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130
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100
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63
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7
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2
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1
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1
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32
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14
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3
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63
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43
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37
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6
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4
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3
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1
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20
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14
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11
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7
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6
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5
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5
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4
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4
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4
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3
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3
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2
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2
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2
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2
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1
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1
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1
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1
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1
Clarinette Basse
1
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1
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1
Saxophone Tenor et Piano
1
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1
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1
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1
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20
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12
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5
Cor (partie séparée)
4
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4
Trompette
3
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2
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1
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1
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1
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18
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14
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11
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9
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8
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8
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6
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5
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4
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3
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3
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3
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3
4 Violoncelles
2
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1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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27
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6
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4
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4
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Schönberg
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Contemporain
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Josef Weinberger
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arr
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later additions included 
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Hermine - Josef Weinberger arr
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contempo...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contemporary. Score and parts. 13 pages. Peet du Toit #6859613. Published by Peet du Toit (A0.802701). Josef Weinberger has been synonymous with popular musical theater for over 125 years. Weinberger was born the son of a goldsmith in Lipto St. Miklo in Hungary but his family moved to Vienna in 1865. In 1885 Josef Weinberger and Carl Hofbauer started an art and music store in Vienna, but the partnership ended when both partners set up on their own, Weinberger in 1890 and Hofbauer in 1892. Weinberger saw the potential, in publishing and licensing, of the craze for operetta, and made a connection with Johann Strauss II. Within a few years all the great operetta composers were his clients: Strauss, Millöcker, Zeller, Kálmán, Oscar Straus, Stolz, and Fall. He even provided licensing services for the last great Viennese operetta composer, Franz Lehár, who from the 1920s published through his own company, Glocken-Verlag.The firm expanded quickly, opening branches in Paris (1885) and Leipzig (1889) where they worked with Friedrich Hofmeister. One of the most remarkable aspects of the developing Weinberger catalogue was the commitment to Czech music, and from April 1893 to August 1894 the Hofmeister entries were almost all by Smetana (various publications of Dalibor and HubiÄka as well as overtures) and Vilém Blodek (V studni); later additions included Tajemstvi (1895) and LibuÅ¡e (1897). Otherwise most of the repertoire was of popular music for various combinations, not least military bands, with von Suppé figuring prominently from 1895 onwards.The mid 1890s also saw significant enlargements of the Weinberger catalogue through the acquisition of other publisher's lists: in 1894 the ancient firm of Artaria, then in 1895 items from the Kratochwill catalogue and over 1,500 works from the Kratz catalogue of theatrical works. This latter acquisition included a number of works with international performing rights, which encouraged Weinberger to open a Parisian branch in 1896, but it also reflected a shift in Weinberger's publishing interests towards theatrical music generally. Another major step in that direction was taken in 1897, when the entire theatrical catalogue of Gustav Lewy – which included the stage works of Johann Strauss the younger and Millöcker – were taken over (with the Strauss performing rights following in 1899).Weinberger was active in three other fields apart from popular music. Firstly, he was Gustav Mahler's third publisher, issuing the Lieder eines fahrenden Gesellen in 1897, and distributing Symphonies nos 1-3, Das klagende Lied and Lieder aus des Knaben Wunderhorn (1900) on behalf of the owner of the publishing rights, the Erste Wiener Zeitungsgesellschaft. Secondly, he took an active part in setting up a trade association, AKM (Gesellschaft der Autoren, Komponisten und Musikverleger or society of authors, composers and publishers) to collect the performance fees due for non-theatrical musical works, in 1897. Finally, Weinberger was the driving force behind the founding of Universal Edition in Vienna in 1901, and not only served as its managing director until 1906 (when he was replaced by Arthur Fadüm), but also provided the new company with space in his own firm's premises until 1908.This orchestration is for a brass quintet. The French Horn acts as a substitute or support for Trumpet 2.
