B-flat trumpets (alternate C trumpet parts included), horn in F (alternate flugelhorn substitute part), trombone and tuba. The recording is of the entire edition. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$14.99
Listen to the Mocking Bird - Port Royal Civil War Series for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Frederick Fennell
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Aaron Hettinga
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Listen to the Mocking Bird - P
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Aaron Hettinga
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782117 By Frederick Fennell. By Richard Milburn. Arranged by Aaron Hettinga. 19th Century,Classical,Folk,...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782117 By Frederick Fennell. By Richard Milburn. Arranged by Aaron Hettinga. 19th Century,Classical,Folk,Patriotic,Traditional. 22 pages. Aaron Hettinga #6851515. Published by Aaron Hettinga (A0.782117). Richard Milburn was a 19th-century African-American composer and barber who wrote the melody for Listen to the Mocking Bird which was later set to lyrics by Alice Hawthorne, also known as Septimus Winner (1827 – 1902). The song’s extreme popularity led Gustavus Washington Ingalls (1824-1903) as bandmaster for New Hampshire’s 3th Regimental band (also known as the Port Royal Band), to contribute a spirited arrangement of Milburn’s melody for the Port Royal band books used during the American Civil War.
$24.99
Grazing In The Grass
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Pop musique
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Hugh Masekela
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Will Corbin
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Grazing In The Grass
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1460783 By Hugh Masekela. By Harry Elston and Philemon Hou. Arranged by Will Corbin. Pop. 1...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1460783 By Hugh Masekela. By Harry Elston and Philemon Hou. Arranged by Will Corbin. Pop. 13 pages. Will Corbin #1039682. Published by Will Corbin (A0.1460783). South African trumpeter Hugh Masekela first recorded this song in 1968 as an instrumental. A year later, The Friends Of Distinction added lyrics and made it a big hit in the U.S.It's mostly an excercise in tonguing, and also a quick measure of just how tight your group is.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
My Ragtime Baby for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Fred S
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Charles Decker
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My Ragtime Baby for Brass Quin
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1242857 Composed by Fred S. Stone. Arranged by Charles Decker. 19th Century,Jazz,March,Mult...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1242857 Composed by Fred S. Stone. Arranged by Charles Decker. 19th Century,Jazz,March,Multicultural,Pop,World. 24 pages. Charles Decker Music Press #837904. Published by Charles Decker Music Press (A0.1242857). My Ragtime Baby was the 1898 mega hit featured in the Sousa Band European 1900 tour that introduced European audiences to American Ragtime. Fred Stone was a prominent African-American composer and conductor in the early Ragtime movement. The rag is arranged for two B-flat trumpets, horn in F, trombone and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99
Swing Along! for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Will Marion Cook
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Charles Decker
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Swing Along! for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99
LARGO from The New World Symphony (for brass quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Ralph Raymond Hays
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LARGO from The New World Symph
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Ralph Raymond Hays
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.720737 Composed by Antonin Dvorak. Arranged by Ralph Raymond Hays. Concert,Contemporary,Romantic Period,Sacred,Weddin...
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Brass Ensemble - Level 3 - SKU: A0.720737 Composed by Antonin Dvorak. Arranged by Ralph Raymond Hays. Concert,Contemporary,Romantic Period,Sacred,Wedding. Score and parts. 9 pages. Ralph Raymond Hays #6246845. Published by Ralph Raymond Hays (A0.720737). AntonÃn Dvořák's poignant melody -- inspired by African American spirituals and lullabies -- has been masterfully edited and arranged for brass quintet by one of SMP's top arrangers. Transposed to a more hospitable key, this arrangement will imbue a solemn occasion, religious service, or recital with warmth and pathos.
$11.99
After the Cake Walk for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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R
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Charles Decker
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After the Cake Walk for Brass
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1047456 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Cen...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1047456 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Century,Contest,Festival,Jazz,Pop,Ragtime. 24 pages. Charles Decker Music Press #652018. Published by Charles Decker Music Press (A0.1047456). This entertaining and playful cakewalk, forerunner of ragtime style, is by the prominent Canadian-American Black composer Nathaniel Dett who studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. Scored for two trumpets in B-flat (with alternate C trumpet parts), horn (with flugelhorn substitute), trombone (with treble clef euphonium substitute) and tuba, the arrangement has wide audience appeal and is very accessible for less experienced players. The recoding is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others..For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99
Basin Street Blues
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Spencer Williams
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Will Corbin
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Basin Street Blues
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1458413 Composed by Spencer Williams. Arranged by Will Corbin. Blues,Historic,Jazz. 22 page...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1458413 Composed by Spencer Williams. Arranged by Will Corbin. Blues,Historic,Jazz. 22 pages. Will Corbin #1037395. Published by Will Corbin (A0.1458413). Basin Street sits on the edge of the French Quarter of New Orleans. A few years before this song was written, it served as the border of a red-light district known as Storyville. A city councilman named Sidney Story came up with the idea of creating a district to which prostitution would be limited, where it could be watched and regulated. So The District was created in 1897; it soon became known as Storyville, much to the chagrin of Councilman Story. During its 20-year official life, a visitor could buy a blue book for two bits that listed prostitutes alphabetically and by race and address. It was abolished in 1917 during World War I because it violated a rule that no house of prostitution could be within 5 miles of a military base. The Navy wanted its sailors pure of heart. It's also a place where jazz grew up. The bordellos hired musicians to entertain customers, who weren't particularly interested in the music. So the mostly black performers were free to experiment, to try new syncopated rhythms, to blend the sounds of African drums and plantation gospel to come up with what would become known as Dixieland music. Storyville (it would later mostly be razed for public housing, and still later begin to gentrify as property values rose) was where Spencer Williams wrote the song in 1928; Louis Armstrong, who spent some of his childhood nearby, first recorded it in 1928. It has since been recorded by dozens of other artists.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
Goin' Home - Largo from New World Symphony (Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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B
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Goin' Home - Largo from New Wo
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Ben Dockery
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1259233 Composed by Antonin Dvorak. Arranged by B. C. Dockery. 19th Century,Classical,Folk,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1259233 Composed by Antonin Dvorak. Arranged by B. C. Dockery. 19th Century,Classical,Folk,Romantic Period,Spiritual. 8 pages. Ben Dockery #852506. Published by Ben Dockery (A0.1259233). First known as the African American spiritual Goin' Home, this is Largo from Antonin Dvorak's New World Symphony No. 9 in E Minor, Op. 95, Mvmt. II. Arranged for brass quintet: two B-flat trumpets, french horn, trombone, and tuba. Great for lessons, recitals, and performances of all kinds. Easy intermediate level. Includes score and parts.
$8.99
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