This great song has been sung by so many different performers now it's the turn of your Brass Quintet.
Scored for Standard Brass Quintet with optional parts for Treble Clef Brass Band Instruments.

It's Been a Long, Long Time has resurfaced into the mainstream media thanks to the latest Avenger's movie! This song plays on the vinyl turntable as Steve Rogers and Peggy Carter share an intimate dance in the closing scene of the movie. The version here is based off of renowned trumpet soloist Harry James' rendition of the song originally by Sammy Cahn and Jule Styne. I included the original sax solo, but also included the chords for those who would like to improvise their own melody. Please enjoy this nostalgic and emotional music!

"Wouldn't It Be Nice" is a song written by Brian Wilson, Tony Asher, and Mike Love for American rock band the Beach Boys, released as the opening track on their 1966 album Pet Sounds. The song was also released as a single two months after the album's release with "God Only Knows" as its B-side.[3] In other countries, the sides were flipped, with "Wouldn't It Be Nice" as the single's B-side. Its lyrics describe a couple in love lamenting about being too young to run off to get married, fantasizing about how nice it would be if they were adults. Arranged for standard brass quintet of 2 trumpets, horn, trombone and tuba. The melody is shared between trumpet 1 and trombone /horn (in the bridge section) Enjoy!

An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet.

"King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records.


The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song.

The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song."

"King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.

The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs".

Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.

A send-up version by English entertainer Billy Howard was a British chart hit in 1976.

A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.

An arrangement of the national anthem of Germany ( "Deutschlandlied"), arranged for classical brass quintet.The "Deutschlandlied" (English: "Song of Germany", German pronunciation: [?d??t?lant?li?t]; also known as "Das Lied der Deutschen" or "The Song of the Germans"), or part of it, has been the national anthem of Germany since 1922, except in East Germany, whose anthem was "Auferstanden aus Ruinen" ("Risen from Ruins") from 1949 to 1990.Since World War II and the fall of Nazi Germany, only the third stanza has been used as the national anthem. The stanza's beginning, "Einigkeit und Recht und Freiheit" ("Unity and Justice and Freedom") is considered the unofficial national motto of Germany,[1] and is inscribed on modern German Army belt buckles and the rims of some German coins.The music was written by Austrian composer Joseph Haydn in 1797 as an anthem for the birthday of Francis II, Emperor of the Holy Roman Empire and later of Austria. In 1841, the German linguist and poet August Heinrich Hoffmann von Fallersleben wrote the lyrics of "Das Lied der Deutschen" to Haydn's melody, lyrics that were considered revolutionary at the time.The song is also well known by the beginning and refrain of the first stanza, "Deutschland, Deutschland �ber alles" ("Germany, Germany above all"), but this has never been its title. The line "Germany, Germany above all" meant that the most important goal of 19th-century German liberal revolutionaries should be a unified Germany which would overcome the perceived anti-liberal ethos of then-fragmented Germany (Kleinstaaterei). Along with the flag of Germany, it was one of the symbols of the March Revolution of 1848.In order to endorse its republican and liberal tradition, the song was chosen as the national anthem of Germany in 1922, during the Weimar Republic. West Germany adopted the "Deutschlandlied" as its official national anthem in 1952 for similar reasons, with only the third stanza sung on official occasions. Upon German reunification in 1990, only the third stanza was confirmed as the national anthem.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Euday L. Bowman's "12th St. Rag" is a fantastic example of a rag that was reshaped into many different forms by different performers. Our version faithfully reflects the structure of the original composition (I have been unable to find any other arrangements of this that preserve the exciting introduction.) It starts by giving the tuba modified arpeggios (to show who's "boss"!), then we're off and running with the familiar meat of the rag. The primary melody is passed back and forth between the trumpets, with the other instruments either playing offbeats or embroidering around the melody with delicious countermelodic snippets. The trombone part contains a number of Dixieland-style glissandos. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:10. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

?How Can I Keep From Singing?? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) ? the first being ?Shall We Gather at the River?? Born in Philadelphia, Lowry studied at Pennsylvania's Lewisburg (today Bucknell) University; was ordained a Baptist minister in 1854; served in churches in Pennsylvania, New York, and New Jersey; and later returned to Lewisburg and served as chancellor. Best remembered as a writer of more than 500 gospel songs and hymns, Lowry served as editor for Biglow and Main publishing company, where he edited numerous gospel song books and hymn books. Like Horatio Spafford?s ?It Is Well With My Soul,? Lowry?s ?How Can I Keep From Singing?? (also known as ?Endless Song?) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim: "My life flows on in endless song above earth?s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I?m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?" This intermediate-level arrangement is quick to rehearse, satisfying to play, and well-received by audiences. Suitable for high school ensembles, church and community musicians, and professionals for use in concert, recital, and worship. Ideal as a prelude or offertory/communion anthem. �Copyright 2016 Todd Marchand / ConSpiritoMusic.com

This song was written in 1913 by A. F. Frankenstein and F. B. Silverwood. It was the official song of the expositions held in San Francisco and San Diego in 1915. In 1951 the State Legislature passed a resolution designating it as the California State Song and in 1987 it became the official State Song, although it is not well known. This is an arrangement of the song for brass quintet.