$14.00
Canzona Bergamasca - Samuel Scheidt
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Samuel Scheidt
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Randy A
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Canzona Bergamasca - Samuel Sc
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Randy A. Steinberg
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SheetMusicPlus
Composed by Samuel Scheidt (1587-1654). Arranged by Randy A. Steinberg. Baroque Period. Score, Set of Parts. 36 pages. Published by Randy A. Steinberg (S0.16597...
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Composed by Samuel Scheidt (1587-1654). Arranged by Randy A. Steinberg. Baroque Period. Score, Set of Parts. 36 pages. Published by Randy A. Steinberg (S0.165971). - Score,Set of Parts - Baroque Period - Randy A. Steinberg
$6.99
Morgens bin ich immer müde
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Trude Herr
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Morgens bin ich immer müd
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Soundnotation
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SheetMusicPlus
Brass quintett - Intermediate - SKU: 2S.4251133771336 By Trude Herr. By Werner Scharfenberger. Pop, German Pop. Score and Parts. 14 pages. Soundnotation...
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Brass quintett - Intermediate - SKU: 2S.4251133771336 By Trude Herr. By Werner Scharfenberger. Pop, German Pop. Score and Parts. 14 pages. Soundnotation #4251133771336. Published by Soundnotation (2S.4251133771336). This edition contains the original sheet music for the well-known song - Morgens bin ich immer müde - by Trude Herr. Arranged for brass quintet with 2 trumpets in Bb, horn in F, trombone and tuba. Score and parts included. Easy difficulty in D minor.
$26.95
Christmas Pictures At An Exhibition for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Noël
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Various
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Sy Brandon
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Christmas Pictures At An Exhib
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Sy Brandon
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SheetMusicPlus
Brass Quintet - Level 5 - SKU: A0.1350175 Composed by Various. Arranged by Sy Brandon. 19th Century,Christmas. 61 pages. Sy Brandon #934956. Published b...
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Brass Quintet - Level 5 - SKU: A0.1350175 Composed by Various. Arranged by Sy Brandon. 19th Century,Christmas. 61 pages. Sy Brandon #934956. Published by Sy Brandon (A0.1350175). This setting of Christmas carols is modeled after parts of the Ravel transcription of Mussorgsky’s “Pictures at an Exhibition.†It begins with a “Promenade†in 5/4 based on “O Come, O Come Emmanuelâ€. Measures 20 - 140 is modeled after “The Ballet of Unhatched Chicks†and uses the carols “O Come Little Children,†“Pat-a-pan,†and “Fum Fum Fum.†This is followed by the “Promenade†from measures 141 to 151. Measures 152 to 214 is modeled after “Bydlo†and uses the carols “God Rest Ye Merry, Gentlemen†and “Good King Wenceslausâ€. Measures 215 - 225 is a shorter, more pensive “Promenadeâ€. “Samuel Goldenberg and Schmuyle†is the influence on the setting of “Rise Up Shepherds and Follow†from measures 226 -252. This is followed by a setting of Hark! The Herald Angels Sing†from measures 253 - 280 that is influenced by “The Hut on Fowl’s Legs.†This leads directly into a majestic chorale setting of “O Come, All Ye Faithful†that is modeled after “The Great Gate of Kiev†as it brings the piece to a triumphant conclusion.
$15.00
I Saw Him Once
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Comédie Musicale
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Alain Boublil
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James Haynor
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I Saw Him Once
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James Haynor
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1253352 By Alain Boublil. By Claude-Michel Schonberg. Arranged by James Haynor. Broadway,Mu...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1253352 By Alain Boublil. By Claude-Michel Schonberg. Arranged by James Haynor. Broadway,Musical/Show. 11 pages. James Haynor #847067. Published by James Haynor (A0.1253352). “ I Saw Him Once is a song that appeared in the first English production of the musical Les Miserables in London.This arrangement of “ I Saw Him Once “ is scored for brass quintet. It is playable by intermediate players and makes a great ballad addition to any program. Although scored with flugelhorns, trumpets may of course be substituted.( Duration - 1:47 )Â
$12.99
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