This fresh setting of the Welsh tune, HYFYRDOL, works perfectly for an offertory, prelude, or devotional function. Although written for the Advent season, the multiple familiar hymns set with this tune (Come, Thou Long Expected Jesus; Praise the Lord, Ye Heavens Adore Him; Jesus, What a Friend for Sinners, and others) make the piece suitable throughout the church year. It is readily performed by high school or higher musicians yet still contains sufficient variety and artistic expression to be rewarding for even advanced performers. The familiar melody is stated clearly throughout and accompanied with interesting and sonorous harmonies so as to be accessible to all audiences. Find more music at https://wheatmyermusic.com/portfolio/ and my Facebook page: https://www.facebook.com/WheatMyerMusic/.

This is an arrangement of an ACDC song which includes one of the greatest guitar riffs of all time. It has some flamboyant solos in the middle where trumpets, french horn and trombonist take on the role the guitar soloist. An exciting arrangement to show off your skills. Duration: 3.30 www.maxstannardmusic.com @MStannardMusic.

An arrangement of the regional anthem of Brittanny for Brass Quintet.

Bro Gozh ma Zado� (Breton: Old Land of My Fathers) is the anthem of Brittany, sometimes presented as the "national anthem" although it has no official status. It is sung to the same tune as that of the national anthem of Wales, Hen Wlad Fy Nhadau, and has similar words. The Cornish anthem, Bro Goth Agan Tasow, is also sung to the same tune.

The Breton lyrics are the creation of Fran�ois Jaffrennou in 1897, and the music was that composed by James James, of Pontypridd, Wales, for Hen Wlad Fy Nhadau. The new song was first published in 1898, and circulated as Henvelidigez ("Adaptation"). It was chosen as national anthem (and a song to celebrate friendship between the Welsh and Bretons) in 1903, at a Congress of the Union R�gionaliste Bretonne held in Lesneven. Maurice Duhamel adapted it for the piano, and it was first recorded by Path� in 1910.

James James (also known by the bardic name Iago ap Ieuan) (1833?1902) was a harpist and musician from Pontypridd, Wales. He composed the tune of the Welsh national anthem Hen Wlad fy Nhadau (also known as Land of my Fathers).

He was born on 4 November 1832, at the ?Ancient Druid? inn, Hollybush, in the parish of Bedwellty, Monmouthshire. He was the son of Evan James (1809-1878) and Elizabeth Stradling of Caerphilly. His father, a Welsh versifier under the pen-name of leuan ab lago, moved with his family about 1844 to Pontypridd, where he carried on the business of weaver and wool merchant. His son James assisted him in the business.

James James composed the melody which was later known as Hen Wlad fy Nhadau in January 1856. At first it was known as Glan Rhondda (The banks of the Rhondda), and gave rise to the tradition that the tune had come to him as he walked on the bank of the River Rhondda. His father, Evan James, wrote the lyrics that eventually became the words of the Welsh national anthem.

A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd. James James died in Aberdare in the Cynon Valley 11 January 1902,[3] he is buried in the local cemetery at Aberdare in the same grave as his wife Cecilia and daughter Louisa.

For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com

You have the option to mute the French Horn during the first section but it is open on the soli section. * I arranged this for Brass Quintet because I was tired of performing inappropriate arrangements with almost stereotypical stylings. There is only one other arrangement out there that is a pretty good arrangement that wouldn't offend your "Latino" audience. Written by Jose Feliciano, it is a pop tune (latin Rock) and not a traditional Christmas carol as some people have mistakenly called this work. A very popular selection at Christmas and a chart that would be "inclusive", you really should have an arrangement of this in your Christmas folder. So, if you have the Maracas to play this, have at it .(Maracas/Clave part included).

An arrangement of the national anthem of Pakistan for Brass Quintet.Shortly before independence, an interim anthem hastily written by Jagnnath Azad, a Hindu, was put into use at the time of Pakistan?s independence in August, 1947. Then in December, 1948, a committee to select a national anthem for Pakistan was formed. A member of the committee, Ahmed Ghulamali Chagla, was asked to produce a composition. Mr. Chagla?s background in music involves study in both western and eastern music, and characteristics of eastern music can be found in the anthem.After some ?test runs? which included performances for the Prime Minister, for a visiting head of state, for the Prime Minister?s visit to the United States, and finally for the committee itself, it was then approved by the anthem committee in August 1950 and gained official recognition in December 1953. The words, written in a highly Persianized form of the national language, Urdu, were composed by another member of the committee and officially approved in August 1954. The anthem is sometimes referred to by its first line (?Pak sarzamin shad bad? (Blessed Be The Sacred Land).For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.